Showing posts with label Stieg Larsson. Show all posts
Showing posts with label Stieg Larsson. Show all posts

Monday, July 23, 2018

The Great Detective film series in Australia.

Michael Redgrave and
Margaret Lockwood in
The Lady Vanishes (1938)
Envy the lucky Australians who can attend The Great Detective, a series showcasing mystery films at Australian Cinémathèque, Gallery of Modern Art, Queensland Art Gallery, until September 2. Films include the following:
  • Sherlock Holmes (1916)
  • Sherlock Jr. (1924)
  • The Lady Vanishes (1938)
  • And Then There Were None (1945)
  • Rear Window (1954)
  • Witness for the Prosecution (1957)
  • Vertigo (1958)
  • Charade (1963)
  • A Shot in the Dark (1964)
  • Dirty Harry (1971)
  • Death on the Nile (1978)
  • The Mirror Crack'd (1980)
  • Evil under the Sun (1982)
  • Erin Brockovich (2000)
  • Mystic River (2003)
  • The Girl with the Dragon Tattoo (2011)

Saturday, September 20, 2014

Clues 32.2: Global crime fiction.


Just published is vol. 32, no. 2 of Clues: A Journal of Detection—a theme issue on global crime fiction guest edited by Stewart King (Monash University) and Stephen Knight (University of Melbourne). If interested in ordering the issue or subscribing, email McFarland.

The cover features Swedish author Arne Dahl. The table of contents follows below. I will add links when available.

The Challenge of Global Crime Fiction: An Introduction
STEWART KING AND STEPHEN KNIGHT

Crime Fiction as World Literature STEWART KING 
This article explores crime fiction within a world-literature framework. It argues that the study of national traditions can blind us to the dialogue across borders and languages between texts and authors. It proposes a reading practice that aims to develop a more nuanced understanding of this truly global genre.

Beyond National Allegory: Europeanization in Swedish Crime Writer Arne Dahl’s Viskleken KERSTIN BERGMAN (Lund University)
Swedish crime fiction is experiencing a strong move toward Europeanization; increasingly more novels are set in Europe and discuss European identities and transnational criminality. The author examines how national and European perspectives clash and interact in Arne Dahl’s Viskleken (Chinese Whispers, 2011), a novel featuring a multinational police team within Europol operating across borders.

Hackers Without Borders: Global Detectives in Stieg Larsson’s Millennium Trilogy NICOLE KENLEY (University of California, Davis)
The article argues that Stieg Larsson’s Millennium Trilogy is a response to the challenges of mediating digital crime. It suggests that as the technological aspects of global crime threaten to dissolve national borders, Larsson’s novels offer the computer hacker as a detective figure capable of partially managing these emerging threats.