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(Hat tip to the AHA blog. About the image: The well-fed Phantom, by Lee Falk and Ray Moore)
Featuring History of Mystery/Detective Fiction and Other Literary Ramblings of Elizabeth Foxwell
• Interview with P. D. James, primarily reflecting on Cover Her Face (1962)
• Archivist Robert Brown discusses Faber & Faber in the 1930s
• Conversations with Tobias Jones (author of Dark Heart of Italy) and Nicola Upson (author of the series featuring Josephine Tey as detective)
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Portrait of Anthony Berkeley Cox by George Morrow, from Jugged Journalism. |
"The popular idea of an editor is a sort of literary ogre, gnashing with his fangs the manuscripts of hapless tyros and taking a fiendish delight in trampling upon the efforts of all those whose names are not sufficiently known to the public at large to restrain his savage instincts" (p. 25).Several of Cox's points should be added to the famous "Decalogue: Ten Commandments for Mystery Fiction" of his fellow Detection Club member, Monsignor Ronald Knox:
• "Your detective is nearly always an amateur and he invariably has two surnames in place of the usual one and a Christian" (p. 36).Cox's sample mystery story in this book is called, memorably, "The Frozen Fang." Also do not miss Cox's "Holmes and the Dasher," a Sherlock Holmes parody written in the style of P. G. Wodehouse:
• "The mystery story should carry a love interest . . . . she must have slanting green eyes and behave inscrutably" (p. 43)
"What, ho, Watson, old fruit," he said at last, tossing the letter over to me. "What does that mass of alluvial deposit you call a brain make of this, what, what?" (p. 258).Sadly, this spritely book is out of print. Please, someone republish it.
• Various items pertaining to Charlotte Perkins Gilman, great-niece of Harriet Beecher Stowe; best known for "The Yellow Wall-Paper," she also wrote one mystery novel, Unpunished
(Hat tip to PhiloBiblos. About the image: Cartoon of Mary Elizabeth Braddon from Punch, 1881, NYPL.)• Mary Elizabeth Braddon, Aurora Floyd, Eleanor's Victory, Lady Audley's Secret. "The worst that may be said of her books is that the impression of life conveyed by them is generally false."
• Arthur Conan Doyle, Micah Clarke, Adventures of Sherlock Holmes, Memoirs of Sherlock Holmes. "His best books are narratives of military adventure, though perhaps the most popular describe the commission and detection of crime."
• Marie Corelli, Vendetta, The Soul of Lilith. "She enjoys great popularity."
• Anna Katharine Green, The Leavenworth Case, The Mill Mystery, A Matter of Millions, A Strange Disappearance. "She scorns probability both in plot and character, and, to persons of reason, her books are tiresome and nonsensical. From her popularity it would appear that reason is scarce..."
• H. Rider Haggard, King Solomon's Mines, She, Heart of the World. "He is ingenious."
• Anthony Hope, The Prisoner of Zenda. "...The impossibility of all is a cold afterthought."
• Edgar Allan Poe, Tales. "Morbidly imaginative."
• E.D.E.N. Southworth, A Leap in the Dark, The Lost Heiress. "Her distortion of truth and fact is wonderful, and her sentimentality appalling."
• Lew Wallace, Ben Hur, The Fair God, The Prince of India. "His books are extremely long, the construction is intricate, and the grammar imperfect."
• Ellen Wood, East Lynne, Danesbury House. "The work is much better than much of its class."
• Helene Hanff, 84 Charing Cross Road
• John le Carre, Tinker, Tailor, Soldier, Spy
• Peter Robinson, Gallows View
• Carlos Ruiz Zafon, The Shadow of the Wind
About the image: The "favourite Penguin" poster for February