Ngaio Marsh House: Funding problems.

There's news that the Ngaio Marsh House in Christchurch, NZ, is experiencing a lack of sustained funding at both the national and local levels. 

Ngaio Marsh House in Christchurch, NZ, 2021. 
Photo by Pipjohn. Wikimedia Commons. CC BY-SA 4.0.

Poisons in Golden Age mysteries.

Over on the Science Museum Group blog, Chloë Abley discusses poisons in Golden Age mysteries, including their use in works by Agatha Christie, Ngaio Marsh, and Dorothy L. Sayers.

McFarland bk sale (incl Companions to Mystery Fiction).

It's a good time to buy volumes in the McFarland Companions to Mystery Fiction series that I edit; there's a 40-percent off sale on all McFarland books running through November 27, 2023 (use coupon code HOLIDAY23).

"Died in the Wool" (1978).

George Baker in "Died in the Wool" (1978)

In Died in the Wool (1978), Ngaio Marsh's Roderick Alleyn (George Baker) looks into the murder of an MP, whose body is found in a bale of wool.

Coming soon: Golden Age mystery map.

Coming in April is This Deadly Isle: A Golden Age Mystery Map, created by author Martin Edwards, which provides a map and guide to more than 50 locations from Golden Age mysteries. Authors covered include Margery Allingham, Agatha Christie, Anthony Berkeley Cox, Ngaio Marsh, Dorothy L. Sayers, and others.

The Golden Age map joins Agatha Christie's England by Shedunnit's Caroline Crampton, and The Hardboiled Apple by Jon Hammer and Karen McBurnie, with art by Andy Gregg.

Finding Golden Age gems.

The In GAD We Trust podcast chats with short story sleuth Tony Medawar, who has uncovered unknown or neglected works by authors such as Christianna Brand, John Dickson Carr, Agatha Christie, Anthony Berkeley Cox, Edmund Crispin, Ngaio Marsh, and Dorothy L. Sayers. Medawar talks about his favorite mystery finds and other discoveries he has made. A new volume in Medawar's Bodies from the Library series will be out in October in the United States.

Restored 1954 recording of Ngaio Marsh.

Ngaio Marsh companion (2019)
published by McFarland

In a restored recording from 1954, Ngaio Marsh speaks about her first novel, A Man Lay Dead (1934); relates her "odd" (in her view) process of writing detective fiction; and provides her eyewitness account of the eventful inauguration of E. C. Bentley as Detection Club president in 1936 with Dorothy L. Sayers and John Rhode, among others. "I screamed," notes Marsh. Other topics include her involvement in theater in New Zealand. (Read about the recording's restoration process.)

Clues 37.2: Interwar mysteries.

The volume 37, no. 2 (2019) issue of Clues has been published, which is a theme issue on interwar mysteries guest edited by Victoria Stewart (University of Leicester, UK). See below for the abstracts. To order the issue, contact McFarland.

Ebook versions available: GooglePlay, Kindle, and Nook.

Introduction / VICTORIA STEWART. The guest editor of Clues 37.2 on interwar mysteries discusses its contents, including articles on Agatha Christie, Mary Fitt. Ngaio Marsh, Clifford Orr, Raymond Postgate, Dorothy L. Sayers, and Josephine Tey.

Detecting Histories, Detecting Genealogies: The Origins of Golden Age Detective Fiction / STACY GILLIS (University of Newcastle, UK). This article traces interwar attempts to define detective fiction, with an emphasis on how critics such as Dorothy L. Sayers, H. Douglas Thomson, and T. S. Eliot traced its origins in classical, biblical, and more recent texts. It argues that this demonstrates an anxiety relating to conceptions of literary taste on the part of these commentators.

“The Ghost of Dr. Freud Haunts Everything Today”:
Criminal Minds in the Golden-Age Psychological Thriller / STEFANO SERAFINI (Royal Holloway, University of London). This essay provides new insights into the development of interwar crime fiction by investigating how, and to what extent, two such apparently irreconcilable subgenres as the classic detective story and the psychological thriller interact and intertwine in the work of often-neglected Golden Age writers.

Killing Innocence: Obstructions of Justice in Late-Interwar British Crime Fiction / J. C. BERNTHAL (University of Cambridge). This article analyzes Agatha Christie’s And Then There Were None and Raymond Postgate’s Verdict of Twelve, both written toward the end of the interwar period and published at the outset of World War II. Christie and Postgate interrogate ethics in the British criminal justice system, using the figure of the child-victim to complicate interwar constructions of innocence.

Capital Punishment and Women in the British Police Procedural: Josephine Tey’s A Shilling for Candles and To Love and Be Wise / EVIE JEFFREY (University of Newcastle, UK). This article considers Josephine Tey’s engagement with contemporary capital punishment debates through considering the phenomenon of the “wrongful” arrest. It argues that women are central to the exploration of these debates, particularly when reading the novels as part of the subgenre of police procedurals within the Golden Age of detective fiction.

Upcoming Ngaio Marsh companion.

This is the upcoming volume 9 in the McFarland Companions to Mystery Fiction series that I edit. It focuses on Ngaio Marsh, creator of well-born Inspector Roderick Alleyn. Marsh joins other subjects John Buchan, E. X. Ferrars, Ed McBain/Evan Hunter, Mary Elizabeth Braddon, Andrea Camilleri, James Ellroy, Sara Paretsky, and P. D. James.

Boucher picks the best mysteries of 1951.

In the 2 Dec 1951 New York Times, author-critic Anthony Boucher (aka William Anthony Parker White) listed "Boucher's Choices"—his selections for the best mysteries of 1951. They were:

• John Dickson Carr, The Devil in Velvet. "swashbuckling romance . . . strict detection." 
• Agatha Christie, They Came to Baghdad, . "adept . . . spy thriller."
• Dorothy Salisbury Davis, A Gentle Murderer. "distinguished."
• Cyril Hare [Alfred Alexander Gordon Clark], An English Murder . "adroit . . . social satire."
• Geoffrey Household, A Rough Shoot and A Time to Kill. "realistic political melodrama."
• Michael Innes, The Paper Thunderbolt. "funny and chilling."
• Eric Linklater, Mr. Byculla. "Deft."
• John Ross Macdonald [Ross Macdonald, Kenneth Millar], The Way Some People Die. "a worthy successor to Dashiell Hammett."
• William McGivern, Shield for Murder. "Complex and memorable study of a rogue cop."
• Ngaio Marsh, Night at the Vulcan. "Marsh's best to date."
• Elliott Paul, Murder on the Left Bank. "Fun."
• Ellery Queen, The Origin of Evil.  "intricate ingenuity."
• John Sherwood, Mr. Blessington's Imperialist Plot. "Ruritanian spy-melodrama."
• Bart Spicer, Black Sheep, Run and The Golden Door.  "appealing variants on the hardboiled story."
• Julian Symons, The 31st of February. "Striking satire."
• Lawrence Treat, Big Shot. "A notable novel about detectives."

Dorothy B. Hughes's classic mystery library.

Claude Rains and Edward Norris in They Won't Forget (1937),
adaptation of Ward Greene's Death in the Deep South

In the 13 Nov 1977 Los Angeles Times, author-critic Dorothy B. Hughes made 23 selections for a classic mystery library. Hughes defined a classic as "a book to which you return over and again ... primarily because for you it satisfies a hunger for the felicity of beauty and craft..."(N3). For Hughes, "style is the most important element in any mystery, let alone a classic" (N3).

Hughes did not include any works by Arthur Conan Doyle and Erle Stanley Gardner (although Hughes would publish a biography of Gardner), explaining that in the case of these and some other authors (such as Ellery Queen), their body of work constitutes the classic rather than a single book. Hughes's choices for her classic mystery library are the following:

• Eric Ambler, A Coffin for Dimitrios. "a hunt-and-search story with a background of the Near East leading to Paris"
  
• Edgar Box [Gore Vidal], Death in the Fifth Position. " . . . the world of the ballet, presented with perception and verisimilitude"
  
• Vera Caspary, Laura. "an enviable creator of plots which twist and turn and startle."
  
• Raymond Chandler, Farewell, My Lovely. "his making of poetry out of the tawdry was indeed something unforgettable"
  
• Agatha Christie, The Murder of Roger Ackroyd and And Then There Were None. "two classic books"
  
• Len Deighton, The Ipcress File. "Deighton . . . devised a new style."
• Helen Eustis, The Horizontal Man. "a true academic background against which the tragicomedy is played."
  
• William Faulkner, Intruder in the Dust. "a mystery sensation"
  
• Michael Gilbert, Close Quarters. "he has built a cathedral and its close, and has peopled it with verisimilitude."
  
• Graham Greene, Brighton Rock. "two sad insignificant persons revealed in their small moment of significance."
• Ward Greene, Death in the Deep South. "a classic of the regional and one of the first dealing with ethnic problems"
  
• Dashiell Hammett, The Maltese Falcon. "a classic romantic-adventure"
  
• H. F. [Gerald] Heard, A Taste for Honey. "Another of the instant classics"
  
• Francis Iles [Anthony Berkeley Cox], Before the Fact."a book whose plot must remain secret"
  
• Charlotte Jay [Geraldine Halls], Beat Not the Bones. "the primitive culture of Africa in collision with the 20th century"
  
• John le Carre [David Cornwell], The Spy Who Came in from the Cold. "tragic power"
  
• Meyer Levin, Compulsion. "a classic of major proportion"
  
• Marie Belloc Lowndes, The Lodger. " . . . a true crime story, in fiction form"
  
• Ngaio Marsh, Death of a Fool. "breath-taking"
  
• E. Phillips Oppenheim, The Great Impersonation. "a landmark"
  
• Dorothy L. Sayers, The Nine Tailors. "background became not just background, but important"
  
• Josephine Tey [Elizabeth MacKintosh], The Daughter of Time. "Simply written but brilliant in premise and performance."

• 

  Ad for They Won't Forget (from the film pressbook)

  
   

The Armed Services editions and mysteries.

Cover of Armed Services edition
of Rex Stout's Not Quite Dead
Enough (1945)

I just finished Molly Guptill Manning's When Books Went to War: The Stories That Helped Us Win World War II, which provides a lively and often poignant discussion of the importance to service members of the Armed Services editions in World War II. They were produced to be sturdy, lightweight, and sized for a pocket, and the Council on Books in Wartime, in charge of the effort, tried to supply a book "to fit the tastes of every man" (79). (One of the council's members was Farrar & Rinehart's Stanley Rinehart, son of Mary Roberts Rinehart). The council printed more than 123 million copies of Armed Services editions.

To mention a few mystery-related elements in the book:

• One of the authors listed as banned in Germany:
  G. K. Chesterton 

• "The most popular genre was contemporary fiction . . . followed by historical novels, mysteries, books of humor, and westerns" (79–80).

•  Among the earliest Armed Services editions: Earl Derr Biggers, Seven Keys to Baldpate; W. R. Burnett, Little Caesar; Daphne du Maurier, Jamaica Inn; and Graham Greene, The Ministry of Fear

• Some of the last Armed Services editions published in 1947: John Dickson Carr, The Sleeping Sphinx; Manning Coles, With Intent to Deceive; Erle Stanley Gardner, The Case of the Fan-Dancer's Horse; Hilda Lawrence, Death of a Doll; Richard and Frances Lockridge, Think of Death; Ngaio Marsh, Final Curtain; Craig Rice, ed., Los Angeles Murders; and Kelley Roos, Ghost of a Chance.

Related:

• BookTV footage of Manning talking about the book in 2015

• Books in Action: The Armed Services Editions (ed. John Y. Cole, 1984)

• Editions for the Armed Services Inc.: A History (1948)

August Derleth: Best mysteries of 1969.

Essential Solitude: The Letters of
H. P. Lovecraft and August Derleth
Hippocampus P

In the Dec. 6, 1969, issue of the Capital [WI] Times, August Derleth (creator of the Holmes-like Solar Pons) listed his selections for the best fiction, nonfiction, and poetry books of 1969. Mysteries and sci-fi appeared under the subtitle "Entertainments" rather than the "Fiction" category. It may have been ethically questionable that he listed H. P. Lovecraft et al.'s Tales of the Cthulhu Mythos—which was issued by Arkham House, the publishing firm he cofounded.

The Godfather by Mario Puzo and Daphne du Maurier's The House on the Strand were two of his fiction selections, whereas two of his sci-fi picks were Fritz Leiber's A Spectre Is Haunting Texas and Douglas Warner's Death on a Warm Wind. His mystery selections included:

Allingham, Margery. The Allingham Casebook. Campion and Charlie Luke short stories
Bernkopf, Jean F., ed. Boucher's Choicest. Some of Anthony Boucher's picks for best mystery short stories
Carr, John Dickson. The Ghosts' High Noon.
Carter, Philip Youngman. Mr. Campion's Farthing. Carter was Allingham's widower
Christie, Agatha. By the Pricking of My Thumbs.
Davies, L. P. Stranger to Town.
Fish, Robert L. The Murder League.
Gardner, John. A Complete State of Death.
Kahn, Joan, ed. Hanging by a Thread.
Marric, J. J [John Creasey]. Gideon's Power.
Marsh, Ngaio. Clutch of Constables.
Queen, Ellery, ed. Queen's Minimysteries.
Simenon, Georges. Maigret in Vichy (aka Maigret Takes the Waters)
Stout, Rex. Death of a Dude.
Whitney, Phyllis A. The Winter People.

Ngaio Marsh speaks.

In an episode from the program The Vault, Radio New Zealand featured historical recordings of Ngaio Marsh talking about her long association with the theater and offering some insight into her approach to mystery writing. "Detective fiction," she said, "has to be written with the very greatest economy."

Monash's "Body in the Library" exhibition.

Cover of the Detection Club's
Ask a Policeman, featured in the
Monash University exhibition

Monash University's "The Body in the Library' exhibition provides a rich visual panorama of mystery history and is on display until June 8. Online highlights include covers of wonderfully lurid works by Sax Rohmer, various Detection Club works, detective magazines, and one of the Dick Donovan series that is contemporary with the Holmes stories (series discussed in Clues 26.2). Not surprisingly for an Australian university, special attention is paid to Australian and New Zealand authors (such as Fergus Hume, Ngaio Marsh, Helen Simpson, and Arthur Upfield) and an Australian round-robin mystery novel of 1936. A welcome addition is "Clarice Dyke, the Female Detective" (1883) by Harry Rockwood (aka Ernest A. Young) that features an early female sleuth.

Allingham, Marsh on Why I Really Like This Book.

Recent episodes in Kate Macdonald's podcast Why I Really Like This Book address Margery Allingham's Albert Campion novel Coroner's Pidgin (1945) and Ngaio Marsh's Inspector Alleyn novel Death in a White Tie (1938).

Ngaio Marsh this week on BBC Radio 4 Extra.

A lethal country house party requires Inspector Alleyn's investigation in Ngaio Marsh's A Man Lay Dead (1934), which airs this week on BBC Radio 4 Extra. Go here for the schedule or to listen; episodes usually may be heard online for up to a week after broadcast.

Ngaio Marsh curator okay after earthquake; Ngaio Marsh House suffers some ill effects.

Stamp of Marsh
issued by NZ
in 1989

I'm relieved to report that Bruce Harding, curator of the Ngaio Marsh House in New Zealand where the MWA Grand Master spent 77 years of her life, is okay after the February 22 earthquake. Harding reports that "the hills area (near Ngaio's house) got a whack and 5 brick homes in a lane below us are condemned for demolition." Harding also is a research associate in the Macmillan Brown Centre for Pacific Studies at the University of Canterbury in Christchurch. The university community was seriously affected by the quake; several buildings have been damaged and additional staff have been moved into Harding's research center, making for some tight quarters. Computer access and server issues are two of the continuing problems at the university.

Ngaio Marsh House

The Marsh House itself is sound, although some items in the house have been damaged. Writes Margaret Sweet, chair of the Friends of Ngaio Marsh House:

After the September [2010] quake there was a broken sewer pipe in the garden in front of the House and the front concrete steps had come away from the building. This time the interior of the fireplace and chimney in the diningroom has come down and the bricks have tumbled out onto the floor. On the kitchen side of the chimney where once there was a coal range there are signs of some movement. . . .

The damage has been mostly to contents. Both times [referring to the Sept 2010 and Feb 2011 earthquakes] books have spilled out of shelves . . . Ngaio's collection of Venetian glass has mostly now been smashed. . . . One or two valuable decorative plates and vases have broken and many glasses and china cups and saucers in the kitchen have smashed. . . . The marble top of the lovely old dresser in the Longroom is badly broken. Amazingly the wine glasses on the table in the dining room which is always set up for a festive Christmas meal are all sitting demurely in place!

Sweet notes that because Ngaio Marsh House is classified as a commercial property, it is not eligible for redress services from the New Zealand Earthquake Commission. The inaugural Ngaio Marsh Memorial Lecture by Elric Hooper, scheduled for April 17, has been postponed.

Writes Harding, "So much of our daily life is now in upheaval. Roads buckled and traffic is slow . . . .But compared to the inconceivable horrors of northern Japan we are OK."

The favorite mystery writers of 1941.

The New York Times of April 18, 1941, reported on a survey conducted by Columbia University Press of the readership of its weekly newsletter The Pleasures of Publishing. Respondents reported reading 4.5 mysteries a month (one hopes they eventually finished the half portion) and the following as their favorite writers (in order of popularity):

1. Dorothy L. Sayers
2. Agatha Christie
3. Arthur Conan Doyle
4. Ngaio Marsh
5. Erle Stanley Gardner
6. Rex Stout
7. Ellery Queen
8. Margery Allingham
9. Dashiell Hammett
10. Georges Simenon

Thus the total is 4 Brits, 4 Americans, 1 New Zealand citizen, and 1 Belgian.

Lord Peter Wimsey was voted best detective; Marsh's Death of a Peer (aka A Surfeit of Lampreys, 1940) was deemed the best story read within the past six months, followed by Allingham's Traitor's Purse (1941).

Ngaio Marsh this week on BBC Radio 7.

Ngaio Marsh's aristocratic Inspector Roderick Alleyn is featured this week on BBC Radio 7 in the country house mystery A Man Lay Dead and A Surfeit of Lampreys (body is found in an elevator). Go here for the schedule or to listen; episodes can usually be heard online a week after broadcast.