Showing posts with label Gladys Mitchell. Show all posts
Showing posts with label Gladys Mitchell. Show all posts

Monday, April 24, 2017

Clues 35.1: Conan Doyle, French, Mitchell, Oates, Orczy et al.

Clues vol. 35, no. 1 (2017) has been published. Contact McFarland to obtain a print copy of the issue or to subscribe to the journal.

• Kindle version
• Google Play version
• Nook version

The following are the abstracts for the issue:

Introduction: Reevaluating the Past and the Present
JANICE M. ALLAN

After Sherlock: The Age of Fallible Detectives
MAURIZIO ASCARI (University of Bologna)
In the wake of Sherlock Holmes’s success, writers and critics explored the relationship of the fallible detective to the ideological and aesthetic characteristics of the Golden Age. The author examines this phenomenon, shedding light on the transition between the infallible detectives of positivism and the vulnerable detectives of post–World War II psycho-thrillers.

Old Holmes: Sherlock, Testosterone, and "The Creeping Man" SYLVIA PAMBOUKIAN (Robert Morris University)
Arthur Conan Doyle’s “The Creeping Man” captures the early–twentieth century’s interest in male menopause and hormone replacement. The now-retired Sherlock Holmes and the aged Professor Presbury embody the conflict between aging as diminishment and aging as healthy and vigorous, a conflict still affecting readers who hesitate to accept Holmes as elderly. 

"Look at This Map": Arthur Conan Doyle's Use of Diegetic Illustrations in The Return of Sherlock Holmes 
THOMAS VRANKEN (University of Melbourne)
Four stories from The Return of Sherlock Holmes in the Strand Magazine and Collier's Weekly featured hand-drawn maps and other visual material supposedly created by Arthur Conan Doyle’s characters. These peculiar diegetic phenomena serve an ambivalent, even contradictory, function, both drawing in and repulsing the reader.

Arthur Conan Doyle's Lens KATHERINE VOYLES
The author argues that relations of scale are central to the late-nineteenth-century detective fiction of Arthur Conan Doyle, in which the movement between large and small, far and near, and the distant and the intimate is condensed by making Sherlock Holmes’s own vision the locus of that movement.

True Cock-and-Bull Stories: Negotiating Narrative Authority in Emmuska Orczy’s “Man in the Corner” Tales RACHEL SMILLIE
Critical studies of Baroness Emmuska Orczy’s “Man in the Corner” narratives have been dominated by the collected edition The Old Man in the Corner; however, this edition fundamentally alters the dynamic of the original stories. Revisiting the original tales, this article interrogates the relationship among detective, narrator, and reader.

Wednesday, November 05, 2014

Nefarious professors:
BYU's guide to (fictional) campus crime.

Edith (Lent) Taylor,
Buffalo creative writing teacher
and author of
The Serpent under It
(1973)

Swarthmore Class of 1935
Brigham Young University's Harold B. Lee Library has just updated its annotated bibliography on "colleges, universities or professors in murder mystery fiction." Although limited at present to materials available at BYU that were published before 2001, it may be useful to those who enjoy mysteries set in academia.

The expected authors are covered (e.g., Robert Barnard, Amanda Cross, Helen Eustis, Michael Innes, Jane Langton, Dorothy L. Sayers), as well as lesser known names and authors with unexpected academic milieus (e.g., Helen McCloy, David Frome, Emma Lathen, Richard and Frances Lockridge, Peter Lovesey, Gladys Mitchell, S. S. Van Dine, Hillary Waugh).

Monday, August 24, 2009

Gladys Mitchell, John Harvey this week on
BBC Radio 7.

This week on BBC Radio 7, Gladys Mitchell's Golden Age sleuth Mrs. Bradley appears in The Mystery of a Butcher's Shop (1929), and John Harvey's Inspector Resnick appears in Wasted Years (1993). Go here for the schedule or to listen.

About the image: Diana Rigg as Gladys Mitchell's Mrs. Bradley, The Mrs. Bradley Mysteries, Mystery!