Showing posts with label The Just and the Unjust. Show all posts
Showing posts with label The Just and the Unjust. Show all posts

Wednesday, January 17, 2018

Praise for Cozzens's The Just and the Unjust (1942).

James Gould Cozzens
In "Children into Men: Lawyers and the Law in Three Novels" (The Catholic Lawyer, Oct 2017), New Jersey attorney Gregory J. Sullivan admires the Haycraft-Queen Cornerstone novel The Just and the Unjust by Pulitzer Prize recipient James Gould Cozzens (1903–78): "Cozzens' affirmation of the judicial process depicted with a keen eye as to its flaws is compelling because the novel is not measuring the criminal trial—and by extension the law in general—against an impossible utopian ideal" (35).

Further reading: my positive take on The Just and the Unjust.

Thursday, September 18, 2008

Cornerstone: The Just and the Unjust
by James Gould Cozzens

Note: This continues my occasional series on the Haycraft-Queen Cornerstone list (those mysteries deemed essential by Howard Haycraft and Ellery Queen).
There's no focal point with a jury; the jury is the public itself. That's why a jury can say when a judge couldn't, "I don't care what the law is, that isn't right and I won't do it." It's the greatest prerogative of free men. . . .We pay a price for lay participation in the law; but it's a necessary expense.—James Gould Cozzens, The Just and the Unjust 428
The effect of a murder trial on a small Pennsylvania town is the focus of James Gould Cozzens's The Just and the Unjust (1942), which is mostly told through the point of view of Abner Coates, the young assistant district attorney. Because the victim is an unpleasant farmer involved with drugs and the accused perpetrators little more than thugs, the local law enforcement community regards the case more as a matter of duty than one of justice. The flamboyant defense attorney seems more interested in scoring points against the methodical district attorney, and Coates, who is the son of a prominent judge and is approached to run for DA by the local political boss, wonders if he will lose his soul if he takes the job.

Cozzens's honest, direct prose and grappling with legal dilemmas are refreshing to read, and he has a sure understanding of the myriad connections, political implications, and personal and professional troubles in a small town. Cozzens (1903–78) is best known for the World War II novel Guard of Honor (1948), for which he received a Pulitzer Prize. Herbert Gorman in the July 26, 1942, New York Times considered The Just and the Unjust "an analysis of what might be called the American way of discipline." Time magazine called The Just and the Unjust "as skillfully served up as The Postman Always Rings Twice [and . . .] the year's most interesting literary disappointment." Yet Time put Cozzens on the cover of its Sept. 2, 1957, issue, calling him "the Garbo of U.S. letters" in its accompanying story.

Tuesday, May 27, 2008

Harvard Acquires James Gould Cozzens Materials.

The blog of Harvard's Houghton Library Modern Books and Manuscripts reports on its acquisition of materials relating to author James Gould Cozzens (1903-78). Cozzens won the Pulitzer Prize for his World War II book Guard of Honor (1948), and his legal novel The Just and the Unjust (1942) appears on the Haycraft-Queen Cornerstone list.

Sunday, August 19, 2007

Happy birthday, James Cozzens.

James Gould Cozzens, who won the Pulitzer Prize for his 1948 novel Guard of Honor but also has a place on the Haycraft-Queen Cornerstone list for his 1942 novel The Just and the Unjust, was born today in 1903. He died in 1978.

The Just and the Unjust centers on a murder trial in a small Pennsylvania town, with Cozzens's careful attention to legal procedure and the main character, a young assistant district attorney who wrestles with questions of justice and ambition. Time magazine called The Just and the Unjust "as skillfully served up as The Postman Always Rings Twice [and . . .] the year's most interesting literary disappointment." Yet Time put Cozzens on the cover of its Sept. 2, 1957, issue, calling him "the Garbo of U.S. letters" in its accompanying story.