Showing posts with label Marie Corelli. Show all posts
Showing posts with label Marie Corelli. Show all posts

Monday, June 30, 2014

E. W. Hornung's unpublished diary.

Libraries are always so interesting: a man's bookcase is something more interesting than the man himself, sometimes the one existing portrait of his mind.
—E. W. Hornung, The Crime Doctor

E. W. Hornung. NYPL
In English Literature in Transition, Edmund G. C. King (Open Univ) discusses the reading experience of British and Scottish soldiers in WWI, with particular attention to the wartime activities of E.W. Hornung (creator of Raffles, gentleman thief).

Sadly, Oscar—the only child of Hornung and Constance, Arthur Conan Doyle's sister—was killed in action at Ypres in July 1915. Seeking solace, Hornung served as a YMCA volunteer during the war—working in a canteen; maintaining a wartime library for soldiers in Arras, France, and a postwar one in the vicinity of Cologne, Germany; looking for friends of Oscar; and hoping to encounter Conan Doyle's serviceman son, Kingsley (who died of flu in 1918). His Notes of a Camp Follower on the Western Front (1919) tells about his war experiences and provides insight into what servicemen were reading (popular authors included Mary Elizabeth Braddon, Edward Bulwer Lytton, Marie Corelli, Anthony Hope, and E. Phillips Oppenheim). Interestingly, he reports only one reader for Wilkie Collins's The Woman in White. Pertaining to the works of his brother-in-law, he wrote, "Messrs. Holmes and Watson were the most flourishing of old firms, and Gerard the only Brigadier taken seriously at my counter" (Notes 141). His own output was not ignored:
"When I was up the line," said one of my friends, bubbling over with a compliment, "a chap said to me, 'You know that old—that—that elderly man who runs the Rest Hut? He's the author of Raffles.'"
Adds Hornung in mock outrage, "Elderly! One would as lief be labelled Virtuous or Discreet" (Notes 144–45). Hornung died of pneumonia in 1921 at 54, hardly an advanced age.

King relates that Hornung kept a diary between December 1917 and March 1918 that took the format of letters to his wife. He drew on this diary to write Notes, but King indicates that the diary reveals more about Hornung's reasons for war service than Notes does. Hornung's friend Shane Chichester preserved a typescript of the diary, which is now in the University of Birmingham's Cadbury Research Library along with other papers. King also provides a heart-warming glimpse of Hornung at work via the World War I memoir of Carlos Paton Blacker, Oscar's Eton classmate who became a noted psychiatrist.

King's article follows "The A. J. Raffles Stories Reconsidered: Fall of the Gentleman Ideal" by Jeremy Larance from the first 2014 issue of English Literature in Transition.

Wednesday, January 19, 2011

Gothic triumphs: Valancourt's top sellers for 2010.

Sheridan Le Fanu,
from Seventy Years of
Irish Life
(1893) by
William Richard Le Fanu
For those who enjoy seeing a different bestseller list, here are the Top 10 Sellers for Valancourt Books for 2010:

1.  Carmilla by Sheridan Le Fanu (1871–72); great-nephew of Irish playwright Richard Brinsley Sheridan

2.  The Blood of the Vampire by actress-author Florence Marryat (1897)
3.  Six Gothic Dramas by Scottish poet-playwright Joanna Baillie
4.  The Witch of Ravensworth by George Brewer (1808)
5.  The Necromancer by Karl Friedrich Kahlert (1794)
8.  Castle of Wolfenbach by Eliza Parsons (1793)
9.  The Old English Baron by Clara Reeve (1778)
10. The Cenci by Percy Bysshe Shelley (1819)

Thursday, November 18, 2010

Braddon, Corelli in The Latchkey.

Marie Corelli. NYPL
The Latchkey: Journal of New Woman Studies has new essays on sensation masters Mary Elizabeth Braddon and Marie Corelli. I'm particularly entertained by the Latchkey's column "The Whine Cellar," which features antifeminist diatribes from the turn of the century.

Wednesday, March 10, 2010

What they (supposedly) wanted us to read in 1895.

Harvard, as part of its exhibition "Reading: Harvard Views of Readers, Readership, and Reading History," is offering online the 1895 List of Books for Girls and Women and Their Clubs, issued for the American Library Association. The fiction list, "chosen and annotated by a reviewer for The Nation," tends to snarkiness, especially about popular books by women. Some of the listings:
• Mary Elizabeth Braddon, Aurora Floyd, Eleanor's Victory, Lady Audley's Secret. "The worst that may be said of her books is that the impression of life conveyed by them is generally false."

• Arthur Conan Doyle, Micah Clarke, Adventures of Sherlock Holmes, Memoirs of Sherlock Holmes. "His best books are narratives of military adventure, though perhaps the most popular describe the commission and detection of crime."

• Marie Corelli, Vendetta, The Soul of Lilith. "She enjoys great popularity."

•
Anna Katharine Green, The Leavenworth Case, The Mill Mystery, A Matter of Millions, A Strange Disappearance. "She scorns probability both in plot and character, and, to persons of reason, her books are tiresome and nonsensical. From her popularity it would appear that reason is scarce..."

• H. Rider Haggard, King Solomon's Mines, She, Heart of the World. "He is ingenious."

• Anthony Hope, The Prisoner of Zenda. "...The impossibility of all is a cold afterthought."

•
Edgar Allan Poe, Tales. "Morbidly imaginative."

•
E.D.E.N. Southworth, A Leap in the Dark, The Lost Heiress. "Her distortion of truth and fact is wonderful, and her sentimentality appalling."

• Lew Wallace, Ben Hur, The Fair God, The Prince of India. "His books are extremely long, the construction is intricate, and the grammar imperfect."

•
Ellen Wood, East Lynne, Danesbury House. "The work is much better than much of its class."
(Hat tip to PhiloBiblos. About the image: Cartoon of Mary Elizabeth Braddon from Punch, 1881, NYPL.)

Friday, June 26, 2009

Fangs for the memories.

Valancourt Books has just reissued Florence Marryat's Blood of the Vampire (1897, published the same year as Bram Stoker's Dracula). It features Harriet Brandt, "daughter of a mad scientist and a voodoo priestess," who seems to have a curiously lethal effect on those around her.

Actress, operatic singer, playwright, and spiritualist Marryat (1837–99) produced more than 50 books over the course of her lifetime.

Also new from Valancourt: Marie Corelli's Ziska (1897), "a supernatural tale of reincarnation, seduction, and revenge"; Sheridan Le Fanu's Carmilla (1871–72); and Richard Marsh's rare short story collection Both Sides of the Veil (1901). (BTW, Marsh' s grandson, the late horror writer Robert Aickman, celebrates a birthday tomorrow.)

About the image: A rendering of Florence Marryat from her acting days. New York Public Library.