When Rex Stout met John le Carré.

The Spy Writes blog discusses the interview of John le Carré by Rex Stout for Mademoiselle's July 1964 mystery issue. Stout calls le Carré "unobtrusively handsome" and covers le Carré's revision process; le Carré thinks his own strongest quality is his "critical faculty" (61).

Bonuses for Nancy Drew and Patricia Moyes fans: There's a piece on the girl sleuth plus Moyes's novel Falling Star in the issue. Also, pp. 62–63 features a photo that includes Edgar awardees of that year and other MWA members. Among the luminaries, one can spot Clayton Rawson, Hillary Waugh, and Lawrence Treat in the back; Stout and Dorothy Salisbury Davis in the middle; Howard Haycraft in the front row at left; and Phyllis Whitney in the front row at right.

Boucher picks the best mysteries of 1951.

In the 2 Dec 1951 New York Times, author-critic Anthony Boucher (aka William Anthony Parker White) listed "Boucher's Choices"—his selections for the best mysteries of 1951. They were:

• John Dickson Carr, The Devil in Velvet. "swashbuckling romance . . . strict detection." 
• Agatha Christie, They Came to Baghdad, . "adept . . . spy thriller."
• Dorothy Salisbury Davis, A Gentle Murderer. "distinguished."
• Cyril Hare [Alfred Alexander Gordon Clark], An English Murder . "adroit . . . social satire."
• Geoffrey Household, A Rough Shoot and A Time to Kill. "realistic political melodrama."
• Michael Innes, The Paper Thunderbolt. "funny and chilling."
• Eric Linklater, Mr. Byculla. "Deft."
• John Ross Macdonald [Ross Macdonald, Kenneth Millar], The Way Some People Die. "a worthy successor to Dashiell Hammett."
• William McGivern, Shield for Murder. "Complex and memorable study of a rogue cop."
• Ngaio Marsh, Night at the Vulcan. "Marsh's best to date."
• Elliott Paul, Murder on the Left Bank. "Fun."
• Ellery Queen, The Origin of Evil.  "intricate ingenuity."
• John Sherwood, Mr. Blessington's Imperialist Plot. "Ruritanian spy-melodrama."
• Bart Spicer, Black Sheep, Run and The Golden Door.  "appealing variants on the hardboiled story."
• Julian Symons, The 31st of February. "Striking satire."
• Lawrence Treat, Big Shot. "A notable novel about detectives."

Remembering Dorothy Salisbury Davis: "House of Masks" (1952).

MWA Grand Master Dorothy Salisbury Davis died on August 3 at age 98. The June 1952 Suspense episode "House of Masks" (based, I think, on Davis's A Town of Masks) features Geraldine Fitzgerald resenting the interference of her sister in her life and promoting the presence of a shady gardener.

With the passing of Davis, there remains only one living writer on the Haycraft-Queen Cornerstone List: Helen Eustis.

Happy 95th birthday, Helen Eustis.

Edward Albert in
The Fool Killer (1965)

Helen Eustis—author of the Edgar-winning The Horizontal Man (1946) and The Fool Killer (1954), friend of Carson McCullers, and ex-wife of Smith poet-professor Alfred Young Fisher—turns 95 today in New York City. Eustis is one of two living writers on the Haycraft-Queen Cornerstone list of essential mysteries (the other is Dorothy Salisbury Davis). The Best Mysteries of All Time series of Reader's Digest issued a new edition of The Horizontal Man this year. (post updated to reflect correct age from Eustis's son)

Happy birthday, Dorothy Salisbury Davis.

MWA Grand Master Dorothy Salisbury Davis (A Gentleman Called, 1958; A Gentle Murderer, 1951; Where the Dark Streets Go, etc.) was born today in Chicago in 1916. In her Guest of Honor speech at Malice Domestic VI (repr. in Ten Years of Malice [domestic]), Davis quoted Hilaire Belloc: "It will not matter if my sins are scarlet, if only my books are read."

About the image: Broken Vows (1987, dir. Jud Taylor, perf. Tommy Lee Jones and Annette O'Toole; adaptation of Dorothy Salisbury Davis's Where the Dark Streets Go, 1969)