Clues 40.2: Columbo, Chandler, Christie, Dexter, Ms. Fisher, Teaching Forum, and more.

Clues 40.2 (2022) has been published, featuring its first Teaching Forum—this one on teaching crime fiction after Black Lives Matter, engaging with issues such as race, gender, and class. As usual, we are delighted to have contributors from around the world. See below for abstracts. Contact McFarland for subscriptions or a print copy of the journal. 

Update, 12-30-22. The ebook versions of the issue are now available: Kindle, Nook, Google Play

Around the World Backwards and Forwards
CAROLINE REITZ (John Jay College of Criminal Justice-CUNY/CUNY Graduate School)

Caroline Reitz, the executive editor of Clues, provides an overview of the issue, including articles on Agatha Christie, Raymond Chandler, Columbo, Colin Dexter, contemporary European crime narratives, Fyodor Dostoyevsky, forensic psychiatrists in crime fiction, Deon Meyer, Ms. Fisher’s Modern Murder Mysteries, and a forum on teaching crime fiction after Black Lives Matter.

Rethinking Raymond Chandler’s “The Simple Art of Murder” (1944/1946)
STEWART KING (Monash University, Australia)

This review article revisits Raymond Chandler’s essay “The Simple Art of Murder” and examines its ongoing relevance for crime fiction studies. It asks to what extent does Chandler’s iconic essay help us to understand and explain the crime genre, both historically and today.

Intersecting Crime: South African State Capture and the Hero-Criminal Binary in Deon Meyer’s The Last Hunt (2019) / SAM NAIDU (Rhodes University, South Africa)

Deon Meyer’s The Last Hunt can be categorized as African noir in its themes of political disillusionment, corruption, and crimes of the state against its citizens, shedding light on contemporary African-European relations. The article examines the novel’s intersections of time, space, national, and transnational with criminal and detective characters, and the blurriness of the hero-criminal binary.

Contemporary European Crime Narratives: “Euro-Glocal”?
THEO D’HAEN (University of Leiden, The Netherlands/Katholieke Universiteit Leuven, Belgium)

The article makes a case for the emergence of a particularly European brand of crime fiction, film, and television series that fosters a closer European union.

“Mystery” Beyond Reason:
Mr. Quin, a Revealer of the Powers of Fiction According to Agatha Christie?
MARC VERVEL (Université de Paris, France)

The short story collection The Mysterious Mr. Quin has a special place in Agatha Christie’s work. In these stories where rational investigation opens up to the supernatural, Christie theorizes what is at stake in the desire to read and proposes an expanded conception of the detective story.

The Skeptical Poetics of Colin Dexter’s Morse Novels
MICHAL SÝKORA (Palacký University, Czech Republic)

This article argues that Detective Chief Inspector Morse is a different figure in Colin Dexter’s novels than the popular television series. The author locates Dexter’s novels in British postwar crime fiction, with attention to representations of the social reality of Oxford and gender issues, and reads The Wench Is Dead to argue Morse’s hermeneutic approach to investigation reveals an ironic skepticism about truth.

Colin Dexter’s Classicism / MATTHEW WRIGHT (University of Exeter, UK)

Colin Dexter’s Inspector Morse books, unlike any other detective novels, are saturated with references to Greek and Latin language and literature. This article explores the significance of Classics and classical scholarship in Dexter’s world and argues that the novels present a consistent (and consistently troubling) view of education and culture. 

"The father of Russian detective fiction."

Dostoevsky

In "E. A. Poe and A. A. Shklharevskij" in the Dec. 2020 SIC: Journal of Literature, Culture and Literary Translation, Maja Pandzic (University of Zadar, Croatia) discusses the connections among Edgar Allan Poe, Emile Gaboriau, Fyodor Dostoevsky, and Aleksandr Andreevich Skljarevski (the last dubbed here "the father of Russian detective fiction").

Clues 33.2: Patricia Highsmith, Per Wahlöö.

In honor of the 20th anniversary of Patricia Highsmith's death and the 40th anniversary of Per Wahlöö's death, Clues 33.2 (2015) has been published. It is a theme issue on the work of Highsmith, plus reveals Wahlöö's plans for another Martin Beck novel near the end of his life. Abstracts follow below. Contact McFarland to order the issue or to subscribe to the journal.

Update. Issue is now available on Nook, Kindle, and Google Play

Introduction: Re-Evaluating Patricia Highsmith
FIONA PETERS (Bath Spa Univ, UK)

Conformity and Singularity in Patricia Highsmith’s Early Novels
FIONA PETERS
This essay explores Highsmith’s critique of the American suburbs in the novels of the 1950s and early 1960s. It focuses on This Sweet Sickness, highlighting not only Highsmith’s critique of conformity but also her recognition of the threat of psychic breakdown for those who resisted cultural norms.

“Sooner or later most of us get hooked”:
The Question of Insanity in Patricia Highsmith’s Strangers on a Train and The Talented Mr. Ripley
SAMANTHA WALTON (Bath Spa Univ, UK)
This article considers constructions of insanity in Strangers on a Train and The Talented Mr. Ripley in the context of historical understandings of psychopathy and sociopathic personality disturbance. It examines Patricia Highsmith’s psychological influences and assesses how her novels have been read in relation to changing notions of criminal insanity in psychiatry, law, and culture.

Under an Atomic Sky: Patricia Highsmith, Fyodor Dostoevsky, and the Apocalyptic Imagination
ILSE SCHRYNEMAKERS (Queensboro Community College, NY)
This essay contextualizes Patricia Highsmith’s crime fiction within the ethos of a world with the atomic bomb, examining how her characters fit the prototype of Americans striving for and achieving a comfortable life. It also explores the significance of characters in such a world committing seemingly irrational actions.

Living “As If”: Ripley’s Imaginary and the Problem of Other People in The Talented Mr. Ripley
BRUCE WYSE (Wilfrid Laurier Univ, Canada)
In Patricia Highsmith’s The Talented Mr. Ripley, Tom Ripley finds reading people a challenge but copes through a form of everyday detection. The author argues that Ripley is an “as-if” character who passes for “normal” until his fantasized rapport with Dickie collapses. Through Dickie’s murder, he recaptures this imaginary bond.

Frank McCourt, Crime and Punishment, and the American way of detection.

All hail the late—and great—Frank McCourt:

"There's nothing to do but go back to my room, listen to the radio, read [Dostoevsky's] Crime and Punishment and fall asleep wondering why Russians have to drag things out. You'd never find a New York detective wandering around with the likes of Raskolnikov talking about everything but the murder of the old woman. The New York detective would nab him, book him and the next thing is the electric chair in Sing Sing, and that's because Americans are busy people with no time for detectives to be chatting with people they already know committed the murder."

—Frank McCourt, Tis: A Memoir 60–61