There's news that the Ngaio Marsh House in Christchurch, NZ, is experiencing a lack of sustained funding at both the national and local levels.
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| Ngaio Marsh House in Christchurch, NZ, 2021. Photo by Pipjohn. Wikimedia Commons. CC BY-SA 4.0. |
Featuring History of Mystery/Detective Fiction and Other Literary Ramblings of Elizabeth Foxwell
There's news that the Ngaio Marsh House in Christchurch, NZ, is experiencing a lack of sustained funding at both the national and local levels.
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| Ngaio Marsh House in Christchurch, NZ, 2021. Photo by Pipjohn. Wikimedia Commons. CC BY-SA 4.0. |
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| Israel Zangwill, ca. 1901. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection, NYPL, |
One hundred years after the death of author Israel Zangwill (1864–1926), the Victorian Jewish Writers Project will host an online symposium examining Zangwill’s writing, public career, and legacy on Aug 4 at noon (ET). Among Zangwill's works is the locked-room novel The Big Bow Mystery (1891) and the short story "Cheating the Gallows" (1893).
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| Scene from The Crime Doctor (1934), adaptation of The Big Bow Mystery. |
Over on the Travel + Leisure Asia website, Manas Sen Gupta discusses the largely Atlanta-area filming locations for the Apple TV series Cape Fear (based on The Executioners by John D. MacDonald, which has had two film adaptations). The series features Amy Adams, Patrick Wilson, and Javier Bardem.
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| Christopher Morley, left, w/publisher Mitchell Kennerley, ca. 1930. Genthe photograph collection, Library of Congress, Prints and Photographs Division. |
More on the Knothole:
• Christopher Morley Knothole Assn
• "Christopher Morley: Life in Roslyn" from the Bryant Library (Roslyn), which includes images of the Knothole
• Articles by the Long Island Press
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| Fulton Oursler, ca. 1928 |
His Mystery Magazine contributions:
"The Sign of the Seven Sharks," MM no. 12, 1 May 1918
"Shadowing the Blue Triangle," MM no 16, 1 Jul 1918
"The Magician Detective," MM no. 20, 1 Sept 1918
"The Evil Eye," MM no. 28, 1 Jan. 1919
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| Cover of Mystery Magazine no 81 |
"The Whispering Head," MM no 50, 1 Feb 1920
"The Clue of the Red Lamp," MM no 63, 15 Jun 1920
"The Spirit Bell," MM no 69, 15 Dec 1920
"The Jeweled Pipe of Persia," MM vol 3, no 75, 15 Dec 1920 (An inspector and a magician attempt to thwart the theft of a priceless object.)
"The Spirit Witness," MM no 76, 1 Jan 1921
"Professor Satan," MM no 81, 15 Mar 1921. (Professor Satan is a daring jewel thief)
"The Man in Room No. 7," MM no 87, 15 Jun 1921
"The Trance Detective," MM no 91. Aug 1921
"Counterfeit Clues," MM no 98, 1 Dec 1921
"A Man from Siam," MM no 105, 15 Mar 1922 (A detective tangles with a mysterious figure from the East.)
"A Whispering Mummy," MM no. 110, 1 Jun 1922
"The District Attorney's Secret," MM no 114, 1 Aug 1922
"A Master of Millions," MM no 123, 1 Jan 1923
"The Hand in the Dark," MM no 130, 15 Apr 1923 (A man seeks to clear his former love of a charge of murdering her husband.)
"One Clue Missing," MM no 135, 1 Jul 1923
"The Footprints on the Ceiling," MM no 150, 15 Feb 1924
An episode of the podcast Another Shirt Ruined (focusing on Elizabeth Peters' Amelia Peabody Emerson series) features Ava Dickerson, an archivist at IU Bloomington's Lilly Library, who catalogued the papers of Peters (aka Barbara Michaels and Barbara Mertz). Learn about aspects of the collection, some fans who wrote to Peters, challenges in cataloguing, and more.
Further Reading: Ava Dickerson, "Journey to the Center of the Mertz" (blog posts).
New music releases include:
• The Grissom Gang (1971; composer Gerald Fried). Dragon's Domain Records. For more information or to hear some clips, go here.
• The Private Files of J. Edgar Hoover (1977) and Background to Violence suite (composer Miklós Rózsa); the suite includes selections from The Naked City, The Killers, and Brute Force). Citadel Records. For more information or to hear some clips, go here.
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| "The Death of Sherlock Holmes" by Sidney Paget. 1893. |
On the Periscope Films YouTube channel, there is a newsreel program, "It Seemed Like Yesterday." In it, there are a few seconds of author Mary Roberts Rinehart aboard a ship in the 1920s.
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| Vincent Starrett, ca. 1926. |
The Torists International will be hosting the conference "And It Is Always 1895" in honor of the 140th birthday of writer, journalist, critic, collector, and noted Sherlockian Vincent Starrett (1886–1974) on Oct. 23–25, 2026, in Bensenville, IL (near O'Hare Airport). Guest speakers will include Ray Betzner, editor of Starrett's The Private Life of Sherlock Holmes (orig. publ. 1933), and author-critic Michael Dirda. A trip to Starrett's gravesite in Chicago's Graceland Cemetery also is planned (the organization is interested in establishing an endowment that would assist in maintaining the gravesite). As the registration fee is scheduled to increase in August, it is probably a good idea to register early.
The title of the conference refers to a line in Starrett's famous poem "221B."
As Scott Bettencourt notes in Film Score Friday, Dragon's Domain Records has released The Golden Age of Crime Dramas, vol 1, which includes Harry Sukman's score for Underworld, U.S.A. (dir. Samuel Fuller, 1961), and Barry Gray's score for Crossroads to Crime (dir. Gerry Anderson, 1960). To hear some clips, visit this webpage.
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| Collection of Mary Fortune stories published by Verse Chorus Press and coedited by Lucy Sussex and Megan Brown |
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| Edgar Allan Poe, 1848. Library of Congress, Prints & Photos Div. |
The Novel: Formal and Ethical Considerations (May 21)
• “Spectacular Violence, Speculative Truth: JFK, Conspiracy Culture, and Birth of the True Crime
Novel,” Pinar Tasdemir, Univ of Wisconsin–Madison
Religion in Contemporary American Fiction (May 21)
• “Late Thomas Pynchon: Detective Fiction and the Inner Life,” Luke Ferretter, Baylor Univ
Reassessments, Secrets, and Revelations (May 21)
• “Revealing the Secrets of Rawson’s Magical Mysteries,” Neil Tobin, Independent Scholar
An American Tragedy: A New Musical based on Theodore Dreiser’s Novel (May 21)
Pairing Poe in the Classroom (May 22)
Chair: Philip Edward Phillips, Middle Tennessee State Univ
• “Seeing and Seaing Wrong: Poe, Melville, and Interpretive Failure at Sea,” Sam Gleason, Pellissippi State Community College
• “Teaching the Abyss of Justification: Poe, Ngũgĩ, and the Collapse of Oppressive Rationalizations," Juliet Tawiah, Northern Illinois Univ
• “Poe and Poe AI: Calculating Fictions and the Philosophy of Artificial Composition," Craig Carey, Univ of Southern Mississippi
Postwar Consumerism and Consumption (May 22)
• “The Rise of the Working-Class Cop in the Novels of Ed McBain,” Joseph George, North Carolina Agricultural and Technical State Univ
The Gothic's Successor Genres (May 22)
• "'Deep Red Bells': Shallow Graves and Uneven Development in True Crime's South," Jennie Lightweis-Goff
• "Gritty Gothic Noir: The Evolution of the Southern Gothic in Michael Farris Smith," Peter Ingrao
(Univ of Texas at Dallas)
Literary Movements after Poe (May 22)
Chair: Margarida Vale de Gato, Universidade de Lisboa
• “The Fall of the House of Nowak: Esmé Weijun Wang's Revision of Edgar Allan Poe," Andy Harper, St. Louis Univ
• “Rosa Arciniega's Descent into Poe's Maelstrom," Micah K. Donohue, Eastern New Mexico Univ
• “Cannibalizing Poe: The 'Pure Potential' of White Monstrosity in Edgar Allan Poe and Mónica Ojeda," Noah Reed Miranda, Smittcamp Family Honors College at California State Univ (Fresno)
Don DeLillo and the Canon of Literature (May 22)
Chair: Jesse Kavadlo, Maryville Univ
• "Doubling Dostoevsky: DeLillo's 'Midnight in Dostoevsky,’" Mark Osteen, Loyola Univ Maryland
• "‘Two Days Wrong!:' DeLillo's Textures of Time," Crystal Alberts, Univ of North Dakota
• “Owning Narrative in DeLillo and Eco,” Michael Streit, Independent Scholar
• “He Writes in Your Voice, American: DeLillo and Some Paradoxes of the Great American Novel”
Policed Bodies and Minds in American Literature (May 23)
• “An Irresistible and Uncontrollable Impulse’: The Legal Context for Edgar Allan Poe’s ‘The Imp of the Perverse,’” Rene H. Treviño, California State Univ
Clues vol. 44, no. 1 (2026) has been published. See below for abstracts. For a subscription, contact McFarland.
Introduction: Allusions and Illusions
CAROLINE REITZ (John Jay College of Criminal Justice, CUNY/CUNY Graduate School)
Caroline Reitz, the executive editor of Clues, discusses the contents of the issue, including articles on crime fiction from India, Howard Haycraft's World War II writings, and queer aspects of Nancy Drew, as well as authors John Franklin Bardin, Tana French, P.D. James, Chuck Palahniuk, Louise Penny, Clayton Rawson, and Robert Egerton Swartwout.
Spotlight on... Indian Crime Fiction
TARUN K. SAINT
This essay traces the genre's evolution in India from its inception in the colonial era to recent times. Discussed are regional contexts of crime writing in Bengali, Hindi, Urdu, and Tamil to establish the historical framework and the recent efflorescence of crime writing in English that has feminist and postcolonial aspects.
Rethinking Democracy and Detective Fiction: The Legacies of Haycraft's Wartime Writings
BARBARA PEZZOTTI (Monash Univ) AND FABRICIO TOCCO (Australian National Univ)
Howard Haycraft's "Dictators, Democrats, and Detectives" (1939); "The Future of the Detective Story"; and "The Rules of the Game" (1941) argued that detective fiction could only flourish in democracies. The authors demonstrate that crime fiction has proven versatile under dictatorships, functioning as a propaganda tool and an instrument of resistance.
"Magical Red Herrings": Personalized Experience and Specialized Knowledge in Clayton Rawson's The Footprints on the Ceiling
NEIL TOBIN
Clayton Rawson, like other magician-authors, was known to employ transferable magical skills while writing his popular mysteries. What may be unique in the genre was his use of a particular magical technique to create extra-deceptive red herrings that target subsets of his readership—and turn their specialized knowledge against them.
Discovering John Franklin Bardin
ROBERT LANCE SNYDER
John Franklin Bardin's The Deadly Percheron (1946), The Last of Philip Banter (1947), and Devil Take the Blue-Tail Fly (1948) explore dissociative identity disorder. His works, as well as novels by Patricia Highsmith, Helen Eustis, Shirley Jackson, and Margaret Millar, substantiate the syndrome's topical frequency after World War II.
Metafiction as Misdirection in R.E. Swartwout's The Boat Race Murder (1933)
COLIN CAVENDISH-JONES (Xiamen Univ, Malaysia)
The Boat Race Murder, Robert Egerton Swartwout's only mystery novel, presents the reader with a plethora of literary references to the previous century of detective stories and locked-room mysteries. Through these references, Swartwout misdirects the reader to expect an intricate solution and an obscure motive for a murder, which is, in fact, simple and committed for sordid financial gain.
Lost Allusions: The Changing Codes of P.D. James
MARJORIE GARBER (Harvard Univ)
Like Dorothy L. Sayers, Agatha Christie, and Josephine Tey, P.D. James sometimes used literary allusions in her book titles and plots. Over time, however, the signifying codes in her work began to change, first to hidden "Easter egg" messages and "true crime" references, and finally to modern scientific markers like DNA.
The Gothic and the Girl Detective: Unpacking the Queered) Signification of Nancy Drew
DOROTHY CALABRO (Auburn Univ)
This essay connects the gothic and the queer in the original Nancy Drew mysteries with modern, queer(ed) adaptations to the Nancy Drew universe, including Mabel Maney's Nancy Clue series and Kelly Thompson's Nancy Drew comics. The rift between the represented ideology of the original Nancy Drew mysteries and the gothic truths they hide are embodied in the interpretations and adaptations of queer audiences.
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| Stewart King's Murder in the Multinational State: Crime Fiction from Spain (Routledge, 2019) |
The award is named for past PCA president and distinguished mystery scholar George N. Dove (1913–2003). Past recipients of the Dove Award include Frankie Y. Bailey (University at Albany, SUNY), J.C. Bernthal, Martin Edwards, Barry Forshaw, Douglas G. Greene, P. D. James, Christine Jackson, H. R. F. Keating, Margaret Kinsman, Maureen Reddy (Rhode Island College), Janet Rudolph, J. K. Van Dover (Lincoln University), and yours truly.
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| Agatha Christie, Sept 1964. Dutch National Archives |
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| Edmond O'Brien in D.O.A. (1949) |
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| John Dickson Carr's It Walks by Night |
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| Nathan Ashman's James Sallis: A Companion to the Mystery Fiction |
He wrote to me after James Sallis: A Companion to the Mystery Fiction by Nathan Ashman had won the Edgar Award for best biographical/critical work (I edited the book), expressing his appreciation for Nathan's hard work and mentioning that his email box had been filling up with congratulations after the Edgar win (It was the first Edgar win for a book in the series, although the Ian Rankin companion and the James Ellroy companion had been Edgar nominees). He also related a funny story: when he was reading the companion, he discovered to his horror that he had forgotten about three short stories discussed by Nathan, and he was in the midst of compiling a collection of his "complete" short stories. He sent an SOS to his editor, rooted around in his files, found the stories, and managed to include them in the volume. Said he, "So Nathan, and you, have to take the blame for those three."
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| James Sallis' biography of Chester Himes, called "smart, conscientious, often stylish" by Robert Polito in NYT |
As The Map Room blog points out, an article by Axel Bax et al. (Cornell University) in Computational Humanities Research 2025 that takes a deep dive into the presence of maps in fiction indicates—probably to no surprise of mystery fans—that "small-scale maps often were in the detective/mystery genre."
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| Map from Anna Katharine Green's Lost Man's Lane (1899) |
A recent episode of Kansas Public Radio's Film Music Friday featured the TV work of Jerry Goldsmith who moved from clerk-typist to composer. Selections include his work for The Man from U.N.C.L.E, The Twilight Zone, and more.
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| A release of music from The Man from U.N.C.L.E. that includes Jerry Goldsmith's work |