Mysteries entering the public domain.

Mysteries that have entered the public domain and are on the online Project Gutenberg:

A.E.W. Mason. NYPL

  •  As a Thief in the Night  by R. Austin Freeman (a Dr. Thorndyke mystery). "One of the most satisfactory detective stories we have read."—Walter R. Brooks, The Outlook

  • Ashenden; or the British Agent by Somerset Maugham (based on Maugham's experiences in World War I). "An urbane series of stories dealing with the diplomatic side of Secret Service work"—Saturday Review

  • Behind That Curtain by Earl Derr Biggers (a Charlie Chan mystery). "Excellent"—Gilbert Seldes, Saturday Review (pb edition here)

  • The Footsteps at the Lock by Father (later Msgr.) Ronald Knox (a Miles Bredon mystery). "breezy characterization and satirical humour"—The Spectator (pb edition here)

 • Murder in the Maze by J.J. Connington. "[T]he usual false clues are skillfully suggested, and the reading public may well be surprised and amused to the end."—The English Review (pb edition here)

 • The Prisoner in the Opal by A.E.W. Mason (an Inspector Hanaud mystery). "another intriguing story of mystery and thrilling adventure"—Wanganui Chronicle (Wellington, Australia; pb edition here)

 • The Velvet Hand: New Madame Storey Mysteries by Hulbert Footner. "thoughtfully and ingeniously constructed"—New York Times

The Unfaithful (1947).

Zachary Scott, Ann Sheridan, and Lew Ayres
in The Unfaithful (1947)

In The Unfaithful, Ann Sheridan claims that she killed an intruder in self-defense, but evidence emerges that she was more than well acquainted with the dead man. Lew Ayres, Zachary Scott, Eve Arden, and Jerome Cowan costar. The film is based on "The Letter" by Somerset Maugham (compare with the Bette Davis version), with a screenplay by David Goodis.

Three Cases of Murder (1955).

As the title indicates, there are three segments to Three Cases of Murder. "In the Picture" (from a story by Scottish writer Roderick Wilkinson) features a painting with supernatural elements. "You Killed Elizabeth" (from a 1951 story by Davis Dresser, aka Brett Halliday) involves two friends competing over a woman, who is subsequently killed. Orson Welles directs (and is the title character) "Lord Mountdrago" (from a story by Somerset Maugham), in which the tormented Welles grapples with the effects of his cruelty on a politician colleague.

Somerset Maugham's "The Criminal" (1904).

Somerset Maugham, NYPL

In English Literature in Transition 57.1 (2014), Daniel Blackburn and Alexander Arsov discuss "The Criminal," an early short story by Somerset Maugham that has not been reprinted—until now, in the journal. The style may seem a bit stilted to modern readers, but those interested in Maugham's crime-related work (such as "The Letter") may find intriguing elements in this ironic tale (based on a true incident) of a woman accused of theft and the barrister who represented her (or so she believes).

The issue also includes Jeremy Larance's discussion of E. W. Hornung's Raffles as an "ungentlemanly gentleman" refuting the English code of conduct, yet enjoying tremendous popularity.

New light on the neglected.

An unexpected sidelight to the Authors Guild's lawsuit against HathiTrust is the attention it has garnered for authors and works that may have been neglected in recent years (although I was stunned that J. R. Salamanca's The Lost Country [1958] initially was included in HathiTrust's orphan works list. Prof. Salamanca was a major presence at University of Maryland––College Park when I was a student there and has just signed an ebook deal for one of his works).

James Gould Cozzens,
from the cover of the
Jan. 4, 1936, Saturday
Review of Literature

One work initially on HathiTrust's orphaned list (pulled when the heir of the estate, Harvard, was revealed) was Pulitzer Prize winner James Gould Cozzens's first novel, Confusion (1924), which he published at age 21 and is deemed by Daniel S. Burt in The Chronology of American Literature (2004) to be "pretentiously overwritten" (371). Cozzens himself ended up not thinking much of the novel, which focuses on the search by a young Frenchwoman to realize her ambitions.

Cozzens is on the Haycraft-Queen Cornerstone list for his fine novel The Just and the Unjust (1942; about the effects of a murder on a small town, especially its implications for the ambitious assistant DA. A 1942 issue of Esquire chose The Just and the Unjust as a good Christmas present for an "average reader," along with Maugham's The Hour before the Dawn).

Cozzens also wrote "Foot in It" (Redbook 1935; repr. as "Clerical Error," EQMM June 1950 and Muller & Pronzini, eds., Chapter & Hearse; adapted for Tales of the Unexpected, 1983). Raymond Chandler thought highly of Cozzens's Guard of Honor (1948). Gordon Van Ness has written an interesting essay about Cozzens's work in honor of Cozzens biographer Matthew J. Bruccoli, including Cozzens's criticism of Fitzgerald, Dos Passos, and Capote as well as his own work: "To learn to write and to write decently is simply a much longer and harder thing than is generally admitted" (203).

I also found that full text of Leslie Ford's The Girl from the Mimosa Club (1957, selected by Mystery Loves Company bookstore as one of the best mysteries of the 20th century) is in the HathiTrust library. After consulting with author Marcia Talley (who knows a lot about Ford's oeuvre and personal background), checking copyright records, and reviewing copyright law, I think it probably did go out of copyright.

Maugham's Ashenden this week on BBC Radio 7.

Somerset Maugham's "gentleman spy" Ashenden (from Ashenden; or, The British Agent, 1928) appears this week on BBC Radio 7, narrated by Alex Jennings. Go here for the schedule or to listen.

Somerset and All the Maughams.

Somerset Maugham was born today in Paris in 1874 and died in 1965. Although Maugham is known for works such as Cakes and Ale, Of Human Bondage, and The Painted Veil, those that resonate in mystery annals are Ashenden, featuring the spy inspired by Maugham's World War I experiences and later played by John Gielgud (in Hitchcock's Secret Agent) and Alex Jennings (in Ashenden), and The Letter, where Bette Davis so memorably blew away her lover in the opening scene.

The Letter was revived at London's Wyndhams Theatre in 2007 and starred Jenny Seagrove in the Davis role and Anthony Andrews in the Herbert Marshall part. A Lux Radio Theater version with Davis and Marshall can be heard here.