Mysteries entering the public domain.

Mysteries that have entered the public domain and are on the online Project Gutenberg:

A.E.W. Mason. NYPL

  •  As a Thief in the Night  by R. Austin Freeman (a Dr. Thorndyke mystery). "One of the most satisfactory detective stories we have read."—Walter R. Brooks, The Outlook

  • Ashenden; or the British Agent by Somerset Maugham (based on Maugham's experiences in World War I). "An urbane series of stories dealing with the diplomatic side of Secret Service work"—Saturday Review

  • Behind That Curtain by Earl Derr Biggers (a Charlie Chan mystery). "Excellent"—Gilbert Seldes, Saturday Review (pb edition here)

  • The Footsteps at the Lock by Father (later Msgr.) Ronald Knox (a Miles Bredon mystery). "breezy characterization and satirical humour"—The Spectator (pb edition here)

 • Murder in the Maze by J.J. Connington. "[T]he usual false clues are skillfully suggested, and the reading public may well be surprised and amused to the end."—The English Review (pb edition here)

 • The Prisoner in the Opal by A.E.W. Mason (an Inspector Hanaud mystery). "another intriguing story of mystery and thrilling adventure"—Wanganui Chronicle (Wellington, Australia; pb edition here)

 • The Velvet Hand: New Madame Storey Mysteries by Hulbert Footner. "thoughtfully and ingeniously constructed"—New York Times

Foxwell ebooks sale.

Get 25% off my two ebooks until January 1 with the sale at Smashwords. No Man's Land & Other Stories collects my mostly historical mystery stories (including two award winners); In Their Own Words offers first-person accounts by US women who served in World War I. 

The Thirty-Nine Steps on WWI podcast.

Oh! What a Lovely Podcast (a podcast that focuses on World War I) discusses John Buchan's ever-popular thriller The Thirty-Nine Steps (1915), including burning questions such as why you should never let Richard Hannay drive.

New Foxwell ebooks: WWI and short story collections.

I have new ebooks available of two of my books:

In Their Own Words: American Women in World War I presents first-person accounts by American women who served in World War I. Combating restrictions on the duties they could undertake, these women often faced discrimination, danger, and even death in their desire to serve their country, the men in combat, and the civilians suffering the effects of war. Their roles included ambulance driver, canteen worker, clerk, entertainer, fingerprint expert, librarian, nurse, physician, relief worker, reporter, stenographer, and switchboard operator. Cover design by Karen Jackson.

• No Man's Land and Other Stories is a collection of my (mostly historical) mystery short stories (although it does include an affectionate pastiche of Sherlock Holmes and Dr. Watson). It includes "No Man's Land" (Agatha winner, Macavity nominee) and "Keeper of the Flame" (first-prize winner, 2003 Cape Fear Crime Festival Short Story Contest). Settings range from the Civil War and the Titanic to World War I and the 1918 flu pandemic, including figures such as Dorothea Dix, Alice Roosevelt Longworth, and Oscar Wilde. Cover design by Karen Jackson.

 

My latest publications: Pioneer aviator Ruth Bancroft Law, flight attendants book review.

 My latest publications are in the autumn 2022 issue of Aviation History magazine:

"125 Pounds of Nerve and Pluck" is a short article on pioneer aviator Ruth Bancroft Law (1887–1970), who waged a campaign to fly with the Army Signal Corps in World War I. The sixth woman to earn a US pilot's license, the first US female flight instructor, and the first to fly airmail in the Philippines (among other milestone-setting), Law also became a part of Dodgers lore with her participation in an infamous grapefruit stunt.



Update, 7-16-22: HistoryNet has posted my article online (under the title "Female Flyers: Meet the Woman Who Strapped Her Feet to a Plane")

 

 I review The Great Stewardess Rebellion by Nell McShane Wulfhart, which focuses on key flight attendants who fought sexual discrimination and harassment, advancing equity in the workplace.

 

Clues 40.1: Historical crime fiction.

Volume 40, no. 1 (2022) of Clues: A Journal of Detection—a theme issue on historical crime fiction guest edited by Rosemary Erickson Johnsen—has been published. The issue abstracts follow below; contact McFarland to order a print copy. 

Update, May 1, 2022. The ebook versions of the issue are now available: Kindle, Nook, Google Play

We are happy to have the essay of professor emeritus Fred Erisman, who was a contributor to the first issue of Clues in 1980. Unfortunately, I do not have an update on our Ukrainian contributor who had to flee her town due to Russian bombing.

Historical Crime Fiction: A Cushion on the Seat
ROSEMARY ERICKSON JOHNSEN (Governors State Univ)
The guest editor of Clues 40.1 on historical crime fiction provides a brief history of related scholarship and discusses post–WWI India-set series by Massey and Mukherjee as representative of emerging trends. She previews the issue's articles on mysteries set in China, India, Latin America, Ukraine, and the United States.

Editor’s Note
CAROLINE REITZ (John Jay College of Criminal Justice–CUNY/CUNY Graduate Center)

Caroline Reitz, the executive editor of Clues, discusses two essays that appear in Clues 40.1 and a new call for submissions on pedagogy.

Rebecca Harding Davis and Early Women’s Detective Fiction
ALICIA MISCHA RENFROE (Middle Tennessee State Univ)

In Peterson’s Magazine, Rebecca Harding Davis developed one of American fiction’s earliest recurring detective figures in several mysteries that foreground the antebellum South as a historical setting. These stories illustrate the genre’s productive intersection with the gothic, destabilize narratives of the past, and complicate the detective’s traditional role in restoring social order. 


Hardball Speaks to Our Hard Times
MARGARET J. OAKES (Furman Univ)

The settings of Sara Paretsky’s Hardball are Chicago’s glittering but decrepit political scene in the late 2000s and an open housing march led by Dr. Martin Luther King Jr. in 1966 that became volatile and violent. Hardball’s instructional text shows the contemporary consequences of systemic racism stemming from Jim Crow laws, the development of police power, and waves of immigration.

Investigating Mexico’s History with Paco Ignacio Taibo II and Detective Héctor Belascoarán Shayne: On Which Side Are You?
PATRICIA VARAS (Willamette Univ)

This essay examines Paco Ignacio Taibo II’s approach to history as an effort to capture or rewrite well-known yet forgotten episodes in Mexican history. By retelling the 1971 Corpus Christi student massacre, channeling Pancho Villa’s ghost, and recovering Aztec artifacts in his novels, he ensures that his readers will not forget this history, providing a controversial insight into today’s Mexico.

Ukrainian Hero and the Habsburg Monarchy:
Retro Visions in Contemporary Ukrainian Historical Detective Fiction
SOFIYA FILONENKO (Berdyansk State Pedagogical Univ)

The series by contemporary Ukrainian writer Bogdan Kolomiychuk presents the adventures of police officer Adam Vistovych in Lviv (aka Lemberg). The author’s depiction of the Austro-Hungarian Empire in the early-twentieth century and its colony—Ukraine—highlights the social, political, national, and historical aspects of the mystery genre.

“The Truth Is Rarely Pure and Never Simple”: 
The Kidnapping of Charley Ross in Fact and Fiction
PHYLLIS M. BETZ (La Salle Univ)

This article compares the differences between Carrie Hagen’s nonfiction reconstruction of the 1874 kidnapping of Charley Ross and Mark Graham’s use of this event in his historical mystery. The main emphasis is how details of the actual event are altered to fit the requirements of each narrative form.

The Transcultural Construction of a Historical Chinese Murder Case: The Ninefold Murder
SABRINA YUAN HAO (Guangdong Univ of Foreign Studies)

This article explores the cross-cultural adaptations of a historical Chinese murder case. Focusing on three key texts published by An He in 1809, Wu Jianren in 1904, and Robert van Gulik in 1958, it investigates the potential of historicity to be used by authors of crime fiction to address concerns of their own times.

Abir Mukherjee’s Historical Crime Novels and the Contemporary Postcolonial
MOLLY SLAVIN (Georgia Inst of Technology)

Abir Mukherjee’s historical crime novels set in the British Raj interrogate colonial structures of violence. The author argues that Mukherjee uses these novels to riff on Golden Age detective novel tropes and communicate knowledge about imperialism, history, and postcolonialism to mass market detective novel readers in the twenty-first-century.

The Cultural Ideology of the Great War–Haunted British Detective in Historical Crime Fiction
MARZENA SOKOŁOWSKA-PARYŻ (Univ of Warsaw)

This article examines the cultural ideology underlying the constructions of the war-haunted detective in the historical crime fiction series by Rennie Airth, Jonathan Hicks, Charles Todd, and Jacqueline Winspear. These (re)imaginings of the Great War demonstrate the capacity of this literary genre to perpetuate the futility myth in the contemporary cultural memory of the 1914–18 British experience.

ESSAYS
Time and Detective Novels: Exploring the Past and the Night in Ian Rankin’s John Rebus Series

IAN R. COOK (Northumbia Univ)
Given that time is an important theme within detective novels, this article explores the portrayal of time in Ian Rankin’s John Rebus series. More precisely, it draws on the concepts of temporality and relationality to critically examine two important temporal dimensions in the series: the past and the night.

Dick Francis and the Fine Arts
FRED ERISMAN (Texas Christian Univ)
Apart from P. D. James with Adam Dalgleish, mystery authors have rarely used an artist as their protagonist. Between 1972 and 2000, Dick Francis wrote seven such books, contrasting the artist’s world with the professional detective’s and exploring ways in which art equips the amateur to be as effective a crime-solving entity as the professional.

REVIEWS
Donald K. Hartman, Ed. The Hypno-Ripper
 ELYSSA WARKENTIN
 (Univ of Manitoba)

Steven Powell, Ed. The Big Somewhere: Essays on James Ellroy’s Noir World
 DEIRDRE CONDIT
 (Virginia Commonwealth Univ)

Janice Allan, Jesper Gulddal, Stewart King, and Andrew Pepper, Eds. The Routledge Companion to Crime Fiction
 ROSA HARO FERNÁNDEZ (Univ of Málaga)

Phyllis M. Betz, Ed. Reading the Cozy Mystery: Critical Essays on an Underappreciated Subgenre
 PAMELA BEDORE (Univ of Connecticut–Avery Point)

Foxwell on Velona Pilcher, Lucy Maud Montgomery.

Velona Pilcher (center) in the Stanford opera
In Dutch. Stanford Quad, 1917, p. 110.

Over on the blog of my publisher Deborah Adams, I talk about World War I Red Cross searcher Velona Pilcher (playwright of the "female 'Journey's End'"), my book on US women in World War I, and author Lucy Maud Montgomery.

Chandler in World War I.

In the Smart Set, Benjamin Welton discusses Raymond Chandler's service in the Canadian Expeditionary Force and short-lived time in the RAF in World War I.

Further reading:
• Chandler's Canadian WWI service record (notes his status as a "naturalized British citizen" and includes his description of himself as a journalist. Fans may be amused by the mistake in his medical exam record, in which his first name is rendered as "Reginald.")

Chandler's signature from his Canadian discharge papers.

Clues 37.2: Interwar mysteries.

The volume 37, no. 2 (2019) issue of Clues has been published, which is a theme issue on interwar mysteries guest edited by Victoria Stewart (University of Leicester, UK). See below for the abstracts. To order the issue, contact McFarland.

Ebook versions available: GooglePlay, Kindle, and Nook.

Introduction / VICTORIA STEWART. The guest editor of Clues 37.2 on interwar mysteries discusses its contents, including articles on Agatha Christie, Mary Fitt. Ngaio Marsh, Clifford Orr, Raymond Postgate, Dorothy L. Sayers, and Josephine Tey.

Detecting Histories, Detecting Genealogies: The Origins of Golden Age Detective Fiction / STACY GILLIS (University of Newcastle, UK). This article traces interwar attempts to define detective fiction, with an emphasis on how critics such as Dorothy L. Sayers, H. Douglas Thomson, and T. S. Eliot traced its origins in classical, biblical, and more recent texts. It argues that this demonstrates an anxiety relating to conceptions of literary taste on the part of these commentators.

“The Ghost of Dr. Freud Haunts Everything Today”:
Criminal Minds in the Golden-Age Psychological Thriller / STEFANO SERAFINI (Royal Holloway, University of London). This essay provides new insights into the development of interwar crime fiction by investigating how, and to what extent, two such apparently irreconcilable subgenres as the classic detective story and the psychological thriller interact and intertwine in the work of often-neglected Golden Age writers.

Killing Innocence: Obstructions of Justice in Late-Interwar British Crime Fiction / J. C. BERNTHAL (University of Cambridge). This article analyzes Agatha Christie’s And Then There Were None and Raymond Postgate’s Verdict of Twelve, both written toward the end of the interwar period and published at the outset of World War II. Christie and Postgate interrogate ethics in the British criminal justice system, using the figure of the child-victim to complicate interwar constructions of innocence.

Capital Punishment and Women in the British Police Procedural: Josephine Tey’s A Shilling for Candles and To Love and Be Wise / EVIE JEFFREY (University of Newcastle, UK). This article considers Josephine Tey’s engagement with contemporary capital punishment debates through considering the phenomenon of the “wrongful” arrest. It argues that women are central to the exploration of these debates, particularly when reading the novels as part of the subgenre of police procedurals within the Golden Age of detective fiction.

Foxwell on Helen Hagan, WWI Centennial News podcast.

Helen Hagan, 1918

On the World War I Centennial News podcast, I talk about the life and work of New Haven's black pianist-composer Helen Hagan and her performing for black troops in World War I France.

Foxwell on WWI Centennial News podcast.

The audio has been posted from my appearance on the World War I Centennial News podcast, talking about some of the roles of the US women in the war. I’m on at about minute 37.15. There’s also information on an interesting documentary on the Hello Girls (the US switchboard operators who served in France) that will be part of several film festivals. As I am from New Jersey, I was happy to mention Flemington’s own Marjorie Hulsizer Copher (a decorated dietitian).

Foxwell presentation, Nov 13.

Nurse Sallie Marshall Jeffries.
1917.

On November 13 at 7 pm at the Lyceum in Alexandria, VA, I’ll be speaking on “‘The Glorious Undying Spirit of Pluck’: Alexandria Women in World War I.” I also will be signing copies of my book In Their Own Words: American Women in World War I (sold by Alexandria’s bookstore Hooray for Books). Tickets are $10 (including wine/dessert reception), available here.

Clues CFP: "Interwar Mysteries" (deadline Oct 12, 2018).

The Bat (1926), adapted
from the play by
Mary Roberts Rinehart
and Avery Hopwood

 

A new Call for Papers has been posted for a theme issue of Clues: A Journal of Detection on "Interwar Mysteries: The Golden Age and Beyond." It will be guest edited by University of Leicester's Victoria Stewart (author, Crime Writing in Interwar Britain: Fact and Fiction in the Golden Age, and a previous contributor to Clues). Although the period between the World Wars is known as the Golden Age of traditional mystery fiction, other literary forms such as the hard-boiled subgenre, true crime, and noir emerged that often reflected a grimmer reality. Articles of between 3300 and 6000 words are sought that examine this important crossroads in mystery, detective, and crime fiction, with a deadline of Oct 12, 2018.

New edition, Blood on Their Hands (with Foxwell short story).

The MWA Classics edition of Blood on Their Hands has been published and is now available in paperback and ebook from amazon. Edited by Lawrence Block, the collection focuses on characters who take the law into their own hands. "No Man's Land," my Agatha-winning and Macavity-nominated short story set in World War I, is included in the collection, along with stories by Rhys Bowen, Marcia Talley, Elaine Viets, and the late Jeremiah Healy and Henry Slesar.

The Spider and the Fly (1949).

In The Spider and the Fly, a French intelligence official (Eric Portman) is forced to turn to a gentleman thief (Guy Rolfe) during World War I to crack a safe that holds a list of German agents. A woman (Nadia Gray) loved by both men provides additional complications. Maurice Denham and Sebastian Cabot costar.

Last day to RSVP for Foxwell presentation.

Adelia Chiswell,
member of the
Red Cross
Motor Corps

Tomorrow is the last day to RSVP for the March 16 luncheon of the Association of the Oldest Inhabitants of DC where I'll be speaking on "DC Women in World War I." They include Adelia "Tess" Chiswell, a member of the Red Cross Motor Corps who served in France with future U.S. minister to Norway Daisy Harriman. I'll also be signing my book In Their Own Words: American Women in World War I.

The luncheon, which is open to nonmembers, will be held at Capitol Skyline Hotel (Metro stop: Navy Yard) from 12–2 pm and is $35 per person. To RSVP, visit the AOI Web site.

Foxwell Mar16 talk and signing, "DC Women in World War I."

Adelia Chiswell,
member of the Red Cross
Women's Motor Corps

As part of Women's History Month, I'll be speaking on "DC Women in World War I" at the March 16 luncheon of the Association of the Oldest Inhabitants of DC (AOI), the oldest civic organization in Washington, DC. I'll also be signing copies of my book In Their Own Words: American Women in World War I.

The luncheon, which is open to nonmembers, will be held at Capitol Skyline Hotel (Metro stop: Navy Yard) from 12–2 pm and is $35 per person. To RSVP, visit the AOI Web site.

Mata Hari exhibition.

Mata Hari. NYPL

The Fries Museum in the Netherlands features its notorious native daughter Margaretha Zelle (aka Mata Hari, 1876–1917) in the exhibition "Mata Hari: The Myth and the Maiden," on view until April 2, 2018.

Foxwell library event, March 26.

In honor of Women's History Month and the April 6 centenary of the US entry into World War I, I'll be speaking at 2 pm on March 26 at Jarrettsville Library (Jarrettsville, MD) about my anthology In Their Own Words: American Women in World War I. I'm looking forward to it, as I'm told one of the library's book groups includes female veterans.

• Baltimore Sun on the event
• Cecil Whig on the event

See Conan Doyle in 1918 and 1922.

At about minute 2:00 in this February 1918 newsreel held at the Imperial War Museum, Arthur Conan Doyle arrives for the opening of the Chevrons Club (a club for noncommissioned officers of the army and navy).

And here he is with his family in 1922.