Clues 44.2 (2026) has been published, which is a theme issue on "Reappraising James Ellroy," guest edited by Nathan Ashman (U of East Anglia, UK) and Steven Powell (U of Liverpool, UK). See below for abstracts. I will update this post when the ebook versions are available. Contact McFarland for subscriptions.
Introduction: Reappraising James Ellroy / Steven Powell and Nathan Ashman
The coeditors discuss the contents of this theme issue on the work of James Ellroy, including articles on The Black Dahlia, Perfidia, the Underworld USA Trilogy (American Tabloid, The Cold Six Thousand, Blood’s a Rover)
“It’s Good for Business”: The Conspiratorial Logic of James Ellroy’s Underworld USA Trilogy / Nathan Ashman
This article examines the meaning and function of conspiracy in James Ellroy’s
Underworld USA Trilogy. Engaging with twentieth century and contemporary debates on “conspiracy culture,” it contends that Ellroy presents a vision of history shaped less by coherent political ideologies than by competing economic interests.
Histories of Bad Men: William Guy Banister and Clandestine Archives in American Tabloid and Libra / Bradley J. Wiles (Northern Illinois U)
This article compares James Ellroy’s American Tabloid and Don DeLillo’s Libra through their portrayals of William Guy Banister, a key figure in Kennedy assassination lore. Banister’s appeal is rooted in his representation as a conduit to secret history, which could potentially provide answers to the many mysteries surrounding the Kennedy assassination.
The Big Elsewhere: American Tabloid, States of Exception, and Imperial Noir
Rodney Taveira (U of Sydney, Australia)
American Tabloid and its successors map a dispersed network of limited sovereignty marked by a convergence of state and criminal violence. This essay argues that Ellroy’s Underworld USA trilogy and L.A. Quintet develop a form of “imperial noir” where the procedural methods of domestic crime fiction expose the extractive and racialized logics of American empire.






























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