Clues 44.1: Indian crime fiction, French, Haycraft, James, Nancy Drew, Palahniuk, Penny, Rawson, and more.

Clues vol. 44, no. 1 (2026) has been published. See below for abstracts. For a subscription, contact McFarland. 

Update, 19 Jun 2026: Nook and Google Play versions are now available.

Introduction: Allusions and Illusions
CAROLINE REITZ (John Jay College of Criminal Justice, CUNY/CUNY Graduate School)
Caroline Reitz, the executive editor of Clues, discusses the contents of the issue, including articles on crime fiction from India, Howard Haycraft's World War II writings, and queer aspects of Nancy Drew, as well as authors John Franklin Bardin, Tana French, P.D. James, Chuck Palahniuk, Louise Penny, Clayton Rawson, and Robert Egerton Swartwout.

Spotlight on... Indian Crime Fiction
TARUN K. SAINT
This essay traces the genre's evolution in India from its inception in the colonial era to recent times. Discussed are regional contexts of crime writing in Bengali, Hindi, Urdu, and Tamil to establish the historical framework and the recent efflorescence of crime writing in English that has feminist and postcolonial aspects.

Rethinking Democracy and Detective Fiction: The Legacies of Haycraft's Wartime Writings
BARBARA PEZZOTTI (Monash Univ) AND FABRICIO TOCCO (Australian National Univ)
Howard Haycraft's "Dictators, Democrats, and Detectives" (1939); "The Future of the Detective Story"; and "The Rules of the Game" (1941) argued that detective fiction could only flourish in democracies. The authors demonstrate that crime fiction has proven versatile under dictatorships, functioning as a propaganda tool and an instrument of resistance.

"Magical Red Herrings": Personalized Experience and Specialized Knowledge in Clayton Rawson's The Footprints on the Ceiling
NEIL TOBIN
Clayton Rawson, like other magician-authors, was known to employ transferable magical skills while writing his popular mysteries. What may be unique in the genre was his use of a particular magical technique to create extra-deceptive red herrings that target subsets of his readership—and turn their specialized knowledge against them.

Discovering John Franklin Bardin
ROBERT LANCE SNYDER
John Franklin Bardin's The Deadly Percheron (1946), The Last of Philip Banter (1947), and Devil Take the Blue-Tail Fly (1948) explore dissociative identity disorder. His works, as well as novels by Patricia Highsmith, Helen Eustis, Shirley Jackson, and Margaret Millar, substantiate the syndrome's topical frequency after World War II.

Metafiction as Misdirection in R.E. Swartwout's The Boat Race Murder (1933)
COLIN CAVENDISH-JONES (Xiamen Univ, Malaysia)
The Boat Race Murder, Robert Egerton Swartwout's only mystery novel, presents the reader with a plethora of literary references to the previous century of detective stories and locked-room mysteries. Through these references, Swartwout misdirects the reader to expect an intricate solution and an obscure motive for a murder, which is, in fact, simple and committed for sordid financial gain.

Lost Allusions: The Changing Codes of P.D. James
MARJORIE GARBER (Harvard Univ)
Like Dorothy L. Sayers, Agatha Christie, and Josephine Tey, P.D. James sometimes used literary allusions in her book titles and plots. Over time, however, the signifying codes in her work began to change, first to hidden "Easter egg" messages and "true crime" references, and finally to modern scientific markers like DNA.

The Gothic and the Girl Detective: Unpacking the Queered) Signification of Nancy Drew
DOROTHY CALABRO (Auburn Univ)
This essay connects the gothic and the queer in the original Nancy Drew mysteries with modern, queer(ed) adaptations to the Nancy Drew universe, including Mabel Maney's Nancy Clue series and Kelly Thompson's Nancy Drew comics. The rift between the represented ideology of the original Nancy Drew mysteries and the gothic truths they hide are embodied in the interpretations and adaptations of queer audiences.

Clues 43.2: Disability and Detective Fiction.

Volume 43, no. 2, of Clues: A Journal of Detection has been published—a theme issue on Disability and Detective Fiction, guest edited by Susannah B. Mintz (Skidmore College) and Mark Osteen (Loyola Univ Maryland). See below for the abstracts. Contact McFarland for a copy of the issue or a subscription.

Update, 11 Jan 2026: Kindle version and Nook version available.

Update, 18 Jan 2026: Google Play version available.

Introduction: Disability and Detective Fiction
 / Susannah B. Mintz and Mark Osteen 

“The blindest of the blind”: Blind Men, Beggars, and Murderers in Catherine Crowe’s Crime Fiction / Emily Cline
Catherine Crowe portrays literal and figurative blindness in the proto-detective stories Men and Women (1843), Lilly Dawson (1847), and “The Blind Witness and His Dog” (1849).  Embodied and metaphorical blindness propose competing forms of knowledge, sympathetic and diagnostic, revealing the optocentric biases that limit the Victorian criminal court’s means of detection. 

Seeing Is (Dis)believing: Mary Elizabeth Braddon’s Classification of Disability in The Trail of the Serpent  / Roshnara Kissoon (Teachers College, Columbia University)
This essay examines the depiction of disability in Mary Elizabeth Braddon’s The Trail of the Serpent (1860), which features a nonverbal detective protagonist. Braddon’s novel elucidates, and contributes to, a taxonomy of disability that intersects with its nuanced class system, ultimately revealing the limits of both, despite its innovative portrayal. 

Broken Bones: Isolation, Mobility, and Interdependence in Rear Window / Mark Osteen 
This essay demonstrates how the sleuthing of L.B. Jefferies, his girlfriend Lisa, and his nurse Stella metaphorically reassembles Mrs. Thorwald, Rear Window’s murder victim. Jefferies’s disability eventually enables him to recognize not only his but also neighbors’ interdependency and results in his metamorphosis into a more compassionate neighbor and lover. 

“Do you see?”: Disability and “Seeing” Evidence in Thomas Harris’s Red Dragon / Darren Gray 
Red Dragon subverts crime fiction’s tropes of the monstrous criminal and extraordinary detective by exploring both disabled and nondisabled viewpoints. Through disfigured and speech-impaired criminal Francis Dolarhyde, investigator Will Graham, and the blind Reba McAllen, Thomas Harris exposes the subjectivity of perception and the impacts of ableism, marginalization, and prejudice. 

Disabilities and Stephen King’s Detectives / Michael J. Blouin (Milligan Univ)
Stephen King has repeatedly returned to characters with disabilities to explore what it means to be human, intersecting with King’s under-examined forays into detective fiction. Although King’s depictions of individuals living with disabilities remain problematic, his bestselling works offer fecund sites for ruminating upon the relationship between disabilities and detective stories. 

Clues 41.2: Chilean detective fiction, Connelly, Johnson, Penny, Teaching Forum on Crime Fiction and Creative Writing.

Clues 41.2 (2023) has been published (abstracts below). For a print issue or a subscription, contact McFarland.
• Ebooks available (Kindle, Nook, Google Play).

Introduction: “The Warp and Woof of Every Moment”
CAROLINE REITZ (John Jay College of Criminal Justice/CUNY Graduate Center)
The executive editor of Clues provides an overview of the issue, including articles on Chilean crime fiction, on Batman, and on detective fiction and philosophy;a Teaching Forum on the relationship of crime fiction and creative writing; and articles on authors Sherman Alexie, Michael Connelly, Craig Johnson, Kevin Major, and Louise Penny.

Spotlight on... Detective Fiction in Chile: Developments in the Genre

KATE M. QUINN (Univ of Galway, Ireland)
This article discusses the consolidation in the 1990s of Chile’s neopolicial works that combine hard-boiled and political elements, reassesses earlier twentieth- century genre writers, and examines the wider diversity of production up to the present day. It considers the conditions of genre production in Chile and the challenge of wider access to international readers.

“Still harping on daughters”: Maddie in Michael Connelly’s Hieronymus Bosch Series
HEATHER DUBROW (Fordham Univ)
In Michael Connelly’s books about detective Hieronymus Bosch, Bosch’s daughter Maddie is closely connected to many preoccupations of the series even when a seemingly minor presence. Romance texts such as Arthurian narratives and Spenser’s Faerie Queene are the best keys to interpreting Maddie’s roles in the series and larger questions about crime fiction.

From Alexie’s Indian Killer to Johnson’s Longmire Series: Expanding the Landscape of the American Indian Detective Novel
ELIZABETH ABELE (Gulf Univ for Science & Technology, Kuwait)
The essay examines Sherman Alexie’s Indian Killer, a crime novel that critiques Native American culture mediated through White American commerce, authors, and academics, as well as Craig Johnson’s Longmire series as a development and a departure from American Indian crime fiction in the late-twentieth century.

“Not everything buried is actually dead”:
The Detective as Historian in Louise Penny’s Bury Your Dead (2010)
AOILEANN NÍ ÉIGEARTAIGH (Dundalk Inst of Technology, Ireland)
Louise Penny’s Bury Your Dead (2010) inserts a Francophone detective into the heart of English culture in Québec, facilitating an investigation of historical Québécois tensions between the communities. Inspector Gamache’s resolution of the case suggests that acknowledging these cultural differences and finding a way to compromise are characteristics that continue to distinguish contemporary Canadian society. 

Sunset Tourism in Kevin Major’s One for the Rock, Two for the Tablelands, and Three for Trinity: Travel and Identity in Three Newfoundland and Labrador Crime Novels
TOM HALFORD (Memorial Univ of Newfoundland, Canada)
This essay considers the complex relationship among crime fiction, tourism, and identity in One for the Rock, Two for the Tablelands, and Three for Trinity by Kevin Major, which are set in the Canadian province of Newfoundland and Labrador. Major flirts with the concept of dark tourism as he takes readers into sites of loss and trauma but ultimately is more invested in highlighting and preserving aspects of provincial identity.

Canada Literary Tour: No mystery.

Grant Allen

I must confess to irritation that "Canada: A Literary Tour" on the Library and Archives Canada Web site has absolutely no mention of Canadian mystery contributions to its literary landscape. Not even Grant Allen (b. in Kingston, Ontario, in 1848)—grandson of the fifth Baron Longueuil (the only Canadian barony), friend of Arthur Conan Doyle, and creator of some of the earliest female fictional detectives (Lois Cayley, Hilda Wade). Surely multiaward-winning Louise Penny contributes substantially to a rendering of Quebec?

Brock University has a great Crime Fiction Canada resource. Perhaps the Crime Writers of Canada will compile their own mystery map of Canada.

Jose Latour, Gail Bowen, Peter Robinson on CBC Radio.

Recently on CBC Radio's The Next Chapter, Cuban expatriate Jose Latour talked about his thriller Crime of Fashion, Gail Bowen discussed her new novel The Brutal Heart, and Peter Robinson addressed questions such as "What's your greatest fear?", "Who is your favorite hero of fiction?," and "Who are your favorite writers?" (It looks like the March 21st program with Agatha winner Louise Penny won't be available until March 28th).