My July-Aug 2025 EQMM column.

My Jury Box column has been published in the July/August 2025 Ellery Queen Mystery Magazine, including reviews of short story collections and classic reprints by Ethel Lina White (of The Lady Vanishes and Some Must Watch fame), Sara Woods, the intriguing Madelon St. Denis, Miles Burton (aka Cecil John Charles Street), Dorothy Cameron Disney, and Mary Fortune (a 19th-century mystery pioneer who emigrated to Australia).

Aldous and Gillies on Harry O.

Steve Aldous and Gary Gillies, authors of McFarland's Harry O Viewing Companion, clear up misconceptions about the beloved PI series and discuss the program's original San Diego location in a two-part episode of Ed Robertson's TV Confidential radio show. Part 1 includes a clip of the late David Janssen talking about the series and some clips from Harry O episodes. The upcoming Part 2 covers the roles of Farrah Fawcett (as Harry's girlfriend Sue Ingham) and Les Lannom (as aspiring criminologist Lester Hodges) as well as the favorite episodes of Aldous, Gillies, and Robertson.

Score to Pursuit (1972).

Martin Sheen in Pursuit (1972)

As Scott Bettencourt writes in Film Music Friday, Intrada has released Jerry Goldsmith's score to the TV movie Pursuit (dir. and writ. Michael Crichton, 1972). In Pursuit, G-man Ben Gazzara seeks to thwart an extremist who plans to unleash nerve gas on a city. For more information and to hear some selections, go here. 

New mural on Erle Stanley Gardner, Malden, MA.

Malden, MA, has honored its native son, author-attorney Erle Stanley Gardner, unveiling a mural by Fred Seager on May 19 that pays tribute to the Perry Mason mysteries. It is located on the Bike to the Sea bike path in Malden. Gardner was born in Malden in 1889, moving to California with his family when he was 10 years old.

Mural by Fred Seager in Malden, MA, honoring the Perry Mason mysteries
by Erle Stanley Gardner. Photo: Malden's Ward 3 Councillor Amanda Linehan

New dramatization, Peters' Crocodile on the Sandbank.

Graphic Audio will release in June a new full-cast dramatization of Elizabeth Peters' Crocodile on the Sandbank, the first in her series with 19th-century Egyptologist Amelia Peabody (later Emerson). The intrepid Amelia, armed with her trusty parasol, faces skullduggery on an archaeological dig, including a rampaging mummy.

Score to Christie's The Mirror Crack'd (1980).

 

As Scott Bettencourt writes enthusiastically in Film Score Friday, John Cameron's score to The Mirror Crack'd (dir. Guy Hamilton, 1980, based on the Agatha Christie novel, featuring Angela Lansbury as Miss Marple, Elizabeth Taylor, and Rock Hudson) will soon be issued by Caldera. For more information or to listen to some clips, go here.

Nathan Ashman: Edgar winner, Sallis companion.

The hardworking Nathan Ashman (University of East Anglia) nabbed the Edgar in the Best Critical/Biographical category for his book James Sallis: A Companion to the Mystery Fiction (I edit the McFarland Companions to Mystery Fiction). The many works of the multitalented Sallis (an author and poet active in both mystery and sci-fi) include his novel Drive (filmed with Ryan Gosling and Carey Mulligan), his Lew Griffin series, and his biography of African American mystery author Chester Himes.

The Sallis companion is currently on sale at McFarland.

Clues 43.1: Christie, Hamilton, Hammett, Høeg, multilingual study, Ukrainian crime fiction.

Clues: A Journal of Detection 43.1 (2025) has been published; see below for abstracts. Contact McFarland for a hard copy issue or a subscription.

Update, May 26, 2025: Kindle, Nook, and GooglePlay versions of the issue are now available.

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Introduction: Insight into Messy Truths
Caroline Reitz (John Jay College of Criminal Justice/CUNY Graduate Center)

The executive editor of Clues discusses this issue’s contents, including a teaching forum on detective fiction in the multilingual classroom and essays on Agatha Christie, Len Deighton, Dashiell Hammett, Peter Høeg, the femme fatale, older female figures in domestic noir dubbed “toxic,” and Ukrainian crime fiction.

Ukrainian Crime Fiction: Trends, Themes, Traditions
Svitlana (Lana) Krys (MacEwan University, Canada)

This article traces the development of crime fiction in Ukraine: its origins in the gothic literary movement, main authors, historical memory and colonial traumas, role as an instrument of Ukraine’s cultural diplomacy, limited presence in the Soviet era, and proliferation following Ukraine’s independence. 

Sympathy for the Devil: Failed Catharsis and Universal Guilt in Agatha Christie's Curtain
Emilie Laurent (Université Clermont Auvergne, France)
Reading Christie's Curtain as a depiction of an ideological battle between good and evil, this essay analyzes the novel as a manipulation of the reader’s moral judgment that dissolves the genre’s over-optimistic promise of restoration social order and generates anxiety about a possible guilt located within the reader’s self. 

Dangerous Skepticism and the Challenge of Acknowledgment in Peter Høeg’s Smilla’s Sense of Snow
Christine Hamm (University of Bergen, Norway)
This essay argues that crime fiction can encourage readings of literature that differ from those criticized by Rita Felski (2015) as outcomes of a “hermeneutics
of suspicion.” Tracing motivations for and effects of skepticism at the plot level,  Nordic noir such as Smilla’s Sense of Snow promotes acknowledgment rather than “critique.”  

Pie in the Sky: Political Readings of Dashiell Hammett’s “Faith”
Jacob A. Zumoff (New Jersey City University)
This essay examines “Faith,” a short story by Dashiell Hammett unpublished in his lifetime, exploring its relationship to detective fiction, proletarian fiction, and literary modernism. The story’s setting suggests a left-wing perspective yet resists easy political categorization, contributing to our understanding of Hammett’s evolving literary approach to detective fiction and complex relationship to left-wing politics and modernism.

A Woman Agent in the Male World of the Cold War Spy Novel:
The Case of Len Deighton’s Fiona Samson
Howard Mason
This essay discusses Len Deighton’s Fiona Samson, a female agent with strong character traits who is working for the West during the Cold War. Samson’s womanhood and femininity, as well as her love of husband and family, eventually take precedence over her agency as a professional intelligence officer.  

New Allingham audiobook.

Cover of 2015 Omnibus ed.
(in French) of Allingham's
The Crime at Black Dudley

New to Librivox's free audiobook catalog is Margery Allingham's The Crime at Black Dudley (1929), the first novel in her series with the mysterious sleuth Albert Campion. In the 2 June 1968 New York Times, Allen J. Hubin called The Crime at Black Dudley "a fine tale of death in an English country house."

Peter Lovesey, 1936–2025.

Elizabeth Foxwell (left) and Peter Lovesey,
Malice Domestic VIII, 1996.

 
Like many in the mystery world, I reeled from the news that the multitalented Peter Lovesey died on April 10 at age 88. Over a more than 50-year career, Peter produced many different kinds of mystery works—historically oriented (e.g., the 19th-century Sergeant Cribb series; the hilarious Bertie, Prince of Wales tales; the 1920s The False Inspector Dew, based on the Dr. Crippen case, and winner of the Gold Dagger), contemporary mysteries (the Peter Diamond series), and tons of short stories. The Cribb series was adapted for TV (starring Alan Dobie), and Peter also served as story consultant on the Rosemary & Thyme TV series (with Felicity Kendal and Pam Ferris as gardener-sleuths). Peter became so intrigued by William F. Deeck's regular columns in Malice Domestic's newsletter The Usual Suspects on less-than-stellar writer James Corbett that he managed to track down Corbett's work and Corbett's family. (To give an example of Corbett's work, his novel Devil-Man from Mars notes that the Devil-Man reaches Earth earlier than expected because he had a fine tailwind).

Peter teamed up with fellow writer Edward Marston (aka Keith Miles) to write the light-hearted "The Corbett Correspondence," which pays tribute to Deeck, skewers Corbett, and was nominated for an Agatha Award. It is written as a series of letters between "Agent No. 5" and "Agent No. 6," and I understand that Peter and Keith faxed pieces back and forth to each other as their working method.

Peter was beloved not only for the quality of his work but also for his generosity and keen sense of humor. Malice Domestic attendees will recall his song with writing advice such as "You must make all the characters ugly and mean / And start Chapter 1 with an autopsy scene." He was always up for contributing a short story or a nonfiction piece (as he did for Mystery Scene, when I was asking authors for reflections on their first sale for the magazine) and participating in an event (I once organized a mystery panel at Georgetown University with Peter and Miriam Grace Monfredo). I corresponded with him for years, was privileged to have called him a friend, and will miss him greatly.

Rebecca Josephy on magic and detective fiction.

On The Magic Book podcast, Rebecca Josephy (Oakland Univ) talks about the collection she edited, Magic, Magicians and Detective Fiction: Essays on Intersecting Modes of Mystery (McFarland, 2025), on the use of magic and magicians in mysteries, including discussion of impossible crimes and supernatural elements. It analyzes this subgenre's nineteenth-century roots and features reflections on writers such as Canadian-born author Grant Allen (An African Millionaire), Japanese writer Edogawa Ranpo, and American magician-author-editor-illustrator Clayton Rawson. Josephy, a French literature and detective fiction specialist, contributes an essay on gentleman thief Arsène Lupin, created by Maurice Leblanc.

• Review of Magic, Magicians and Detective Fiction in Mythlore, vol. 43, no. 2 (2025). 

• Read about Josephy's earlier Clues article, "A Study in Daniel: Tracing the Biblical Origins of Sherlock Holmes" (38.1, 2020)

Film Music Friday: The films of Gene Hackman.

Kansas Public Radio's Film Music Friday pays tribute to Gene Hackman, who died in February, including the score for The French Connection (1971; director William Friedkin, composer Don Ellis, screenwriter Ernest Tidyman [author of Shaft]).

Score to Cape Fear (1991).

In Film Score Friday, Scott Bettencourt discusses the release by Quartet Records of the score to Cape Fear (dir. Martin Scorcese, 1991), in which composer Elmer Bernstein incorporated elements of composer Bernard Herrmann's score for the earlier Cape Fear film (dir. J. Lee Thompson, 1962) as well as Herrmann's score for Torn Curtain (1962) that Alfred Hitchcock rejected (see Steve Vertlieb's account for the story behind that, which resulted in a permanent rupture in the Hitchcock-Herrmann relationship). To listen to clips from the 1991 Cape Fear score, go here. Both films were based on the novel by John D. MacDonald.

New: The Harry O Viewing Companion.

New from McFarland: The Harry O Viewing Companion by Steve Aldous and Gary Gillies, with comprehensive information on the 1972–76 TV series with David Janssen as Harry Orwell, a San Diego cop turned private detective. It includes goodies such as interviews with co-stars Anthony Zerbe (who won an Emmy for his performance in the series) and Les Lannom; fascinating details from the papers of series creator Howard Rodman; a look at guest stars such as Farrah Fawcett, Jodie Foster, and Kurt Russell; as well as behind-the scenes images lent by Zerbe and photos of shooting locations.

J.C. Bernthal on Agatha Christie, Best Part of the Book podcast.

J. C. Bernthal, author of Agatha Christie: A Companion to the Mystery Fiction, will discuss the life, work, and enduring popularity of Christie as well as his experiences as a Christie fan and challenges in writing the book on the Mar 14 episode of The Best Part of the Book, McFarland and Co.'s podcast. I edit the companion series. 

Take 25% off the Christie Companion with coupon code BESTPART on the McFarland website.

2025 Dove Awardee: David Geherin.

The Detective/Mystery Caucus of the Popular Culture Assocation announced its latest Dove Awardee: David Geherin, professor emeritus of English at Eastern Michigan University, who is an Edgar nominee in the Best Critical/Biographical category this year for Organized Crime on Page and Screen. He received earlier Edgar nominations for The Crime World of Michael Connelly: A Study of His Works and Their Adaptations (2022), Scene of the Crime: The Importance of Place in Crime and Mystery Fiction (2008; also nominated for a Macavity Award), and The American Private Eye: The Image in Fiction (1985). His other books include Carl Hiaasen: Sunshine State Satirist (2019), Funny Thing About Murder: Modes of Humor in Crime Fiction and Films (2017), Small Towns in Recent American Crime Fiction (2015), and Elmore Leonard (1989).

The award, given to individuals who have contributed to the serious study of mystery, detective, and crime fiction, honors well-known mystery scholar George N. Dove. The chair of the Dove Award Committee is Rachel Schaffer (Montana State University Billings). Past recipients include Frankie Y. Bailey (University at Albany, SUNY), Martin Edwards, Barry Forshaw, Douglas G. Greene, P.D. James, Christine Jackson, H. R. F. Keating, Margaret Kinsman, Maureen Reddy (Rhode Island College), Janet Rudolph, J. K. Van Dover (Lincoln University), and yours truly.  

• David Geherin reads from Organized Crime on Page and Screen.

The Silence of Snow: The Life of Patrick Hamilton.

Various venues will be hosting The Silence of Snow: The Life of Patrick Hamilton, a one-man show with actor Mark Farrelly as the talented but troubled playwright-author of works such as Rope, Angel Street (aka Gaslight), and Hangover Square. 

• Petersfield Museum (Petersfield, UK), Apr. 17, 2025 

• Hope Mill Theatre (Manchester, UK), Apr. 25–26, 2025

• The Swallow Theatre (Whithorn, Scotland), Oct. 3–4, 2025

• Interview with Mark Farrelly

Conductor Leonard Slatkin and composer Bernard Herrmann.

Conductor Leonard Slatkin, ca. 2015.
Wikimedia Commons

Over on ClassicalMusic.com, conductor Leonard Slatkin shares fascinating memories about the orchestras of 20th Century–Fox and Warner Brothers—his father, Felix, was lead violinist in the 20th Century–Fox orchestra, and his mother, Eleanor Aller, was first chair in the cello section of the Warner Brothers orchestra. He met composer Bernard Herrmann and witnessed the recording of Herrmann's score for The Day the Earth Stood Still (1951). Other composers he met included Max Steiner, Dimitri Tiomkin, and Franz Waxman, and he has appreciative words for Carl Stallings, the well-known composer for Merrie Melodies of cartoon fame. He also shares his picks for memorable film scores, including John Williams' score for The Fury (1978).

Celebrating the work of R.C. Sherriff.

R.C. Sherriff. NYPL

Marking 50 years since the death of playwright-author-screenwriter R. C. Sherriff (1896–1975), the R.C. Sherriff Trust is celebrating his work this year and is publicizing various events (such as film festivals). Sherriff might be best known for his World War I play Journey's End (1928), but his oeuvre includes the screenplay for The Invisible Man (dir. James Whale, 1933), the screenplay for the film noir Odd Man Out (dir. Carol Reed, 1947), and the murder mystery plays Home at Seven (aka Murder on Monday, 1950; film, dir. Ralph Richardson, 1952) and A Shred of Evidence (1960).

On the set of Odd Man Out, w/James Mason, left;
cameraman Russell Thompson (looking through
viewfinder); director of photography Robert Krasker
(seated); and director Carol Reed (at right).

Film Music Friday: The Maltese Falcon

The latest episode of Kansas Public Radio's Film Music Friday on Warner Brothers films includes selections from The Maltese Falcon (1941).

Edgar nomination for Sallis companion.

James Sallis: A Companion to the Mystery Fiction by Nathan Ashman (University of East Anglia) has been nominated for an Edgar Award in the best Critical/Biographical category. This is no. 13 in the McFarland Companions to Mystery Fiction series that I edit. Sallis may be best known for the novel Drive (filmed with Ryan Gosling and Carey Mulligan), although he is the author of numerous mysteries and a well-regarded book on Chester Himes, is a poet, and has been active in the science fiction community. 

Other companion volumes that have previously been nominated for an Edgar are James Ellroy (by Jim Mancall) and Ian Rankin (by Erin E. MacDonald, also a Macavity Award nominee).

J. S. Fletcher on his ouput.

As reported in the February 1933 issue of American Mercury, mystery author J. S. Fletcher (1863–1935) wrote to his publisher, Alfred Knopf, on 7 November 1932 about his output: 

Some controversy having arisen in a literary journal as to whether I have written as many books as Edgar Wallace, I asked the British Museum people to tell me how many books I have published. I have just had their reply—233. 

Awful!

Film Music Friday: "Sherlock Holmes in the Movies."

 

Nicol Williamson as Sherlock Holmes in
The Seven-Per-Cent Solution (1976)

A recent episode of Kansas Public Radio's Film Music Friday is on "Sherlock Holmes in the Movies," with selections ranging from The Hound of the Baskervilles and Sherlock Holmes and the Voice of Terror to The Seven-Per-Cent Solution and Young Sherlock Holmes.

Still more on Simenon, Maigret, etc.

As I noted in blog posts in 2019 and 2022, Christopher Osterberg of the Budapest Times has been reading his way through the Georges Simenon oeuvre. Here are links to his reviews since July 2022:

• The New Investigations of Inspector Maigret

• The Widow Couderc

• The World of Bond and Maigret (a 1964 dialogue between Ian Fleming and Simenon; link to booklet)