
I recently rewatched "The Judgment," the final two-part episode of The Fugitive, in which Kimball confronts the one-armed man who killed his wife---the highest rated TV episode until the resolution of the "Who shot J.R.?" scenario of Dallas came along. As usual, I revelled in the quality of the writing and the vulnerability in Janssen's fine performance. I also was reminded of the Get Smart spoof, "Don't Look Back," featuring falsely accused agent Maxwell Smart pitted against "the one-handed man"---evidence of how The Fugitive, based on the Marilyn Sheppard case with unmistakable overtones of Victor Hugo's Les Miserables, had captivated the imagination of a nation.
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