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| Mary Elizabeth Braddon's Three Times Dead (1881). Nickels & Dimes Collection, NIU |
Featuring History of Mystery/Detective Fiction and Other Literary Ramblings of Elizabeth Foxwell
Monday, April 13, 2020
Potential undergraduate and other projects, Nickels & Dimes collection.
Tuesday, April 07, 2020
Chance Meeting (1959).
When a woman is murdered after having an affair with Dutch painter Jan Van Rooyen (Hardy Kruger), Van Rooyen finds that he is the top suspect of Inspector Morgan (Stanley Baker). Costars include Michelene Presle, Gordon Jackson, and Robert Flemyng.
Monday, April 06, 2020
Clues 38.1: Asimov, Christie, Conan Doyle, Ellroy, Flynn, Hammett, and more.
Clues 38.1 has been published; the abstracts follow below. Contact McFarland to order the print issue. Ebook versions are available: GooglePlay, Kindle, and Nook
Introduction: Beginnings and Endings / JANICE M. ALLAN (Salford University)
The Clues executive editor outlines the content of Clues 38.1, with articles on authors such as Isaac Asimov, Cheng Xiaoqing, Agatha Christie, Arthur Conan Doyle, Ruth Dugdall, James Ellroy, Gillian Flynn, Dashiell Hammett, Tatiana Lobo, Satyajit Ray, Susanne Staun, and Olen Steinhauer.
“Floating Unmoored”: The World of “Tourism” in Olen Steinhauer’s Espionage Trilogy / ROBERT LANCE SNYDER (University of West Georgia)
Olen Steinhauer’s espionage trilogy dramatizes its protagonist’s struggle to forge a centered identity after years of service as a black-ops agent in the CIA’s fictive Department of Tourism. By committing himself to his wife and stepdaughter, Milo Weaver escapes a downward spiral into suicidal disintegration captured by the trope of “floating unmoored.” The series’ recursivity involves structural elements that can be identified as momentum and world-building.
Altering the Hypermasculine through the Feminine: Female Masculinity in Gillian Flynn’s Gone Girl / BETH STRATTON
Gillian Flynn’s Gone Girl offers a modern take on the neo-homosocial triangle that results in the triumph of a female masculinity. With the aid of his queer-coded sister, the character of Nick learns to temper his hypermasculinity with a more feminized version of masculinity to win back his wife, Amy.
Hard-Boiled Queers and Communists: James Ellroy’s The Big Nowhere / JOSHUA COMYN (Trinity College, University of Melbourne)
This article argues that the characterization of the killer in James Ellroy’s The Big Nowhere (1988), together with Ellroy’s development as a novelist, can be illuminated through the representation of psychoanalysis and Marxism within the novel, as well as by the historical context of the novel’s fictional setting.
Resisting Invisibility: Mothers and Human Trafficking in Ruth Dugdall’s Nowhere Girl and Susanne Staun’s Skadestuen / CHARLOTTE BEYER (University of Gloucestershire)
Human trafficking is regularly presented in twenty-first-century crime fiction, frequently through stereotypes of femininity but rarely involving mothers or maternal experience. This article seeks to remedy this gap in representation by analyzing two twenty-first-century crime novels featuring trafficking plots that focus specifically on the politics of representing mothers.
Introduction: Beginnings and Endings / JANICE M. ALLAN (Salford University)
The Clues executive editor outlines the content of Clues 38.1, with articles on authors such as Isaac Asimov, Cheng Xiaoqing, Agatha Christie, Arthur Conan Doyle, Ruth Dugdall, James Ellroy, Gillian Flynn, Dashiell Hammett, Tatiana Lobo, Satyajit Ray, Susanne Staun, and Olen Steinhauer.
“Floating Unmoored”: The World of “Tourism” in Olen Steinhauer’s Espionage Trilogy / ROBERT LANCE SNYDER (University of West Georgia)
Olen Steinhauer’s espionage trilogy dramatizes its protagonist’s struggle to forge a centered identity after years of service as a black-ops agent in the CIA’s fictive Department of Tourism. By committing himself to his wife and stepdaughter, Milo Weaver escapes a downward spiral into suicidal disintegration captured by the trope of “floating unmoored.” The series’ recursivity involves structural elements that can be identified as momentum and world-building.
Altering the Hypermasculine through the Feminine: Female Masculinity in Gillian Flynn’s Gone Girl / BETH STRATTON
Gillian Flynn’s Gone Girl offers a modern take on the neo-homosocial triangle that results in the triumph of a female masculinity. With the aid of his queer-coded sister, the character of Nick learns to temper his hypermasculinity with a more feminized version of masculinity to win back his wife, Amy.
Hard-Boiled Queers and Communists: James Ellroy’s The Big Nowhere / JOSHUA COMYN (Trinity College, University of Melbourne)
This article argues that the characterization of the killer in James Ellroy’s The Big Nowhere (1988), together with Ellroy’s development as a novelist, can be illuminated through the representation of psychoanalysis and Marxism within the novel, as well as by the historical context of the novel’s fictional setting.
Resisting Invisibility: Mothers and Human Trafficking in Ruth Dugdall’s Nowhere Girl and Susanne Staun’s Skadestuen / CHARLOTTE BEYER (University of Gloucestershire)
Human trafficking is regularly presented in twenty-first-century crime fiction, frequently through stereotypes of femininity but rarely involving mothers or maternal experience. This article seeks to remedy this gap in representation by analyzing two twenty-first-century crime novels featuring trafficking plots that focus specifically on the politics of representing mothers.
Tuesday, March 31, 2020
Plunder Road (1957).
In Plunder Road, a gang headed by Gene Raymond robs a train of $10M in gold, but evading the police and camouflaging the gold pose significant difficulties.
Monday, March 30, 2020
Update: Anna Katharine Green induction into New York State Writers Hall of Fame.
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| New edition of Anna Katharine Green's That Affair Next Door (1897) coming soon from Poisoned Pen Press/Sourcebooks |
Here's my original post on the subject.
Update, 5-26-20. I've been advised that the induction is being moved to June 7, 2021.
Tuesday, March 24, 2020
Moonlight Murder (1936).
Monday, March 23, 2020
Update: Chesterton home saved.
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| G. K. Chesterton. NYPL. |
Tuesday, March 17, 2020
Uncle Silas (aka The Inheritance, 1947).
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| Katina Paxinou, left, and Jean Simmons, right, with producer Laurence Irving on the set of Uncle Silas, ca. 1947 |
Based on the novel of the same name by Irish writer Sheridan Le Fanu, Uncle Silas features a young heiress (Jean Simmons) whose nefarious uncle (Derrick De Marney) is prepared to take drastic measures to gain control of her fortune.
Monday, March 16, 2020
John Buchan in Oxford.
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| John Buchan. NYPL |
Monday, March 09, 2020
William C. Honeyman: Violinist, mystery author, Holmes inspiration?
Tuesday, March 03, 2020
Lady without Passport (1950).
US immigration agent John Hodiak has a problem when he uncovers a human smuggling ring in Cuba that he needs to shut down and meets Hedy Lamarr, who seeks to reach the United States.
Monday, March 02, 2020
Chandler in World War I.
In the Smart Set, Benjamin Welton discusses Raymond Chandler's service in the Canadian Expeditionary Force and short-lived time in the RAF in World War I.
Further reading:
• Chandler's Canadian WWI service record (notes his status as a "naturalized British citizen" and includes his description of himself as a journalist. Fans may be amused by the mistake in his medical exam record, in which his first name is rendered as "Reginald.")
Further reading:
• Chandler's Canadian WWI service record (notes his status as a "naturalized British citizen" and includes his description of himself as a journalist. Fans may be amused by the mistake in his medical exam record, in which his first name is rendered as "Reginald.")
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| Chandler's signature from his Canadian discharge papers. |
Tuesday, February 25, 2020
Midnight Limited (1940).
Monday, February 24, 2020
An exhibition on a notorious 1963 robbery.
Through 19 April 2020, the Postal Museum in London is offering the exhibition "The Great Train Robbery: Crime and the Post," which provides a history of the Post Office Investigation Branch (established in 1683) and the notorious August 1963 robbery of a Royal Mail train, in which thieves made off with £2.6 million (approximately $71 million in today's dollars).
• Smithsonian magazine on the Great Train Robbery
• 2014 documentary on the robbery—A Tale of Two Thieves:
• Smithsonian magazine on the Great Train Robbery
• 2014 documentary on the robbery—A Tale of Two Thieves:
Monday, February 17, 2020
An early appearance by the Continental Op.
On its Web site, the Library of America features a Continental Op short story, "The Tenth Clew" (1924), by Dashiell Hammett. The Op finds that his client, who told him that his life had been threatened, has been murdered. He wonders about the young woman who intended to marry the dead man.
Labels:
Continental Op,
Dashiell Hammett,
short stories
Monday, February 10, 2020
History Extra on real-life and fictional Scotland Yard detectives.
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| Jack Hawkins in Gideon of Scotland Yard (1958) |
Wednesday, February 05, 2020
Anna Katharine Green: Upcoming inductee, NYS Writers Hall of Fame.
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| Anna Katharine Green. NYPL |
The induction dinner will be held at the Princeton Club in New York, and Rebecca Crozier, a great-great granddaughter of Green, is expected to attend. I will be there as well.
More on the 2020 inductees
Update, 3-26-20. The induction dinner has been moved to September 14.
Update, 5-26-20. I've been advised that the induction is being moved to June 7, 2021.
Tuesday, February 04, 2020
Tune in tonight: 2020 inductees, NYS Writers Hall of Fame.
Tune in tonight at 7 pm ET to the Empire State Center for the Book's Facebook page for the announcement of the 2020 inductees to the New York State Writers Hall of Fame. There will be good news for mystery fans.
Monday, January 27, 2020
Codes, ciphers, and mysteries.
On the Oxford University Press blog, Edwin Battistella (Southern Oregon University) discusses the presence of codes and ciphers in works by mystery authors such as Dan Brown, Arthur Conan Doyle, Edgar Allan Poe, and Charlie Lovett.
Monday, January 20, 2020
Chesterton home at risk.
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| G. K. Chesterton, 1904. NYPL |
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