Erle Stanley Gardner, ca. 1935 |
Featuring History of Mystery/Detective Fiction and Other Literary Ramblings of Elizabeth Foxwell
Tuesday, September 26, 2017
The Case of the Curious Bride (1935).
Monday, September 25, 2017
More on German detective fiction.
Bruce Campbell, German studies program director and associate professor, at the College of William & Mary, follows up his fall 2016 lecture on the heavy historical legacies of German detective fiction with a September 15 appearance on the radio program With Good Reason.
Labels:
German detective fiction,
mystery history
Tuesday, September 19, 2017
Criss Cross (1949).
Burt Lancaster and Yvonne De Carlo in Criss Cross (1949) |
Monday, September 18, 2017
Interview with Evan Hunter (1994).
1963 ad for 87th Precinct with Robert Lansing as Steve Carella |
Labels:
Alfred Hitchcock,
Ed McBain,
Evan Hunter,
police procedural
Tuesday, September 12, 2017
Background to Danger (1943).
In Background to Danger, U.S. agent George Raft seeks to thwart a German plot that aims to mobilize Turkey against Russia during World War II. Costars include Brenda Marshall, Sydney Greenstreet, and Peter Lorre. Based on the novel by Eric Ambler, the film was directed by Raoul Walsh, with a screenplay by W. R. Burnett (Little Caesar, The Asphalt Jungle, etc.) and some screenwriting help by William Faulkner.
Labels:
Eric Ambler,
espionage,
mystery films,
W. R. Burnett,
William Faulkner
Monday, September 11, 2017
Flubs by Robinson and Bogart.
Tuesday, September 05, 2017
Remembering Richard Anderson: "The Purple Room" (1960).
Ad for The Long Hot Summer (1958) |
Monday, September 04, 2017
Alafair Burke on the legal system in fiction.
In Why Fiction? in the New England Law Review, Alafair Burke—a law professor at Hofstra University as well as fiction writer—explains why she writes about the law through fiction. As Burke notes:
(thanks to the Law & Humanities blog)the work of a novelist depicting our criminal justice system in fiction is not wholly separate from the work of studying the criminal justice system in actuality. Whether an author realizes it or not, it is impossible to create an interesting, albeit fictional, depiction of the criminal justice system, without having something interesting to say about its real-world counterpart. (2)
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