Edward Gorey, mystery fan.

Sign for the Edward Gorey House.
Photo by Elizabeth Foxwell.

I recently visited the Edward Gorey House in Yarmouth Port, MA, which was a fascinating place—full of collections compiled by the distinguished artist and author (winner of the Tony Award for set design and costume design for Dracula—the docent referred to the Gorey House as "the house that Dracula built"). His book collection included some 26,000 volumes and is now housed at San Diego State University (about 35 percent of it can be searched here).

Gorey (1925–2000) was a devoted mystery fan. A short browse through his library yields 41 works by Agatha Christie, 39 works by Wilkie Collins, 30 books by Guy Boothby, 24 books by Margaret Sutton [Rachel Beebe], 16 Nancy Drew books, 16 novels by Phoebe Atwood Taylor, 11 works by Jane Langton, 8 books by Patricia Wentworth, 7 books by Catherine Aird, and 6 books by Ross Macdonald [Kenneth Millar].

Some sample titles:

• Catherine Aird [Kinn Hamilton McIntosh], The Religious Body (1980 ed.); Henrietta Who? (1981 ed.); The Stately Home Murder (1980 ed.)
• Grant Allen, Miss Cayley's Adventures (1899)
• Agatha Christie, Death in the Air (1935); Miss Marple: The Complete Short Stories (1985); Mort Sur Nil [Death on the Nile] (1948; note that Gorey earned a degree in French literature from Harvard); Murder in Three Acts (1934) 
• Wilkie Collins, Armadale (1866); No Name (1978 ed.); The Dead Secret (1979 ed.)
• J.S. Fletcher, The Markenmore Mystery (1923); Ravensdene Court (1922)
• Michael Gilbert, The Black Seraphim (1985); End-Game (1983)
• Patrick Hamilton, Hangover Square (1941); Mr. Stimpson and Mr. Gorse (1953)
• Jane Langton, Divine Inspiration (1994 ed.); Emily Dickinson Is Dead (1985); Murder at the Gardner (1989)
• Ross Macdonald, The Doomsters (1958); The Blue Hammer (1976)
• A.E.W. Mason, They Wouldn't Be Chessmen (1985 ed.)
• Ed McBain [Evan Hunter], Lightning (1985)
• Phoebe Atwood Taylor, The Cape Cod Mystery (1965 ed., 1988 ed.); The Criminal C.O.D. (1972 ed.); Death Lights a Candle (1989 ed.), Diplomatic Corpse (1986 ed.); The Left Leg (1988 ed.)
• Patricia Wentworth, Grey Mask (1952 ed.); Poison in the Pen (1980 ed.); She Came Back (1981 ed.)
  
  
  

  

  Edward Gorey in his kitchen, Aug 1999. 
  Wikimedia Commons, 
  Photographer: Christopher Seufert 

  
  

Presentations, Nancy Drew 95th Anniversary Convention.

Toledo [OH] Public Library, which hosts the Jennifer Fisher Nancy Drew Collection, has posted videos from the April 2025 Nancy Drew 95th Anniversary Convention, including the following:

• Fisher, founder of the Nancy Drew Sleuths group, discusses "95 Years of Nancy Drew" 

• Fisher on collecting Nancy Drew 

• Stacia Deutsch, who has written under the Nancy Drew pseudonym Carolyn Keene 

• Erika Head on using Nancy Drew in the classroom 

Online museum exhibition: "Nancy Drew at 90."

Due to COVID-19, the Museum of Childhood Ireland was unable to launch its exhibition "Nancy Drew at 90" in Dun Lagohaire, so it is online instead. It includes details on the cover illustrators and some fascinating international editions such as Alice et les trois clefs (aka The Clue of the Black Keys).

Nancy Drew exhibition, UNCG.

Special Collections and University Archives at the University of North Carolina at Greensboro's Jackson Library is hosting the exhibition "Nancy Drew: Girl Detective and Cultural Icon" that includes books and artifacts from the archives (such as The Nancy Drew Mystery Game and lunchbox).

"Iconic detectives" exhibition at Ohio State.

On view until September 17 is "Hot on the Trail of Iconic Detectives," an exhibition at Ohio State University's Thompson Library Gallery that features detectives from dime novels, young adult books, comic books, films, and manga. They include Sherlock Holmes, Nancy Drew, Dick Tracy, Coffin Ed Johnson, and Grave Digger Jones.

"Hot on the Trail of Iconic Detectives." Curated by Jennifer
Schnabel, English Librarian, University Libraries, OSU.

Clues 35.1: Conan Doyle, French, Mitchell, Oates, Orczy et al.

Clues vol. 35, no. 1 (2017) has been published. Contact McFarland to obtain a print copy of the issue or to subscribe to the journal.

• Kindle version
• Google Play version
• Nook version

The following are the abstracts for the issue:

Introduction: Reevaluating the Past and the Present
JANICE M. ALLAN

After Sherlock: The Age of Fallible Detectives

MAURIZIO ASCARI (University of Bologna)
In the wake of Sherlock Holmes’s success, writers and critics explored the relationship of the fallible detective to the ideological and aesthetic characteristics of the Golden Age. The author examines this phenomenon, shedding light on the transition between the infallible detectives of positivism and the vulnerable detectives of post–World War II psycho-thrillers.

Old Holmes: Sherlock, Testosterone, and "The Creeping Man" SYLVIA PAMBOUKIAN (Robert Morris University)

Arthur Conan Doyle’s “The Creeping Man” captures the early–twentieth century’s interest in male menopause and hormone replacement. The now-retired Sherlock Holmes and the aged Professor Presbury embody the conflict between aging as diminishment and aging as healthy and vigorous, a conflict still affecting readers who hesitate to accept Holmes as elderly. 

"Look at This Map": Arthur Conan Doyle's Use of Diegetic Illustrations in The Return of Sherlock Holmes 
THOMAS VRANKEN (University of Melbourne)

Four stories from The Return of Sherlock Holmes in the Strand Magazine and Collier's Weekly featured hand-drawn maps and other visual material supposedly created by Arthur Conan Doyle’s characters. These peculiar diegetic phenomena serve an ambivalent, even contradictory, function, both drawing in and repulsing the reader.

Arthur Conan Doyle's Lens KATHERINE VOYLES
The author argues that relations of scale are central to the late-nineteenth-century detective fiction of Arthur Conan Doyle, in which the movement between large and small, far and near, and the distant and the intimate is condensed by making Sherlock Holmes’s own vision the locus of that movement.

True Cock-and-Bull Stories: Negotiating Narrative Authority in Emmuska Orczy’s “Man in the Corner” Tales RACHEL SMILLIE
Critical studies of Baroness Emmuska Orczy’s “Man in the Corner” narratives have been dominated by the collected edition The Old Man in the Corner; however, this edition fundamentally alters the dynamic of the original stories. Revisiting the original tales, this article interrogates the relationship among detective, narrator, and reader.

Podcast on 1970s female detectives on TV.

Kate Mulgrew in Mrs. Columbo (1979)

The Law & Humanities blog calls attention to this podcast on 1970s female TV detectives from Advanced TV Herstory. The episode covers the Nancy Drew TV series with Pamela Sue Martin, Mrs. Columbo with Kate Mulgrew, and Charlie's Angels.

Product of the Day: Sign of the Twisted Candles T-shirt.

A T-shirt with the cover of the Nancy Drew novel The Sign of the Twisted Candles (1933), from Out of Print Clothing.

Judy Bolton returns.

Following up its reprints of the original Nancy Drew and Hardy Boys titles, Applewood Books has reissued several novels in the Judy Bolton series by Margaret Sutton (aka Rachel Irene Beebe, 1903–2001). These include The Vanishing Shadow (orig. publ. 1932), The Haunted Attic (orig. publ. 1932), The Invisible Chimes (orig. publ. 1932), Seven Strange Clues (orig. publ. 1932), The Ghost Parade (orig. publ. 1933), and Clue of the Stone Lantern (orig. publ. 1950).