|Barbara Mertz, by Sue Feder|
Featuring History of Mystery/Detective Fiction and Other Literary Ramblings of Elizabeth Foxwell
Monday, March 29, 2021
Remembering the founding of Malice Domestic.
Monday, March 22, 2021
Clues 39.1 published: Domestic noir.
Volume 39, no. 1 (2021) of Clues: A Journal of Detection—a theme issue on domestic noir guest edited by Eva Burke and Clare Clarke—has been published. The abstracts follow below. To order the issue or a subscription, contact McFarland.
Update, 5-10-21. This issue is now available on Kindle and Google Play.
Introduction: Domestic Noir
EVA BURKE AND CLARE CLARKE (Trinity College Dublin)
The guest editors discuss the development of the domestic noir subgenre and the contents of this theme issue of Clues, including an interview with British author Julia Crouch, who coined the term domestic noir, and articles on Irish and Scandinavian domestic noir; women’s book groups; mid-century antecedents of domestic noir; and authors such as A. J. Finn (aka Dan Mallory), Gillian Flynn, Tana French, Paula Hawkins, and Evelyn Piper (aka Merriam Modell).
At Home in Irish Crime Fiction
BRIAN CLIFF (Trinity College Dublin)
The author discusses the connections among domestic noir, Irish crime fiction, and the wider Irish literature, including examples from works by Jane Casey, Sinéad Crowley, Tana French, Catherine Ryan Howard, and Liz Nugent.
“I Am Not the Girl I Used to Be”: Remembering the Femme Fatale in The Girl on the Train
ROSIE COUCH (Cardiff University)
This article situates Rachel from Paula Hawkins’s novel The Girl on the Train (2015) as a contemporary incarnation of the femme fatale, redeployed within the domestic noir subgenre. The analysis demonstrates how Rachel’s perspective works to enact a feminist backlash against postfeminist rhetoric.
The Girl Who Got Mad: Challenging Psychopathology in Domestic Noir’s Antiheroines via Sarah Vaughan’s Anatomy of a Scandal (2018)
LIZ EVANS (University of Tasmania)
The author argues that Sarah Vaughan’s legal thriller Anatomy of a Scandal (2018) challenges domestic noir’s questionable tendency to pathologize anger and badness in its female protagonists (often depicted as survivors of rape or abuse) while showing how the persistent alignment of negative emotion with psychological instability undermines these central characters by impeding their self-agency.
Smoke and Mirrors: Dan Mallory, A. J. Finn, and The Woman in the Window as Postfeminist Noir Pastiche
ROBERTA GARRETT (University of East London)
The author discusses The Woman in the Window by A. J. Finn (pseudonym of Dan Mallory), examining Finn’s treatment of female characters and the tropes of the noir and domestic noir subgenres through the lens of postfeminist criticism.
“He Had It Coming”: Reading the Revenge Plot in Domestic Noir’s Gone Girl (2012)
KATHARINA HENDRICKX (University of Sussex)
This article examines Gillian Flynn’s Gone Girl (2012) and its popularity with female readers. It suggests that female readers are not only interested in the portrayal of women’s experiences but also engage with the depiction of the revenge plot, which allows women readers to negotiate their frustration and anger with the current postfeminist climate.
Monday, March 15, 2021
Mystery radio plays from the Ohio Shakespeare Festival.
|Illustration of W. W. Jacobs. NYPL|
- "The False Burton Combs" based on the story by Carroll John Daly
- Lady Molly of Scotland Yard based on the stories by Baroness Orczy
- "The Monkey's Paw" based on the short story by W. W. Jacobs
Monday, March 08, 2021
New versions of Glaspell's "Trifles."
|Susan Glaspell, NYPL|
Upcoming virtual performances of "Trifles":
• Ankeny Community Theatre (IA), March 28
• University at Buffalo–SUNY, April 9–11
Monday, March 01, 2021
More on Chester Himes.
|Chester Himes in 1967. |
Dutch National Archives