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About the image: Galton's fingerprints, from the cover of his book Finger Prints (1892)
Featuring History of Mystery/Detective Fiction and Other Literary Ramblings of Elizabeth Foxwell
About the image: Detective John Christie in disguise as a tinker. Museum Victoria• a carte de visite of detective John Christie, dubbed "the Sherlock Holmes of Victoria police"
• an image of the posse that captured outlaw Ned Kelly
• an account of the first Australian policeman killed in the line of duty (in 1803)
• an image of the police escort for British aviator Amy Johnson
• an image of a mobile forensic van of the Victoria police, ca. 1960
About the image: Cigarette card of G. K. Chesterton, NYPL• an account of his lectures there in fall 1930: "... there was the man himself, nearly three hundred pounds of him, who, thinking of some delicious aside, would start to chuckle and so convulse the audience before he had said what he had to say, that they were in a constant state of good nature. "
• a faculty admission card to Chesterton's Notre Dame lectures, which reveals that he spoke on history on Tuesdays, Thursdays, and Fridays; and on literature on Mondays, Wednesdays, and Fridays.
• online text of the 1912 Chesterton Day by Day, which features Chesterton quotes organized by days of the year. For example, the entry for January 31 is from The Defendant: "The Iliad is only great because all life is a battle, the Odyssey because all life is a journey, the Book of Job because all life is a riddle."• online text of Greybeards at Play: Literature and Art for Old Gentlemen, written and illustrated by Chesterton (note the dedication to "E.C.B.," who is Chesterton's old friend, mystery writer E. C. Bentley)
... to my mind crime is sordid and inevitably associated with gangsters, frustrated choir singers in dusty suburban towns, and starving old ladies supposed to have hidden vast fortunes in the bedsprings.About the photo: Vera Caspary, by Jane Rady. From The Secrets of Grown-ups.
—Vera Caspary, "Sugar and Spice." 1943. The Murder in the Stork Club and Other Mysteries 60
• Documents and a still from Seven Days in May (1964; dir. John Frankenheimer, writ. Rod Serling), including suggestions by Stanley Kubrick• Annotated script from "Never Steal a Butcher's Wife" (Suspense, 1950). You can listen to the episode here.
Roosevelt's concentration of mind when reading was quite as remarkable as his ability to read at any and all times and under the most unfavorable circumstances without inconvenience or annoyance. When interested in a book, he seemed to be absolutely dead, for the time being, to all the rest of the world. Noise did not affect him in the least. He could sit in the midst of a talking, shouting crowd and be totally oblivious of and insensible to everything but the contents of the volume in his hands.About the image: TR reads, ca. 1904. Library of Congress, Prints and Photographs Division
— J. A. Zahm, C.S.C., "Theodore Roosevelt as a Hunter-Naturalist," The Outlook 121 (March 1919): 435