PBS's Judy Woodruff reports that Daniel Silva's The Defector is on her summer reading list, but also confesses to bias: She previously worked with him at CNN.BTW, I'm home from surgery and doing okay.
Featuring History of Mystery/Detective Fiction and Other Literary Ramblings of Elizabeth Foxwell
PBS's Judy Woodruff reports that Daniel Silva's The Defector is on her summer reading list, but also confesses to bias: She previously worked with him at CNN.
The Neglected Books blog discusses Wettermark (1969) by journalist Elliott Chaze (1915–90), mentioning the admiration of Bill Pronzini and Ed Gorman for this exploration of an impending bank heist. Ed has mentioned with particular favor Chaze's Black Wings Has My Angel (1953), now back in print.
Richard Matheson's "Duel," in which a trucker terrorizes a motorist, is featured this week on BBC Radio 7. Go here for the schedule or to listen.
Obit Magazine notes that today marks the death of Shirley Jackson at age 48 in 1965. Best known for "The Lottery" (1948), The Haunting of Hill House (1959), and We Have Always Lived in the Castle (1962), Jackson, in Jonathan Lethem's words, "wrote about the mundane evils hidden in everyday life." She received a posthumous Edgar Award for her short story "The Possibility of Evil."
Silver Dagger-winning Hopjoy Was Here (1962) and Lonelyheart 4122 (1967); Charity Ends at Home (1968); The Flaxborough Crab (1969); and Broomsticks over Flaxborough (1972)—as well as his critical work on British mysteries, Snobbery with Violence (1971).
But last year Colorado-based Rue Morgue Press beat FF to the Watsonfest with its more inexpensive editions of Coffin, Scarcely Used and Bump in the Night.
I was a bit startled to see that, uploaded on the Library of Congress's YouTube Channel, is the Center for the Book presentation by Sara Paretsky that coincided with the winter 2007 Clues theme issue on her work. Yours truly shows up at the end.
Monsieur Pamplemousse, the hapless sleuth-Guide Michelin critic of Paddington creator Michael Bond who is ably assisted by his dog Pommes Frites, is featured this week on BBC Radio 7 in "Monsieur Pamplemousse Investigates." Go here for the schedule or to listen.
Harvard University Press offers a preview of its September release A New Literary History of America. The following were the only mystery entries I spotted:• "The Murders in the Rue Morgue," 1841 (piece written by Robert Clark)
• "Hardboiled," 1926 (piece written by Walter Mosley)
• Psycho, 1960 (piece written by William Beard)
The Book Show of the Australian Broadcasting Corp. looks at the new literary magazine The Death Mook, which is all about the last hurrah, including "corpse tourism."
Art thefts are, sadly, big business, and the subject of reader interest, as can be seen in the reception of R. A. Scotti's Vanished Smile: The Mysterious Theft of Mona Lisa (2009). Now the nonprofit Association for Research into Crimes Against Art (ARCA) has announced the establishment of an academic journal, Journal of Art Crime, that will explore the subject, its history, and its aftermath. Although ARCA's Web site states that the first issue was due to be published in spring 2009, there are no articles, abstracts, or a table of contents posted.
Black Squirrel Books, an imprint of Kent State University Press that focuses on Ohio writers and culture, has reprinted Jim Tully's Circus Parade (1927) and Shanty Irish (1928). The press's Web site claims that Tully (1886–1947) "is credited with originating the hard-boiled writing style." I regard that assertion with skepticism, as Carroll John Daly generally receives the credit for publishing the first hard-boiled story, "The False Burton Combs," in 1922 and "It's All in the Game" with the first hard-boiled detective in 1923.
There will be some prescheduled posts over the next few days, although the Bunburyist might eventually need to go on temporary hiatus. My remarkable mother has passed away. Suffice for now to say that she was a child of the Depression with six siblings, raised three sons and three daughters after her husband died at age 49, and believed there was nothing her children could not do.
"There's nothing to do but go back to my room, listen to the radio, read [Dostoevsky's] Crime and Punishment and fall asleep wondering why Russians have to drag things out. You'd never find a New York detective wandering around with the likes of Raskolnikov talking about everything but the murder of the old woman. The New York detective would nab him, book him and the next thing is the electric chair in Sing Sing, and that's because Americans are busy people with no time for detectives to be chatting with people they already know committed the murder."
Pickering & Chatto has just published Reassessing John Buchan: Beyond The Thirty-Nine Steps. It is edited by University of Ghent professor Kate Macdonald, author of John Buchan: A Companion to the Mystery Fiction that I edited for McFarland. Essays examine areas such as Buchan and the Boer War, Buchan and Joseph Conrad, Buchan and the supernatural, and Buchan and Islam. Despite the collection's subtitle, there's one essay on "Tracing The Thirty-Nine Steps."
Jane Aiken Hodge, the American-born daughter of poet Conrad Aiken and sister of the late writer Joan Aiken, died at home on June 17th. The funeral is set for July 21st in Sussex. Hodge wrote a number of historical fiction works and some mysteries, such as Maulever Hall (1964), A Death in Two Parts (2000), and Deathline (2003), as well as a life of Jane Austen and a fine biography of Georgette Heyer, The Private World of Georgette Heyer (1984).
(1948) and works such as The Wreck of the "Mary Deare" (1956), was born today in Horsham in 1913. His writing career began far from promisingly: his first four novels, according to Contemporary Authors, only reaped a total of £120. He began to garner attention with Attack Alarm (1941), which was based on his experiences as a gunner during the Battle of Britain, and other novels were eventually adapted for film or television (for example, Fire in the Snow [1947], The White South [1949], Campbell's Kingdom [1952], and The Doomed Oasis [1960]). He was made a Commander of the British Empire (CBE) in 1978 and died in 1998.
This week BBC Radio 7 features Cornell Woolrich's "It Had to Be Murder," the short story that was the basis for Alfred Hitchcock's Rear Window. Go here for the schedule or to listen.
In this interesting podcast from the National Archives-UK, Audrey Collins explores nineteenth-century burial clubs or "friendly societies"—sort of like a Christmas Club for poor people to pay for the funerals and burials of themselves and their nearest and dearest. Except these friendly societies were not so friendly; rather, they were hotbeds of fraud (e.g., people dying several times, people reported dead who were alive, imaginary people reported dead) and murder (family members disinclined to wait for the death benefit).
The Overlook Press blog notes that Nick Kristof, a New York Times Op-Ed columnist, has selected the Best Kids Books Ever, including Freddy the Detective (1932) by Walter R. Brooks, the Hardy Boys by the Stratemeyer Syndicate, and the Alex Rider series by Foyle's War creator Anthony Horowitz ("things keep exploding in a very satisfying way").
Mr. Wrenn was disturbed by the fact that the swindler heroes robbed quite all the others, but he was stirred by the brisk romance of money-making. The swindlers were supermen—blonde beasts with card indices and options instead of clubs. —Sinclair Lewis, Our Mr. Wrenn (1914)
The Likely Stories blog is delighted that Newsweek selected seemingly fusty Anthony Trollope's The Way We Live Now (1874) as its top "What to Read Now" pick.
Fans of the late George MacDonald Fraser, rejoice: This week BBC Radio 7 features the 19th-century adventurer Harry Flashman in Flashman at the Charge and Flash for Freedom. Go here for the schedule or to listen.
July's Fine Books and Collections looks at Kevin Johnson's The Dark Page: Books That Inspired American Film Noir, vol. 2 (covering the 1950s). Works mentioned in the piece include Fredric Brown's The Screaming Mimi (1949); Niven Busch's The Furies (1948); Theodore Dreiser's An American Tragedy (1925); Dorothy B. Hughes's In a Lonely Place (1947); Mickey Spillane's Kiss Me, Deadly (1952); and Nathanael West's Miss Lonelyhearts (1933).
At Bloomsbury's June 23rd auction of books and manuscripts, a signed first edition of Graham Greene's This Gun for Hire (1936; reissued as A Gun for Sale) sold for $1500; and a hodgepodge lot of first-edition mysteries went for $600. They included Nigel Morland's A Rope for the Hanging (1939), Joanna Cannan's No Walls of Jasper (1931), Manning Coles's A Toast to Tomorrow (1941), and Elisabeth Sanxay Holding's The Girl Who Had to Die (1940). One note on Cannan: She was the sister of World War I poet May Wedderburn Cannan; mother of children's authors Josephine, Diana, and Christine Pullein-Thompson; and a friend of Georgette Heyer.
(1961; adapted by Hitchcock), was born today in Manchester in 1908. His many works include Night Journey: An Adventure (1941), Take My Life (1947), Fortune Is a Woman (1953), and After the Act (1965). He died in 2003.
The Westminster Libraries in London offers the online exhibition "Arthur Conan Doyle: The Prolific Writer," which seeks to highlight Conan Doyle's work outside of the Sherlock Holmes canon, such as fiction works featuring Professor Challenger, nonfiction on spiritualism and the Boer War, and accounts of his investigations into real-life crimes.
BBC Radio 7 follows up last week's broadcast of John Buchan's The Thirty-Nine Steps with another Richard Hannay adventure, The Three Hostages, as well as Sick Heart River, which was the farewell appearance of Buchan's other series character, lawyer Edward Leithen. Go here for the schedule or to listen.
Valancourt Books has just reissued Florence Marryat's Blood of the Vampire (1897, published the same year as Bram Stoker's Dracula). It features Harriet Brandt, "daughter of a mad scientist and a voodoo priestess," who seems to have a curiously lethal effect on those around her.
The Victorian Women Explorers exhibition at UK's National Portrait Gallery includes an image of novelist and Egypt Exploration Fund cofounder Amelia B. Edwards, who was one inspiration for Elizabeth Peters's Amelia Peabody Emerson. Edwards also wrote ghost stories; for some examples, go here.
Professional cynic, Civil War veteran, and prolific writer Ambrose Bierce—best known for the Devil's Dictionary with its unique definitions ("SENATE, n. A body of elderly gentlemen charged with high duties and misdemeanors") and the famous twist ending of "An Occurrence at Owl Creek Bridge" (1890)—was born today in Ohio in 1842. He disappeared under mysterious circumstances in 1913 while attempting to locate Mexican bandit Pancho Villa. Gregory Peck played Bierce in Old Gringo (1989).
On the June 12th program of WABE's Between the Lines, Donna Leon talked about her new novel About Face with Commissario Guido Brunetti.
This week on BBC Radio 7, mining engineer Richard Hannay attempts to thwart enemy spies in John Buchan's classic The Thirty-Nine Steps; also featured is Buchan's Huntingtower and Walter Mosley's Devil in a Blue Dress. Go here for the schedule or to listen.
Following up its reprints of the original Nancy Drew and Hardy Boys titles, Applewood Books has reissued several novels in the Judy Bolton series by Margaret Sutton (aka Rachel Irene Beebe, 1903–2001). These include The Vanishing Shadow (orig. publ. 1932), The Haunted Attic (orig. publ. 1932), The Invisible Chimes (orig. publ. 1932), Seven Strange Clues (orig. publ. 1932), The Ghost Parade (orig. publ. 1933), and Clue of the Stone Lantern (orig. publ. 1950).
The Bunburyist must note what D. C. Rose, president of the Societe Oscar Wilde en France, has advised: The Paris City Council will soon be naming a street or square after Wilde in response to a poll. Rose also notes that the society is organizing a ceremony on July 19 to mark the centenary of the transfer of Wilde's remains to Pere Lachaise Cemetery.
CBC's Between the Covers features readings of Howard Engel's mystery The Memory Book with PI Benny Cooperman (based on Engel's real-life experience with stroke, when he found he could write but not read).
There was a fine tribute to the Welsh-born actor-producer Sir Stanley Baker (1928–76) on the BBC's Film Programme, including his roles in Zulu (1964), The Cruel Sea (1953), and The Guns of Navarone (1961), as well as in crime films such as The Criminal (1960), Robbery (dir. Peter Yates, 1967), and early police proceduralist Maurice Procter's Hell Is a City (book 1954; film 1960).
Brian Garfield, best known for novels such as Death Wish and Hopscotch, appears at this weekend's Alaska Book Festival in Fairbanks to discuss screenwriting (today) and The Thousand-Mile War, his book on the Aleutian campaign during World War II (tomorrow). Go here for the festival schedule.
Detection Club member Dorothy Bowers was born today in Herefordshire in 1902. Her works—most featuring Scotland Yard Chief Inspector Dan Pardoe—include Postscript to Poison (1938), Shadows Before (1939), Deed without a Name (1940), Fear and Miss Betony (1941), and The Bells of Old Bailey (1947). She died of tuberculosis in 1948.
"I don't expect to come to New York to 'deal with the publisher.' The only way to deal with him would be to shoot him, and I don't want to spare the ammunition."
As the Library of Congress noted on its blog, it is working on a better online interface to search selected newspapers from 1880—1910. At left is one result: an August 26, 1906, ad from the New York Tribune for a serialization of Jacques Futrelle's The Thinking Machine (Futrelle died on the Titanic in 1912).
Time magazine is asking readers to submit questions for Stephanie Plum creator Janet Evanovich for an interview slated for an upcoming issue.
Janet Rudolph announced the sad news of the May 27th death of Sister Carol Anne O'Marie, creator of the Sister Mary Helen mysteries. I remember her once telling me she wrote her novels for relaxation—a diversion from the hard realities that she saw in her day-to-day work. Another of my cherished memories is attending a luncheon during one Bouchercon. I was sitting at a table with Sister Carol Anne and Gar Anthony Haywood, as Gar—who had served on a panel with Sister Carol Anne and is himself no mean man with a quip—told her, "Sister, you are a riot."
Lisa Rosner, author of The Anatomy Murders (due out in October), has developed an online slideshow dealing with the nineteenth-century Edinburgh murderers William Burke and William Hare. Rosner discusses the Web site and her book here.
The recent Guardian podcast with P. D. James on her novel The Lighthouse contains the reminder that she, a huge Jane Austen fan, once wrote a discussion of Emma as detective story. See the appendix of James's autobiography Time to Be in Earnest. Alas, Emma Woodhouse is not a great detective—she fails to see the clues right in front of her regarding her closest relationships. James states during the podcast that Austen would have made a fine mystery writer.
I was vastly entertained by this podcast from the National Archives UK, "Kapow! Fifties Britain versus the Comics Menace," which discusses the great fear that we degenerate Yanks were corrupting the innocent youth of Britain with our comic books in the 1940s and 1950s. In reality, as the presenter shows, there was a substantial comics tradition in the UK well before our materials reached its shores. Interesting as well was the statement that in Britain, there was a concerted effort to destroy any copies of Mickey Spillane's I, the Jury that cropped up.
Also fascinating: this National Archives UK podcast on the real story behind the film The Great Escape, which discusses the breakout at Stalag Luft III, the deliberately planned murders of 50 escaping POWs, and the war crimes trials that occurred afterward.