Showing posts with label Baynard Kendrick. Show all posts
Showing posts with label Baynard Kendrick. Show all posts

Monday, September 18, 2023

Clues CFP: "Disability and Detective Fiction"


Theme Issue of Clues: A Journal of Detection
Guest Editors: Susannah B. Mintz (Skidmore College) and Mark Osteen (Loyola University Maryland) 

The guest editors welcome proposals for a theme issue of Clues focusing on the representation of disability, broadly defined, in crime and mystery fiction, television shows, films, and other media. We seek a wide range of critical and cultural perspectives on how bodymind anomalousness features in stories about wrongdoing, from the maimed and scarred villains of Conan Doyle to the neurodivergent hero-sleuths of contemporary popular culture. In what ways have impairment, disfigurement, and disease been used to raise the stakes of fear and upheaval in crime stories? How do such narratives perpetuate or challenge ableist notions of order and resolution? Does corporeal vulnerability stoke our pity, sympathy, or admiration—whether for criminals, victims, or detectives whose genius seems to triumph over adversity? Conversely, do the contours of disability facilitate alternative modes of sleuthing and lead to unexpected forms of justice? What alternate forms of knowledge do these characters and texts present and endorse? Since the genre of crime by definition entails what and how we know, how have authors—over time and around the world—engaged disability to probe the meaning of truth? 

Possible topics may include but are not limited to:

• Disability as the mark of criminality   

• Disability as a crime—or as damage—that must be redeemed 

• Disability as metaphor for social decay 

• Supercrip crime solvers and criminals 

• Analytical prowess as compensation for physical or emotional loss 

• Neurodivergence and the lonely sleuth 

• Intersectional plots pairing disability with gender, race, class, and sexuality 

• Disability as affective vector: upping the emotional ante 

• Specific impairments as modes of knowing: detection and “cripistemology”   

Submissions should include a proposal of 250–300 words and a brief bio. Proposals due: March 15, 2024. Submit proposals to: Prof. Susannah B. Mintz, Dept. of English, Skidmore College, email: smintz@skidmore.edu, and Prof. Mark Osteen, Dept. of English, Loyola University Maryland, email: MOsteen@loyola.edu. Full manuscripts of 5,000 to 6,500 words based on an accepted proposal will be due in September 2024.

Monday, October 25, 2021

"Women & crime fiction" resource, UF Tampa Libraries

Margaret Lewis's biography of Edith Pargeter/Ellis Peters
To accompany the U-Florida course Lit 4386, the Special Collections of the UF–Tampa Libraries has assembled a "Women & Crime Fiction" online exhibition featuring mystery highlights of its collection that focus on female authors, female detectives, femme fatales, and female victims. Some of the works featured are by Mary Elizabeth Braddon, Vera Caspary, Lillian de la Torre, Anna Katharine Green, Margaret Millar, Ellis Peters, and the Stratemeyer Syndicate. Unusual items include The Vulcan Academy Murders by Jean Lorrah, which offers Captain Kirk as detective, and an April 1960 letter from Columbia University student Leigh Marlowe to mystery author Baynard Kendrick related to her study of villains.

Monday, July 07, 2014

Vintage Paperback Index, BGSU.

Edgar winner
Lawrence G. Blochman
from UC-Berkeley's
The Blue and Gold
(1922)
As a fan of Dell mapbacks, I'm enjoying prowls through the 1940s-70s cover art in the Vintage Paperback Index at Bowling Green State University's Browne Popular Culture Library. Mystery authors represented include Lawrence Goldtree Blochman, Robert M. Coates, George Harmon Coxe, Mignon G. Eberhart, A. A. Fair (aka Erle Stanley Gardner), Leslie Ford, Brett Halliday, Dashiell Hammett, Geoffrey Homes, Baynard Kendrick, Helen McCloy, Zelda Popkin, Mary Roberts Rinehart, Rex Stout, and Phoebe Atwood Taylor. It's also not without its pleasant surprises such as the inclusion of Lloyd C. Douglas (The Robe, Magnificent Obsession) for Doctor Hudson's Secret Journal and C. W. Grafton (father of Sue) for The Rope Began to Hang the Butcher and The Rat Began to Gnaw the Rope. In addition, there are items for western fans (The Law at Randado by Elmore Leonard) and sci-fi aficionados (Rocket to the Morgue by Anthony Boucher; Invasion from Mars ed. Orson Welles).

Tuesday, October 09, 2012

Eyes in the Night (1942).


In Eyes in the Night (1942, dir. Fred Zinnemann), Edward Arnold plays a blind detective who uncovers a Nazi plot. The film is an adaptation of The Odor of Violets (1940) by Mystery Writers of America cofounder and Grand Master Baynard Kendrick (see also the TV program Longstreet based on Kendrick's work). The follow-up film, The Hidden Eye (1945), was scripted by MWA Grand Master George Harmon Coxe.