"House for Sale" (1953).

Originally broadcast today 60 years ago, "House for Sale" (an episode of Four Star Playhouse) features Ida Lupino as a woman who confronts a real estate agent in a lonely house—or someone far more unstable.

Somerset Maugham's "The Criminal" (1904).

Somerset Maugham, NYPL

In English Literature in Transition 57.1 (2014), Daniel Blackburn and Alexander Arsov discuss "The Criminal," an early short story by Somerset Maugham that has not been reprinted—until now, in the journal. The style may seem a bit stilted to modern readers, but those interested in Maugham's crime-related work (such as "The Letter") may find intriguing elements in this ironic tale (based on a true incident) of a woman accused of theft and the barrister who represented her (or so she believes).

The issue also includes Jeremy Larance's discussion of E. W. Hornung's Raffles as an "ungentlemanly gentleman" refuting the English code of conduct, yet enjoying tremendous popularity.

Hammett's Secret Agent X-9 (1945).

Lloyd Bridges teams up with other secret agents to thwart Nazi plans for a synthetic fuel in this film adaptation of the comic strip by Dashiell Hammett and Alex Raymond.

T'is the season.

Some past season's greetings in the literary world:

Detail from Xmas card
NYPL

• The first Christmas card, 1846.

• Holiday cards sent by Robert Frost illustrating his poems.

• 1952 Christmas card from the New York Public Library.

• Christmas card sent by Langston Hughes, with a painting by Rockwell Kent. 

• Rebecca West with her husband, Henry Andrews, for their 1957 Christmas card.

• Christmas greeting from Mark Twain to J. M. Barrie

And don't miss:

• This essay by James Thurber on the phenomenon of sending holiday cards and his Hemingwayesque spoof of "The Night before Christmas."

• Journalist C. J. Ciaramella's Chandleresque spoof of "The Night before Christmas."

Foxwell on supporting players, Femmes Fatales.

Miss Clack (Cynthia Etherington, left)
wields her tracts before a skeptical
Rachel Verinder (Vivien Heilbron)
in The Moonstone (1972)

Today on the Femmes Fatales blog I'm talking about five of my favorite supporting characters in mysteries: Grandmama (Anne Perry), Miss Drusilla Clack (Wilkie Collins), Wilson Budd Hotchkiss (Mary Roberts Rinehart), Cordelia Thorn (Ellen Hart), and Ramses Emerson (Elizabeth Peters).

Remembering Peter O'Toole: Rogue Male (1976).

Although most of the tributes to the late Peter O'Toole seem focused on Lawrence of Arabia, The Lion in Winter, and Becket, he also was the lead in the second film adaptation of Geoffrey Household's thriller Rogue Male (dir. Clive Donner, 1976). O'Toole plays Sir Robert Hunter, who takes a potshot at Hitler and is pursued by the Gestapo.

New database, crime fiction by women authors from Spain.

Nuria Minguez's
Benvingut, Mister Holmes
(Welcome, Mister Holmes)

MUNCE (Mujeres y Novela Criminal en España 1975-2010, or Women and Crime Fiction in Spain 1975-2010) is a new database in Spanish that includes information on female mystery writers in Spain and crime novels written in Basque, Catalan, Galician, and Spanish. Funded by the Spanish Ministry of Economy and Competitiveness, the database is a team effort by scholars from universities in Spain, Australia, and the United Kingdom (one is Stewart King, who is working on a project on Spanish crime fiction).

Unlikely duos: Dolores Hart and Gilligan.

Dolores Hart, NYPL

A fascinating sidelight to the short acting career of Dolores Hart (e.g., King Creole and Where the Boys Are; she is now Mother Hart, O.S.B.) is this series of photos from a 1956 production of Joan of Lorraine at Loyola Marymount University. Hart played the Maid of Orleans, and—believe it or not—Bob Denver played the Dauphin.

Blackwell's Island (1939).

In Blackwell's Island, a reporter (John Garfield) goes undercover in a prison to expose the activities of a mobster. This film was co-directed by Michael Curtiz, with a screenplay and story by Crane Wilbur (a cousin of Tyrone Power).

First modern female PI in US mysteries.

Read my letter in the December 7 Washington Post regarding the first modern female private investigator in American mystery fiction (sorting out the debuts of Delilah West, Sharon McCone, V.I. Warshawski, and Kinsey Millhone).

Kenneth Fearing the poet.

The Neglected Books blog features "Cracked Record Blues" by Kenneth Fearing—probably better known during his lifetime for his poetry, but he's also the author of The Big Clock (film w/Ray Milland, 1948; remade as Police Python 357, 1976, and No Way Out, 1987).

The Narrow Margin (1952).

Before Peter Hyams remade it in 1990 with Gene Hackman and Anne Archer, The Narrow Margin appeared in 1952—a tale of a woman who intends to testify against criminals and is pursued on a train, directed by Richard Fleischer (Soylent Green, Mr. Majestyk).

Le Carre exhibition from Oxford.

Now online are some items from the Bodleian Library exhibition "Tinker, Tailor, Writer, Spy" on the work of John le Carre (aka David Cornwell). The library presented the exhibition in 2011 to mark the move of le Carre's papers to the Bodleian. Exhibits include:

• typewritten drafts of Tinker, Tailor, Soldier, Spy

• manuscript page from The Russia House

• photo of Alec Guinness and le Carre during the filming of Tinker, Tailor, Soldier, Spy

Of related interest: this 1996 program with le Carre and George Plimpton at New York's 92nd Street Y at the time of the release of The Tailor of Panama.

Mad about the boy.

Noel Coward. NYPL.

Via a Noel Coward Foundation grant, the New York Public Library for the Performing Arts has digitized photos from numerous Coward productions. View them in this Web exhibition. (Richard Chamberlain in Blithe Spirit? Tallulah Bankhead in Private Lives? Broderick Crawford in Point Valaine?)

Before John Huston: Satan Met a Lady (1936).

Dashiell Hammett's The Maltese Falcon has been filmed three times. Satan Met a Lady (1936, dir. William Dieterle) is the second version (preceding John Huston's 1941 version).

Grammar gaffes in the legal world.

In the newly posted Journal of Law 3.2 (2013, pp. 323–43), Bryan A. Garner provides a roundup of 2012 grammatical goofs in law reviews and other usage-related matters in the legal world, including the following:

• A Brooklynite contesting a parking ticket via interpreting the preposition to

• Facing the dire prospect of Texans losing their accents

• A British man pursuing a Campaign to Stamp Out Awesome

• A lawyer who presented an amicus brief as a comic strip

• Parsing the meaning of the NJ parking sign with the hours "from 8 am to 8 am"

Ngaio Marsh speaks.

In an episode from the program The Vault, Radio New Zealand featured historical recordings of Ngaio Marsh talking about her long association with the theater and offering some insight into her approach to mystery writing. "Detective fiction," she said, "has to be written with the very greatest economy."

Terror Street (1953).

An American officer (Dan Duryea) is accused of killing his wife in her London flat and has limited time to prove his innocence.

Want to study Lovecraft?

Joshi's I Am Providence: The
Life and Times of H. P. Lovecraft.
Hippocampus P

The Brown Library blog brings word of an upcoming research opportunity, the S. T. Joshi Endowed Research Fellowship, which will provide $2500 to a researcher planning 6 weeks of work in the collections on horror master H. P. Lovecraft in Brown University's John Hay Library. Application details are expected to be released in fall 2014. The fellowship is named for Joshi, who has done much work on Lovecraft and is a Brown graduate.

John Creasey's Gideon's Day now on DVD.

Jack Hawkins in Gideon's Day (1958)

As this NYT review discussed, the new John Ford boxed set from Turner Classic Movies includes Gideon's Day (aka Gideon of Scotland Yard, 1958), the film of John Creasey's important police procedural (1955) that features Jack Hawkins as Chief Inspector George Gideon, Anna Lee as his wife, and Anna Massey as his daughter. Cyril Cusack and Miles Malleson (cousin of mystery author Anthony Gilbert) also appear in the film.