When Rex Stout met John le Carré.

The Spy Writes blog discusses the interview of John le Carré by Rex Stout for Mademoiselle's July 1964 mystery issue. Stout calls le Carré "unobtrusively handsome" and covers le Carré's revision process; le Carré thinks his own strongest quality is his "critical faculty" (61).

Bonuses for Nancy Drew and Patricia Moyes fans: There's a piece on the girl sleuth plus Moyes's novel Falling Star in the issue. Also, pp. 62–63 features a photo that includes Edgar awardees of that year and other MWA members. Among the luminaries, one can spot Clayton Rawson, Hillary Waugh, and Lawrence Treat in the back; Stout and Dorothy Salisbury Davis in the middle; Howard Haycraft in the front row at left; and Phyllis Whitney in the front row at right.

For GivingTuesday: Consider mystery collections.

Phoebe Atwood
Taylor. From
Barnard College's
Mortarboard, 1930

Today's Giving Tuesday focuses attention on charitable contributions, as people consider the organizations or causes to support or to make a contribution in someone's name during the holiday season.

Libraries and archives need support to acquire, preserve, catalog, and digitize their collections as well as to present exhibitions or other programs involving their holdings. Consider contributing to your alma mater's library or one of the following collections with significant mystery elements:

• Ray and Pat Browne Popular Culture Library, Bowling Green State University

• Center for Southwest Research, University of New Mexico (home of the papers of Tony Hillerman)

• Howard Gotlieb Archival Research Center, Boston University (home of manuscripts of many authors such as Harry Kemelman, Jane Langton, Elizabeth Linington, Phoebe Atwood Taylor, Hillary Waugh, and Donald Westlake)

• Lilly Library, Indiana University Bloomington (home of the papers of author-critic Anthony Boucher and Mystery Writers of America)

• Harry Ransom Center, University of Texas at Austin (home of Erle Stanley Gardner's "plot wheel")

• Rose Library, Emory University (home of one of the largest collections of Victorian yellowbacks)

• Special Collections, University of California Irvine (home of the papers of Kenneth Millar, aka Ross Macdonald, and Margaret Millar)

• Special Collections, University of South Carolina (home of the papers of James Ellroy, George V. Higgins, and John Jakes. An ongoing and major project of the USC libraries is the preservation and digitization of 2000 Fox Movietone newsreels.)

• Wisconsin Center for Film and Television Research (home of the papers of Vera Caspary, Kirk Douglas, and Dalton Trumbo. The center has recently established a portal at the Internet Archive that includes a home movie of theater legends Alfred Lunt and Lynn Fontanne.)

The Library of Congress offers several options for supporting its work (don't forget that it houses the papers of luminaries such as James M. Cain), including the National Book Festival.

Nefarious professors: BYU's guide to (fictional) campus crime.

Edith (Lent) Taylor,
Buffalo creative writing teacher
and author of
The Serpent under It (1973)
Swarthmore Class of 1935

Brigham Young University's Harold B. Lee Library has just updated its annotated bibliography on "colleges, universities or professors in murder mystery fiction." Although limited at present to materials available at BYU that were published before 2001, it may be useful to those who enjoy mysteries set in academia.

The expected authors are covered (e.g., Robert Barnard, Amanda Cross, Helen Eustis, Michael Innes, Jane Langton, Dorothy L. Sayers), as well as lesser known names and authors with unexpected academic milieus (e.g., Helen McCloy, David Frome, Emma Lathen, Richard and Frances Lockridge, Peter Lovesey, Gladys Mitchell, S. S. Van Dine, Hillary Waugh).

The First Police Procedurals.

Michael over at 2blowhards recently stated,
". . . it was the crime novelist Ed McBain who kicked off the 'police procedural' genre. . . ."

Not precisely. Although Lawrence Treat denied it, he is frequently credited as the "father" of the police procedural, and Lancashire-born Maurice Procter also made important contributions, such as Hell Is a City (1954). In addition, according to Dean James, although McBain (aka Evan Hunter) certainly popularized and gave distinction to the police procedural, recognition should be given to American author Hillary Waugh (for Last Seen Wearing, 1952) and ever-energetic British writer John Creasey (under the J. J. Marric pseudonym, for Gideon's Day, 1955; filmed by John Ford as Gideon's Day, aka Gideon of Scotland Yard, 1958). Waugh's and Creasey's works appeared before McBain's Cop Hater (1956).