Clues 43.1: Christie, Hamilton, Hammett, Høeg, multilingual study, Ukrainian crime fiction.

Clues: A Journal of Detection 43.1 (2025) has been published; see below for abstracts. Contact McFarland for a hard copy issue or a subscription.

Update, May 26, 2025: Kindle, Nook, and GooglePlay versions of the issue are now available.

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Introduction: Insight into Messy Truths
Caroline Reitz (John Jay College of Criminal Justice/CUNY Graduate Center)

The executive editor of Clues discusses this issue’s contents, including a teaching forum on detective fiction in the multilingual classroom and essays on Agatha Christie, Len Deighton, Dashiell Hammett, Peter Høeg, the femme fatale, older female figures in domestic noir dubbed “toxic,” and Ukrainian crime fiction.

Ukrainian Crime Fiction: Trends, Themes, Traditions
Svitlana (Lana) Krys (MacEwan University, Canada)

This article traces the development of crime fiction in Ukraine: its origins in the gothic literary movement, main authors, historical memory and colonial traumas, role as an instrument of Ukraine’s cultural diplomacy, limited presence in the Soviet era, and proliferation following Ukraine’s independence. 

Sympathy for the Devil: Failed Catharsis and Universal Guilt in Agatha Christie's Curtain
Emilie Laurent (Université Clermont Auvergne, France)
Reading Christie's Curtain as a depiction of an ideological battle between good and evil, this essay analyzes the novel as a manipulation of the reader’s moral judgment that dissolves the genre’s over-optimistic promise of restoration social order and generates anxiety about a possible guilt located within the reader’s self. 

Dangerous Skepticism and the Challenge of Acknowledgment in Peter Høeg’s Smilla’s Sense of Snow
Christine Hamm (University of Bergen, Norway)
This essay argues that crime fiction can encourage readings of literature that differ from those criticized by Rita Felski (2015) as outcomes of a “hermeneutics
of suspicion.” Tracing motivations for and effects of skepticism at the plot level,  Nordic noir such as Smilla’s Sense of Snow promotes acknowledgment rather than “critique.”  

Pie in the Sky: Political Readings of Dashiell Hammett’s “Faith”
Jacob A. Zumoff (New Jersey City University)
This essay examines “Faith,” a short story by Dashiell Hammett unpublished in his lifetime, exploring its relationship to detective fiction, proletarian fiction, and literary modernism. The story’s setting suggests a left-wing perspective yet resists easy political categorization, contributing to our understanding of Hammett’s evolving literary approach to detective fiction and complex relationship to left-wing politics and modernism.

A Woman Agent in the Male World of the Cold War Spy Novel:
The Case of Len Deighton’s Fiona Samson
Howard Mason
This essay discusses Len Deighton’s Fiona Samson, a female agent with strong character traits who is working for the West during the Cold War. Samson’s womanhood and femininity, as well as her love of husband and family, eventually take precedence over her agency as a professional intelligence officer.  

Clues 39.2: Christie, Austen-Leigh, Robinson, Upfield, and more.

Volume 39, no. 2 (2021) of Clues: A Journal of Detection has been published. The issue abstracts follow below; contact McFarland to order a print copy. 

Update, 12-12-21. Ebook versions of the issue are now available: Kindle, Nook, Google Play

Introduction: So Many Books, So Little Time

CAROLINE REITZ (John Jay College of Criminal Justice-CUNY/CUNY Graduate Center)

Caroline Reitz, the new executive editor of Clues, provides an overview of the issue, including articles on authors such as Lois Austen-Leigh, Raymond Chandler, Agatha Christie, Didier Daeninckx, Fergus Hume, Philip Kerr, Peter Robinson, and Arthur Upfield.

Australian Rules: Forensic Culture in the Fiction of Arthur W. Upfield
BETTY J. BRUTHER
Four novels in Arthur W. Upfield’s Napoleon Bonaparte series—Winds of Evil (1937), Death of a Swagman (1946), The Widows of Broome (1950), and The Bachelors of Broken Hill (1950)—deal with multiple murders committed by a single individual in the outback. Each novel reveals the forensic culture of Australia: common investigative techniques, criminal profiling, forensic psychology, and the examination and interpretation of temporary trace evidence on the landscape.

Murder Most Incidental: Arthur Upfield’s Death of a Lake (1954)
RACHEL FRANKS AND ALISTAIR ROLLS
 (University of Newcastle)
Arthur Upfield is well-known for positioning an Aboriginal detective, Inspector Napoleon “Bony” Bonaparte, as the protagonist for his series. In Death of a Lake (1954), Upfield challenges the conventions of mid-twentieth-century Australian crime stories not only through privileging an Indigenous man but also through disregarding the central concept of the modern crime novel: murder.

The Mysteries of the Colonial Metropolis: Fergus Hume’s The Mystery of a Hansom Cab and 
Donald Cameron’s Mysteries of Melbourne Life
ORLA DONNELLY ((Trinity College Dublin)
Fergus Hume’s The Mystery of a Hansom Cab (1886) and Donald Cameron’s Mysteries of Melbourne Life (1873) follow the tradition of urban crime writing. This essay examines three essential elements in these Melbourne crime novels: the treatment of crime and detection, the themes of physical and social mobility, and the exoticized images of urban street folk.

Death in a Literary Context: Detective Novels of the Golden Age as Enacted Criticism
ANDREW GREEN (Brunel University)
This article explores the nature of Golden Age crime narrative. It argues that the works of these authors are “enacted criticism”—creative acts that are fundamentally critical responses to genre—that can be read as mutually constitutive meaning-making “spaces”—texts within which form is constantly renegotiated within a literary context.

Clue-Burying and Misdirection-Making in Peter Robinson’s When the Music’s Over (2016)
CHRISTIANA GREGORIOU (University of Leeds)
Close stylistic inspection of detective novel writing can shed light on the skill of weighing up interpretations. In When the Music’s Over, Robinson relies on readers’ schematic expectations, stereotypes, and prejudices to generate false leads and bury a killer into the narrative background until his significance needs to be foregrounded.

Writing History into Fiction in Didier Daeninckx’s Meurtres pour mémoire
JOHN GLEESON
This article demonstrates Didier Daeninckx’s unique blending of historical fact and fiction, particularly the use of state archives in his breakthrough novel Meurtres pour mémoire (1984). It also examines intertextual references to nineteenth-century writers and the French New Wave cinema that expand the traditional boundaries of the genre.

History Detective: Reading the Weimar Republic in Philip Kerr’s Last Novel Metropolis (2019)
NEIL H. DONAHUE (Hofstra University)
Philip Kerr’s last novel Metropolis (2019) returns his detective, Bernie Gunther, to 1928 as both prequel and epilogue to his series of 14 novels. This essay locates the key to Gunther’s identity and actions in his relation to arch-Nazi Arthur Nebe.