Just published is vol. 28, no. 1 of Clues: A Journal of Detection, which is a theme issue on the work of Chester Himes (1909–84) to honor his centenary. Norlisha F. Crawford (University of Wisconsin–Oshkosh) guest edited the issue. Edgar nominee Frankie Y. Bailey (SUNY–Albany) compares Rudolph Fisher's The Conjure-Man Dies (1932) to Himes's A Rage in Harlem (1957); Justin Gifford (University of Nevada–Reno) examines Himes's Run Man Run (1959) in the context of black pulp publishing; Agustin Reyes-Torres (University of Valencia) compares Himes's Coffin Ed Johnson and Grave Digger Jones with Walter Mosley's Easy Rawlins; and Stephen F. Soitos looks at Himes's use of tropes from African American folklore.
An exciting aspect of the issue is its reprint of "He Knew," a short story by Himes that has been out of print since 1933 and is his first work that features African American detectives. John Cullen Gruesser (Kean University, NJ) analyzes the story and discusses its place in the history of African American detective fiction.
Other essays in the issue compare Boris Akunin with Christie and Collins (Marcia A. Morris, Georgetown University); examine Anne Perry's World War I series (Barbara Korte, University of Freiburg); look at the language used in James Ellroy's Dudley Smith trilogy (Jon Clay, Richmond-on-Thames College); and analyze John le Carre's The Secret Pilgrim, his first novel to deal with the end of the cold war (Jonathan Goodwin, University of Louisiana at Lafayette). Edgar nominee Rita Rippetoe (author of Booze and the Private Eye) also reviews Edgar nominee Jean Murley's The Rise of True Crime: 20th-Century Murder and American Popular Culture.
Go here for the table of contents with article abstracts; here for more information about the journal.