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Capote also scripted the Humphrey Bogart-John Huston film Beat the Devil (1953) and admitted to making a mistake in resolving the notorious ambiguity in his screen adaptation of Henry James's "The Turn of the Screw," The Innocents (1961).
My favorite of Capote's works is The Muses Are Heard, an acutely observed account of a Porgy and Bess troupe touring Russia in 1955. I was also struck by "Willa, Truman, Truman, Willa," a wonderful, woefully brief piece that appeared in the November 2006 issue of Vanity Fair, in which Capote describes a meeting with Willa Cather, one of his favorite authors.
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