Clues 30.1: Newly discovered ss by S. S. Van Dine.

Clues vol 30, no. 1 has been published and includes the following:

• Clues reveals for the first time that S. S. Van Dine (aka Willard Huntington Wright, the creator of detective Philo Vance) published several short stories featuring an intellectual criminal; these were produced under another name well before Wright adopted the Van Dine pseudonym. Using archival evidence, Brooks Hefner (James Madison University) links these stories to Van Dine and discusses them in the context of highbrow/lowbrow debates, including Wright's 1928 essay "I Used to Be a Highbrow but Look at Me Now" and his short-lived term as editor of the Smart Set.

• Matthew McGuire (University of Western Sydney) discusses Scottish writer James Hogg's contributions to crime fiction via The Private Memoirs and Confessions of a Justified Sinner (1824).

• Lucy Andrew (Cardiff University) analyzes the relationship between children and crime via The Boy Detective; or, The Crimes of London. A Romance of Modern Times (1865–66).

• Mark T. Decker (Bloomsburg University) looks at some intriguing connections between Allan Pinkerton's The Model Town and the Detectives (1876) and Dashiell Hammett's Red Harvest (1929).

• Dawn Keetley (Lehigh University) makes the case that certain novels with sexual crimes in the Martin Beck series by Maj Sjowall and Per Wahloo feature political commentary, disputing the majority of critical opinion.

• Michael Given (Stephen F. Austin State University) discusses the Hap and Leonard novels of Joe R. Lansdale, dubbing them "hard-boiled Southern noir."

• Phyllis M. Betz (La Salle University) looks at the complex relationship between the female narrator and queenpin Gloria Denton in Megan Abbott's Queenpin (2007).

• Kerstin Bergman (Lund University) explores the relationship between science and truth via CSI: Crime Scene Investigation and Patricia Cornwell's The Scarpetta Factor (2009).

• Reviews of a new edition of Mary Elizabeth Braddon's Henry Dunbar and Christopher Pittard's Purity and Contamination in Late Victorian Detective Fiction.