Monday, September 29, 2025

Clues 43.2: Disability and Detective Fiction.

Volume 43, no. 2, of Clues: A Journal of Detection has been published—a theme issue on Disability and Detective Fiction, guest edited by Susannah B. Mintz (Skidmore College) and Mark Osteen (Loyola Univ Maryland). See below for the abstracts. Contact McFarland for a copy of the issue or a subscription; I will update this post when the ebook versions are available.

Introduction: Disability and Detective Fiction
 / Susannah B. Mintz and Mark Osteen 


“The blindest of the blind”: Blind Men, Beggars, and Murderers in Catherine Crowe’s Crime Fiction / Emily Cline
Catherine Crowe portrays literal and figurative blindness in the proto-detective stories Men and Women (1843), Lilly Dawson (1847), and “The Blind Witness and His Dog” (1849).  Embodied and metaphorical blindness propose competing forms of knowledge, sympathetic and diagnostic, revealing the optocentric biases that limit the Victorian criminal court’s means of detection. 


Seeing Is (Dis)believing: Mary Elizabeth Braddon’s Classification of Disability in The Trail of the Serpent  / Roshnara Kissoon (Teachers College, Columbia University)
This essay examines the depiction of disability in Mary Elizabeth Braddon’s The Trail of the Serpent (1860), which features a nonverbal detective protagonist. Braddon’s novel elucidates, and contributes to, a taxonomy of disability that intersects with its nuanced class system, ultimately revealing the limits of both, despite its innovative portrayal. 


Broken Bones: Isolation, Mobility, and Interdependence in Rear Window / Mark Osteen 
This essay demonstrates how the sleuthing of L.B. Jefferies, his girlfriend Lisa, and his nurse Stella metaphorically reassembles Mrs. Thorwald, Rear Window’s murder victim. Jefferies’s disability eventually enables him to recognize not only his but also neighbors’ interdependency and results in his metamorphosis into a more compassionate neighbor and lover. 

“Do you see?”: Disability and “Seeing” Evidence in Thomas Harris’s Red Dragon / Darren Gray 
Red Dragon subverts crime fiction’s tropes of the monstrous criminal and extraordinary detective by exploring both disabled and nondisabled viewpoints. Through disfigured and speech-impaired criminal Francis Dolarhyde, investigator Will Graham, and the blind Reba McAllen, Thomas Harris exposes the subjectivity of perception and the impacts of ableism, marginalization, and prejudice. 


Disabilities and Stephen King’s Detectives / Michael J. Blouin (Milligan Univ)
Stephen King has repeatedly returned to characters with disabilities to explore what it means to be human, intersecting with King’s under-examined forays into detective fiction. Although King’s depictions of individuals living with disabilities remain problematic, his bestselling works offer fecund sites for ruminating upon the relationship between disabilities and detective stories. 

Monday, September 22, 2025

Coming soon: Miklós Rózsa's score to Time After Time.


Scott Bettencourt notes in Film Music Friday of the upcoming release by buysoundtrax of famed Hungarian composer Miklós Rózsa's score for Time After Time (1979, cowrit. and dir. Nicholas Meyer). For more information and to hear some sample tracks, go here

Monday, September 15, 2025

Upcoming tribute to Rod Serling.

Rod Serling, from a 1959
Mike Wallace interview
The Yellow Springs Film Festival (Ohio) plans a tribute to Rod Serling on October 2, featuring his author daughter Anne Serling (As I Knew Him: My Dad, Rod Serling) and writer-critic Mark Dawidziak (who has written a book on the Twilight Zone), a performance of the ca. 1948 Serling-Bill Rega radio play "The Air Is Free" (focusing on two endangered coal miners), a screening of the Twilight Zone episode "The Obsolete Man," and a panel discussion. 

Monday, September 08, 2025

McFarland's true crime sale.

In honor of CrimeCon, McFarland is running a sale on its true crime books. Use coupon code CRIMECON25 to save 20 percent through the end of September.


 

Monday, September 01, 2025

New release, Gerald Fried's crime drama music.

As Scott Bettencourt notes in Film Score Friday, there's a new release from Dragon's Domain records, Gerald Fried: The Crime Dramas, which features Fried's music for two Roger Corman films: The Cry Baby Killer (1958, with Jack Nicholson) and Machine Gun Kelly (1958, with Charles Bronson). Go here for more information and some sample tracks. 

Fried composed for TV series such as The Man from U.N.C.L.E., Star Trek, and Roots