Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts

Monday, December 22, 2025

A 1980s interview with pulp figure Howard Browne.

Noah Beery Jr. (background) and James Garner (foreground) 
in "Sleight of Hand," The Rockford Files (1975)

I came across a post on radio station KPFA of a 1980s interview with sci-fi and mystery pulp author-editor-screenwriter Howard Browne (1908–99) conducted by author Richard A. Lupoff.  A collection of Browne's mysteries with PI Paul Pine is available from Haffner Press. Browne's screen credits include BanacekCapone (film, 1975), The Fugitive, Kraft Suspense Theatre, Longstreet, Mannix, Mission: Impossible, and 77 Sunset Strip. His novel Thin Air (1954) was adapted three times: as an episode of Climax, as the episode "Sleight of Hand" for The Rockford Files, and as an episode of Simon & Simon.

Monday, February 05, 2024

Just published: James Sallis companion.

Just out from McFarland and Co. is James Sallis: A Companion to the Mystery Fiction, the latest volume in the McFarland Companions to Mystery Fiction series that I edit. The author is University of East Anglia's Nathan Ashman. Sallis—who might be best known for Drive (adapted into the film with Ryan Gosling and Carey Mulligan) and his series with PI Lew Griffin—has an intriguing, cross-genre career that encompasses poetry, mystery, and sci-fi, as well as a highly regarded book on author Chester Himes and long experience as a critic (here are some samples). He's even appeared in a film with fellow mystery author Lawrence Block.

Monday, December 04, 2023

McFarland's December sale.

New from McFarland:
God and the Great Detective
If you missed McFarland's November sale, you still can save 25% on all McFarland books (including the McFarland Companions to Mystery Fiction) with the HOLIDAY23 coupon code. It's a good idea to place time-sensitive orders by December 16. Visit the McFarland website

 

Monday, January 31, 2022

Three mystery exhibitions, Toronto Public Library.

The following exhibitions just opened at the Toronto Public Library:

Poster for Sherlock Holmes
with William Gillette, 1901.
Arthur Conan Doyle Collection,
Toronto Public Library
• "Meddling Kids: A Children's Mystery Book Exhibit" (Osborn Collection of Early Children's Books, Lillian H. Smith Library, Toronto Public Library; runs through April 16, 2022). See digitized items from the collection here.

• "Cracking the Case: Sleuths in Speculative Fiction" (Merril Collection of Science Fiction, Speculation and Fantasy, Lillian H. Smith Library, Toronto Public Library; runs through April 2, 2022). See digitized items from the collection here.

• "A Study in Sherlock and His Creator: 50 Years of the Arthur Conan Doyle Collection" (TD Gallery, Toronto Reference Library). See digitized items from the collection here.

Monday, October 25, 2021

"Women & crime fiction" resource, UF Tampa Libraries

Margaret Lewis's biography of Edith Pargeter/Ellis Peters
To accompany the U-Florida course Lit 4386, the Special Collections of the UF–Tampa Libraries has assembled a "Women & Crime Fiction" online exhibition featuring mystery highlights of its collection that focus on female authors, female detectives, femme fatales, and female victims. Some of the works featured are by Mary Elizabeth Braddon, Vera Caspary, Lillian de la Torre, Anna Katharine Green, Margaret Millar, Ellis Peters, and the Stratemeyer Syndicate. Unusual items include The Vulcan Academy Murders by Jean Lorrah, which offers Captain Kirk as detective, and an April 1960 letter from Columbia University student Leigh Marlowe to mystery author Baynard Kendrick related to her study of villains.

Monday, December 09, 2019

The Lost World and conmen.

Scenes from The Lost World (1925)
The latest episode of the American Heritage Center's Archives on the Air deals with conmen who attempted to extort Cathrine Curtis, a producer planning an adaptation of Arthur Conan Doyle's The Lost World (ultimately released in 1925). The film is notable for its early use of stop-motion animation.

Cathrine Curtis, ca. 1925

Monday, July 08, 2019

A walk with Anthony Boucher.

Jeffrey Marks's Anthony Boucher:
A Biobibliography
(McFarland)
Berkeley Architectural Heritage Association has scheduled a July 21 walk of South Berkeley (CA) locations associated with mystery/sci fi author-editor-critic Anthony Boucher (aka William Anthony Parker White). The walk will be guided by Randal Brandt, a librarian who curates the California Detective Fiction Collection at UC Berkeley's Bancroft Library.

Monday, April 15, 2019

Championing Asimov's mysteries.

Isaac Asimov. LOC,
Prints & Photos Div.
On April 18 at 11:30 am, I'm delivering the paper "'A Necessary Clue': The Mysteries of Isaac Asimov" at the Popular Culture Assn conference in Washington, DC, which attempts to refute the perception of Asimov as merely a purveyor of gimmicks in his mysteries and stumps for his neglected mainstream mystery debut, The Death Dealers (aka A Whiff of Death, 1958).  (This new piece on Sherlock Holmes and SF mentions Asimov, who was a Baker Street Irregular.)

My fellow presenters are Kim Sherwood (University of the West of England and author of Testament), Elizabeth Cuddy (Hampton University), and Christine A. Jackson (Nova Southeastern University).  Read the conference program (guest passes can be purchased onsite for $50 per day for those who would like to attend for a day or two).


Wednesday, April 05, 2017

Happy centenary, Robert Bloch.

Robert Bloch (Psycho; Alfred Hitchcock Presents; Alfred Hitchcock Hour; three episodes of Star Trek, etc.) was born today in Chicago in 1917. Clues 31.1 (2013) published (in the issue on Hitchcock and adaptation) "Adapting Poe, Adapting Hitchcock: Robert Bloch in the Shadow of Hitchcock's Television Empire" by Dennis R. Perry and Carl H. Sederholm.

Monday, April 03, 2017

The unique world of Harry Stephen Keeler.

Ramble House edition of
Keeler's Thieves' Nights
On the Center for Fiction blog The Book Drop, Mercantile Library librarian Jon Michaud discusses the offbeat work (including the never-to-be-forgotten flying strangler baby) of Harry Stephen Keeler (1890–1967) with Keeler experts Ed Park and Richard Polt: "It's also interesting to compare him to Agatha Christie, his exact contemporary."

Monday, February 20, 2017

The mysteries of Isaac Asimov.

My essay "'I Write Christie': The Mysteries of Isaac Asimov" has been published in Salem Press's Critical Insights: Isaac Asimov edited by M. Keith Booker (U-Arkansas). It assesses Asimov's mystery fiction, as there is little critical work on this area of Asimov's oeuvre (aside from his science fiction mysteries with detective Elijah Baley and robot R. Daneel Olivaw). The essay looks at Asimov's vastly underrated debut mystery novel, The Death Dealers (aka A Whiff of Death, rooted in his graduate school experiences at Columbia); Murder at the ABA (with a protagonist based on sci-fi author Harlan Ellison); Black Widowers mystery short stories (with characters modeled on other sci-fi writers); Union Club short stories (with an Asimov alter ego); the Baley-Daneel series; children's mysteries; and assorted other stories. Asimov was a Golden Age mystery fan, and his puzzle mysteries reflect this tradition.

Check out the table of contents.

Tuesday, March 22, 2016

Asimov's The Caves of Steel (1964).

Isaac Asimov.
Library of Congress,
Prints and Photographs Div.
Among the vast oeuvre of Isaac Asimov are mysteries with the futuristic detective Elijah Baley and his robot partner R. Daneel Olivaw. One is The Caves of Steel (1953), which was adapted for British television in 1964. Here are some tantalizing (if low-budget) clips from the episode for Story Parade, which include a glimpse of Peter Cushing.

Saturday, July 19, 2014

Philip K. Dick speaks.

The Best of Philip K. Dick
(Echo Point Books, 2013)
Pacifica Radio's From the Vault archival program is featuring a 1976 conversation between sci-fi author Philip K. Dick and Pacifica Radio's Mike Hodel. Topics include Richard Congdon, Harlan Ellison, Richard Lupoff, Kurt Vonnegut, the business of writing, A Scanner Darkly, The Man in the High Castle, and the first story sold by Dick (to Anthony Boucher who was, in Dick's words, "a great writer, a great editor, a great anthologizer, and a great person").

Tuesday, March 25, 2014

Heinlein on decency.

In an August 1952 episode of the Edward R. Murrow program This I Believe, sci-fi author Robert Heinlein spoke about his faith in the goodness of his neighbors and others. Said Heinlein, "Our headlines are splashed with crime. Yet for every criminal, there are ten thousand honest, decent, kindly men. . . . Decency is not news. It is buried in the obituaries, but it is a force stronger than crime."

Tuesday, December 27, 2011

Info on Harvard's sci-fi collection.

Cover from Nightmare Tales
(1892) by Helena Blavatsky,
part of Harvard's sci-fi
collection
Harvard has provided further details on the 3000-volume science fiction collection within Houghton Library's Modern Books and Manuscripts Collection. Two covers on the Web site are Anthony Boucher's Rocket to the Morgue (which has thinly disguised versions of Robert Heinlein, Hugo Gernsback, and L. Ron Hubbard) and Fredric Brown's What Mad Universe.

Also see this cover from Nathan Schachner's Space Lawyer (a joke must be lurking somewhere in there).

Monday, November 21, 2011

U-Chicago's Popular Literature Collection.

Univ of Chicago Library's Special Collections finished an inventory last year of its Popular Literature Collection, which includes about 2000 paperbacks and science fiction magazines, some with lurid
Portrait of Anthony Berkeley Cox
by George Morrow
from Jugged Journalism (1925)
covers. Now, finally, the finding aid is online. Books in the collection include Trial and Error (1945 ed.; film 1941) by Anthony Berkeley [Cox], Death in the Blackout (1946) by Anthony Gilbert, Of Tender Sin (1952) by David Goodis, The Rope Began to Hang the Butcher (1944) by C. W. Grafton (father of Sue), Bimini Run (1952) by E. Howard Hunt (yes, the Watergate figure), Dread Journey (1947) by Dorothy B. Hughes, Wall of Eyes (1943) by Margaret Millar, and She Faded into Air (1941) by Ethel Lina White (best known for The Lady Vanishes). Some covers from the collection are posted here.

Monday, November 14, 2011

Star Trek: No "space suits ... for hostile planet surfaces."

Star Trek cast members and Gene Roddenberry with
NASA officials and shuttle prototype Enterprise.
NASA photo, 1976
Harvard's Houghton Library has acquired "The Star Trek Guide," a publication that was distributed to Star Trek writers, and it's a hoot. "Captain would not hug pretty Yeoman on the Bridge of his vessel." Oh really? However, the curious phenomenon of fatalities of landing party members who wear red shirts is left unaddressed  ("Ensign So-and-So, go look behind that rock"). There are explanations for the term stardate and why so many Class-M planets were visited, as well as an answer to the question "Are you people on LSD?"

Friday, October 01, 2010

Mystery vs. sci fi:
E. X. Ferrars against John Wyndham.

As the sustainability of genre fiction is a topic of perpetual discussion, it seems there is nothing new under the sun. In April 1954, a spirited exchange in print occurred between John Wyndham Parkes Lucas Beynon Harris (aka John Wyndham, author of Day of the Triffids, 1951) and Morna Doris Brown (aka E. X. Ferrars [US] and Elizabeth Ferrars [UK], Detection Club member and a founder of the British Crime Writers Assn).

In "Roar of Rockets!" in the 2 Apr 1954 issue of John O'London's Weekly, Wyndham asserted that science fiction would replace mystery fiction.  Ferrars replied the following week in "No Danger to Detectives!".

Wyndham theorized that a shift in New York publishing to science fiction was because "there has been too much murder going on for too long." He stated, "The number of people who are bored with routine detective stories has been increasing.  . . . The present outbreak of rockets may be seen as the assault weapons softening up the detectives" (1–2). He dubbed some fictional detectives "long-toothed bores." However, he does not reserve his criticism to mysteries, addressing weaknesses in his own genre ("Wells's conceptions degenerated into a kind of super-gadgetry"). He also cited his choices for exemplary works (Vonnegut's Player Piano, Orwell's 1984, Lewis's cautionary It Can't Happen Here)—perhaps implying that mystery fiction could not propose their equals.

Ferrars, in her reply, pointed out that The Brothers Karamazov is a detective story and that both Shakespeare and Sophocles were concerned with murder. She also listed the strengths of the genre: "The detective story must deal with human emotions, with violence, fear, guilt, suspicion, courage, intelligence, and moral values . . . suspense must be created, curiosity stimulated” (2). Science fiction, she asserted, "cannot be redeemed by answering that fascinating question, whodunit? or give the reader the satisfaction of winning or losing in a game of wits with the writer."

Thankfully, Wyndham's prognostications have not come to pass. Indeed, it's hard to imagine one genre's fans doing a whole-scale jump to another, especially if they enjoy reading across genres.

Friday, April 03, 2009

Scientific terms? Nope, they're from sci-fi.

Jeff Prucher, of the Hugo-winning Brave New Words: The Oxford Dictionary of Science Fiction, provides on the Oxford University Press blog "Nine Words You Might Think Came from Science but Which Are Really from Science Fiction." I love the fact that Dave Gerrold (of Star Trek's "The Trouble with Tribbles") first linked the word virus with nasty computer programs in 1972.