Monday, October 31, 2022
Monday, October 24, 2022
|J. S. Fletcher
Monday, October 17, 2022
Clues 40.2 (2022) has been published, featuring its first Teaching Forum—this one on teaching crime fiction after Black Lives Matter, engaging with issues such as race, gender, and class. As usual, we are delighted to have contributors from around the world. See below for abstracts. Contact McFarland for subscriptions or a print copy of the journal.
Around the World Backwards and Forwards
CAROLINE REITZ (John Jay College of Criminal Justice-CUNY/CUNY Graduate School)
Caroline Reitz, the executive editor of Clues, provides an overview of the issue, including articles on Agatha Christie, Raymond Chandler, Columbo, Colin Dexter, contemporary European crime narratives, Fyodor Dostoyevsky, forensic psychiatrists in crime fiction, Deon Meyer, Ms. Fisher’s Modern Murder Mysteries, and a forum on teaching crime fiction after Black Lives Matter.
Rethinking Raymond Chandler’s “The Simple Art of Murder” (1944/1946)
STEWART KING (Monash University, Australia)
This review article revisits Raymond Chandler’s essay “The Simple Art of Murder” and examines its ongoing relevance for crime fiction studies. It asks to what extent does Chandler’s iconic essay help us to understand and explain the crime genre, both historically and today.
Intersecting Crime: South African State Capture and the Hero-Criminal Binary in Deon Meyer’s The Last Hunt (2019) / SAM NAIDU (Rhodes University, South Africa)
Deon Meyer’s The Last Hunt can be categorized as African noir in its themes of political disillusionment, corruption, and crimes of the state against its citizens, shedding light on contemporary African-European relations. The article examines the novel’s intersections of time, space, national, and transnational with criminal and detective characters, and the blurriness of the hero-criminal binary.
Contemporary European Crime Narratives: “Euro-Glocal”?
THEO D’HAEN (University of Leiden, The Netherlands/Katholieke Universiteit Leuven, Belgium)
The article makes a case for the emergence of a particularly European brand of crime fiction, film, and television series that fosters a closer European union.
“Mystery” Beyond Reason:
Mr. Quin, a Revealer of the Powers of Fiction According to Agatha Christie?
MARC VERVEL (Université de Paris, France)
The short story collection The Mysterious Mr. Quin has a special place in Agatha Christie’s work. In these stories where rational investigation opens up to the supernatural, Christie theorizes what is at stake in the desire to read and proposes an expanded conception of the detective story.
The Skeptical Poetics of Colin Dexter’s Morse Novels
MICHAL SÝKORA (Palacký University, Czech Republic)
This article argues that Detective Chief Inspector Morse is a different figure in Colin Dexter’s novels than the popular television series. The author locates Dexter’s novels in British postwar crime fiction, with attention to representations of the social reality of Oxford and gender issues, and reads The Wench Is Dead to argue Morse’s hermeneutic approach to investigation reveals an ironic skepticism about truth.
Colin Dexter’s Classicism / MATTHEW WRIGHT (University of Exeter, UK)
Colin Dexter’s Inspector Morse books, unlike any other detective novels, are saturated with references to Greek and Latin language and literature. This article explores the significance of Classics and classical scholarship in Dexter’s world and argues that the novels present a consistent (and consistently troubling) view of education and culture.