Nicol Williamson as Sherlock Holmes in The Seven-Per-Cent Solution (1976) |
Featuring History of Mystery/Detective Fiction and Other Literary Ramblings of Elizabeth Foxwell
Nicol Williamson as Sherlock Holmes in The Seven-Per-Cent Solution (1976) |
• The New Investigations of Inspector Maigret
• The World of Bond and Maigret (a 1964 dialogue between Ian Fleming and Simenon; link to booklet)
Alex Raymond: An Artistic Journey— Adventure, Intrigue, and Romance by Ron Goulart |
The Actors Theatre of Indiana will be presenting Whodunit: The Musical from January 31 to February 16, 2025, at Allied Solutions Center for the Performing Arts' Studio Theater in Carmel, IN. Written by Ed Dixon, the musical is based on Mary Roberts Rinehart's The Circular Staircase (1908) and Rinehart and Avery Hopwood's subsequent successful play The Bat (1920). Bodies begin dropping amid skullduggery at a house in Connecticut.
Sheridan Le Fanu. |
In Film Score Friday, Scott Bettencourt provides news of new releases of a La-La Land anniversary edition of John Barry's scores for the James Bond films The Man with the Golden Gun (1974) and Moonraker (1979), as well as a Music Box remastered score by Bernard Herrmann for the 1973 film Sisters (dir. Brian De Palma, starring Margot Kidder and Charles Durning).
• Clips from The Man with the Golden Gun score plus order information
• Clips from the Moonraker score plus order information
• Clips from the Sisters score plus order information
Margot Kidder in Sisters (1973) |
Edward G. Robinson in The Red House (1947) |
Edgar Allan Poe. NYPL |
Dashiell Hammett Yank 30 Nov 1945 |
Wilkie Collins |
The Wilkie Collins Society has made available online The Collected Letters of Wilkie Collins, complete with annotations. Among the fascinating content:
• Prosecutor Nathaniel C. Moak used plot points from Collins' The Moonstone as part of his argument in court (he was unsuccessful; letter of 21 Aug 1883, ref. no. 3110).
Anna Katharine Green |
On October 27, the Somerville Theatre (MA) will show the silent film The Bat (1926), directed by Roland West; it is based on the play by Mary Roberts Rinehart and Avery Hopwood, which adapted Rinehart's The Circular Staircase (1908). A live score by Jeff Rapsis will accompany the film.
On November 1, AFI Silver Theatre (MD) will show the film with live musical accompaniment by Ben Model. Undercrank Productions has released a digital restoration of the film on DVD with a score by Model.
Rinehart made millions from The Bat. Review of the film from the 19 Jun 1926 Edmonton [Canada] Journal: "persistently challenging audiences to identify the arch criminal behind the stirring trail of mystery" ... a "peppery melodrama." The 16 Aug 1908 Baltimore Sun wrote regarding The Circular Staircase, "The story is well and vigorously written, the plot, barring a few inconsistencies, first-class, the dénouement unforeseen and the characters vivid and interesting."
As Scott Bettencourt reports in Film Score Friday, there are two releases of potential interest:
• 60th anniversary edition of the score to the James Bond film Goldfinger (1964, composed by John Barry, La-La Land)
• Score to The Talented Mr. Ripley (1999, composed by Gabriel Yared, Music Box)
On August 19, a new blue plaque was unveiled at Newbanks Cottage, the former residence of British mystery writer E. C. R. Lorac (aka Edith Caroline Rivett, 1894–1958), in Aughton, UK (about 10 miles north of Liverpool). Mystery author Martin Edwards provides some details on the event on his blog; see also his blog post on an earlier exhibition about Lorac's work.
Illustration from E. C. R. Lorac, "Remember to Ring Twice," MacKill's Mystery Magazine, Sept. 1952 |
Clues, vol. 42, no. 2 (2024)—a theme issue on BIPOC female detectives in a global context guest edited by Sam Naidu (Rhodes University, South Africa)—has been published. Contact McFarland to order the issue or a subscription. Abstracts follow below; I will update this post once the ebook versions are available.
Introduction: BIPOC Female Detectives in a Global Context / Sam Naidu
The guest editor discusses the rationale for and content of this Clues theme issue, including articles on the TV series Brooklyn Nine-Nine and the work of Eleanor Taylor Bland, Oyinkan Braithwaite, K’im Ch’aehŭi, Maria L. M. Fres-Felix, Pauline Hopkins, Tiffany D. Jackson, Vaseem Khan, Angela Makholwa, Marcia Muller, BarbaraNeely, Nnedi Okorafor, and Kwei Quartey.“Or my name ain’t Venus Johnson”:
The Birth of Pauline Hopkins’
Black Female Detective in Hagar’s Daughter
Andrea Tinnemeyer
Pauline Hopkins’ Hagar’s Daughter (serialized 1901–03) meditates on detective fiction’s potential to offer agency and self-created potential for a Black woman in Jim Crow times. The result is a liberating use of genre that not only celebrates the prowess of its detective, Venus Johnson, but also affirms the knowledge that flows from Black women and their communities.
Night Girl and the Nate-Rock:
Material Feminisms and Double Consciousness
in BarbaraNeely’s Blanche on the Lam
Lisa Koyuki Smith (CUNY Graduate Center)
This study focuses on BarbaraNeely’s Blanche on the Lam (1992), exploring Neely’s material feminisms avant la lettre, their connection to W.E.B. Du Bois’s articulation of double consciousness, narratological understandings of the detective genre, and narratives of racial passing that express the discursive and material complexity of race relations in the United States.
Listen to the Silence:
Reconsidering Race in Marcia Muller’s Sharon McCone Hard-boiled Detective Novels
Alexander N. Howe (University of the District of Columbia)
This article examines the development of the Native identity of Marcia Muller’s female private eye, Sharon McCone. McCone initially is identified with one-eighth Shoshone heritage. In Listen to the Silence (2000), McCone learns of her adoption and the membership of her birth parents in the Shoshone Nation. The series’ second half explores McCone’s Native identity, and contemporary Native experience, with increasing nuance and detail.
“You are a Symbol, Persis”: The Complexity of Postcolonial and Feminist Progress in Vaseem Khan’s Malabar House Series
Sophie-Constanze Bantle (University of Freiburg, Germany)
Vaseem Khan’s Malabar House series presents 1950s India as rife with opportunity and difficulty. Post-independence feminist and postcolonial emancipation is portrayed as a complicated and ongoing process, mirrored in discussions around Persis’ status as a symbol. Persis combats her society’s social problems, providing an example of agency in the face of oppression.
Austin Wood in The Advocate discusses a pair of bald eagles—dubbed Nick and Nora after Dashiell Hammett's Nick and Nora Charles—at White Rock Lake in Texas.
Georges Simenon. |
Other maps of potential interest:
• The Raymond Chandler Map of Los Angeles
• Agatha Christie's England
• John le Carré's London
• The World of Patricia Highsmith
"Top o' the world": James Cagney in White Heat (1949) |
Anna Katharine Green. NYPL. |
Charles Rohlfs. |
Catching up on Film Music Friday episodes from Kansas Public Radio, there's an episode on composer Bernard Herrmann, including excerpts from his scores for Psycho and North by Northwest.
Fan of the theremin? There's an episode on it, including an excerpt from Spellbound.
Prof. Leon Theremin with his eponymous device, 1928. NYPL |
Also of interest: Glasser's score for The Big Caper (with Rory Calhoun and James Gregory, 1957)