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| Illustration of W. W. Jacobs. NYPL |
- "The False Burton Combs" based on the story by Carroll John Daly
- Lady Molly of Scotland Yard based on the stories by Baroness Orczy
- "The Monkey's Paw" based on the short story by W. W. Jacobs
Featuring History of Mystery/Detective Fiction and Other Literary Ramblings of Elizabeth Foxwell
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| Illustration of W. W. Jacobs. NYPL |
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| Arthur Morrison. NYPL |
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| Baroness Orczy |

Sir Arthur Conan Doyle
• Update, September 24, 2020. Episode 4, "The Horror of the Heights" by Arthur Conan Doyle (1913)
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| Baroness Orczy, from the Aug. 1913 The Bookman |
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| Baroness Orczy, from the July 1908 Brooklyn Daily Eagle |
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| Baroness Orczy, from the May 26, 1906 San Francisco Call |
It's nice to see that, courtesy of Academy Chicago Publishers, two mystery classics by female authors will be back in print: Marie Belloc Lowndes's The Lodger (1914; Hitchcock film 1927), where an elderly couple begin to think the unthinkable about their mysterious tenant (out in March); and Baroness Emmuska Orczy's Lady Molly of Scotland Yard (1910), where Lady Molly and her maid, Mary Granard, put "the test of feminine investigation" to unsolved crimes (out in May).
More interesting items I've found from the Library of Congress:• 1934 panel from the comic strip Secret Agent X-9 (text by Dashiell Hammett; art by Alex Raymond).• A promotion for the upcoming serialization of Anna Katharine Green's Lost Man's Lane in the January 2, 1898, St. Paul Globe, in which Green talks about her writing philosophy: "I look for the naturally unexpected, and when I have found such a treasure, I take pencil in hand and take the 'dear reader' into my confidence and tell him or her just what, in my estimation, will induce him or her to go on."
• "Hungarian Baroness Scores Success as Authoress," on Baroness Orczy, from the December 24, 1905, issue of the San Francisco Call, in which the baroness reveals that she reads Edgar Allan Poe, Victor Hugo, Georg Ebers, and Bret Harte.
Vol. 26, no. 4 of Clues: A Journal of Detection has been published. A list of the articles and reviews follows below; go here for the article abstracts, or here for more information about the journal.
Investigating Domestic Disorder: Harriet Prescott Spofford's Detectives Karen J. Jacobsen (Valdosta State U, Georgia) The "Test of Feminine Investigation" in Baroness Orczy's Lady Molly of Scotland Yard Stories Ellen Burton Harrington (U of South Alabama) Tijuana the American Town: Images of the Corrupt City in Hammett's "The Golden Horseshoe" J. A. Zumoff (City College of New York) Feline, not Canine: The Rise of the Female Arch-Villain in the 1940s Sherlock Holmes Films from Universal Amanda J. Field (U of Southampton, UK) The Phenomenology of Noir Perception: Dorothy B. Hughes's In a Lonely Place and Cornell Woolrich's I Married a Dead Man William Brevda (Central Michigan U) REVIEWS Mary W. Tannert and Henry Kratz, eds. and trans. Early German and Austrian Detective Fiction: An Anthology Gundela Hachmann David Geherin. Scene of the Crime: The Importance of Place in Crime and Mystery Fiction Rachel Schaffer
Emma Magdalena Rosalia Maria Josefa Barbara Orczy, aka Baroness Orczy, was born today in 1865. Best known for the gallant Scarlet Pimpernel, she also wrote some memorable mysteries: Stories (1908) with Bill Owen, aka "The Old Man in the Corner," often considered the first appearance of the modern armchair detective; and Lady Molly of Scotland Yard (1910), in which Lady Molly and her maid Mary Granard join Scotland Yard's "Female Department," as Lady Molly seeks to exonerate her wrongly accused husband. The York Theatre Royal (UK) staged a production of Lady Molly in 2006.