- John Dickson Carr, The Devil in Velvet. "swashbuckling romance . . . strict detection."
- Agatha Christie, They Came to Baghdad, . "adept . . . spy thriller."
- Dorothy Salisbury Davis, A Gentle Murderer. "distinguished."
- Cyril Hare [Alfred Alexander Gordon Clark], An English Murder . "adroit . . . social satire."
- Geoffrey Household, A Rough Shoot and A Time to Kill. "realistic political melodrama."
- Michael Innes, The Paper Thunderbolt. "funny and chilling."
- Eric Linklater, Mr. Byculla. "Deft."
- John Ross Macdonald [Ross Macdonald, Kenneth Millar], The Way Some People Die. "a worthy successor to Dashiell Hammett."
- William McGivern, Shield for Murder. "Complex and memorable study of a rogue cop."
- Ngaio Marsh, Night at the Vulcan. "Marsh's best to date."
- Elliott Paul, Murder on the Left Bank. "Fun."
- Ellery Queen, The Origin of Evil. "intricate ingenuity."
- John Sherwood, Mr. Blessington's Imperialist Plot. "Ruritanian spy-melodrama."
- Bart Spicer, Black Sheep, Run and The Golden Door. "appealing variants on the hardboiled story."
- Julian Symons, The 31st of February. "Striking satire."
- Lawrence Treat, Big Shot. "A notable novel about detectives."
Featuring History of Mystery/Detective Fiction and Other Literary Ramblings of Elizabeth Foxwell
Monday, May 07, 2018
Boucher picks the best mysteries of 1951.
In the 2 Dec 1951 New York Times, author-critic Anthony Boucher (aka William Anthony Parker White) listed "Boucher's Choices"—his selections for the best mysteries of 1951. They were:
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