Clues 41.2 (2023) has been published (abstracts below). For a print issue or a subscription, contact
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Introduction: “The Warp and Woof of Every Moment”
CAROLINE REITZ (John Jay College of Criminal Justice/CUNY Graduate Center)
The executive editor of Clues provides an overview of the issue, including articles on Chilean crime fiction, on Batman, and on detective fiction and philosophy;a Teaching Forum on the relationship of crime fiction and creative writing; and articles on authors Sherman Alexie, Michael Connelly, Craig Johnson, Kevin Major, and Louise Penny.
Spotlight on... Detective Fiction in Chile: Developments in the Genre
KATE M. QUINN (Univ of Galway, Ireland)
This article discusses the consolidation in the 1990s of Chile’s neopolicial works that combine hard-boiled and political elements, reassesses earlier twentieth- century genre writers, and examines the wider diversity of production up to the present day. It considers the conditions of genre production in Chile and the challenge of wider access to international readers.
“Still harping on daughters”: Maddie in Michael Connelly’s Hieronymus Bosch Series
HEATHER DUBROW (Fordham Univ)
In Michael Connelly’s books about detective Hieronymus Bosch, Bosch’s daughter Maddie is closely connected to many preoccupations of the series even when a seemingly minor presence. Romance texts such as Arthurian narratives and Spenser’s Faerie Queene are the best keys to interpreting Maddie’s roles in the series and larger questions about crime fiction.
From Alexie’s Indian Killer to Johnson’s Longmire Series: Expanding the Landscape of the American Indian Detective Novel
ELIZABETH ABELE (Gulf Univ for Science & Technology, Kuwait)
The essay examines Sherman Alexie’s Indian Killer, a crime novel that critiques Native American culture mediated through White American commerce, authors, and academics, as well as Craig Johnson’s Longmire series as a development and a departure from American Indian crime fiction in the late-twentieth century.
“Not everything buried is actually dead”:
The Detective as Historian in Louise Penny’s Bury Your Dead (2010)
AOILEANN NÍ ÉIGEARTAIGH
(Dundalk Inst of Technology, Ireland)
Louise Penny’s Bury Your Dead (2010) inserts a Francophone detective into the heart of English culture in Québec, facilitating an investigation of historical Québécois tensions between the communities. Inspector Gamache’s resolution of the case suggests that acknowledging these cultural differences and finding a way to compromise are characteristics that continue to distinguish contemporary Canadian society.
Sunset Tourism in Kevin Major’s One for the Rock, Two for the Tablelands, and Three for Trinity: Travel and Identity in Three Newfoundland and Labrador Crime Novels
TOM HALFORD (Memorial Univ of Newfoundland, Canada)
This essay considers the complex relationship among crime fiction, tourism, and identity in One for the Rock, Two for the Tablelands, and Three for Trinity by Kevin Major, which are set in the Canadian province of Newfoundland and Labrador. Major flirts with the concept of dark tourism as he takes readers into sites of loss and trauma but ultimately is more invested in highlighting and preserving aspects of provincial identity.
